Hostname: page-component-77c89778f8-m42fx Total loading time: 0 Render date: 2024-07-19T05:20:53.849Z Has data issue: false hasContentIssue false

Conceptions: the conceptual document 1968 to 1972. A Norwich Gallery touring exhibition

Published online by Cambridge University Press:  06 June 2016

Catherine Moseley*
Affiliation:
Norwich Gallery, Norwich School of Art and Design, St George Street, Norwich NR3 IBB, UK
*
c.moseley@nsad.ac.uk, www.norwichgallery.co.uk
Get access

Abstract

Conceptual art is not, and was not, a ‘movement’, but more a broad area of activity which privileges the idea over the material and the sensory. The ideas, process or activities of artists were documented in the form of text, photography, sound recordings, film, written or typed instructions and publishing.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 2002

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. The exhibition Conceptions: the conceptual document 1968 to 1972 toured to the Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, 12 October to 2 December 2001 (http://www.belkin-gallery.ubc.ca). The publication of the same name, featuring illustrated works and interviews with many of the key artists and supporters from the period, is published by Gallery, Norwich, Norwich School of Art and Design/Article Press.Google Scholar
2. Printed in the publication Barry, Huebler, Kosuth, Weiner: exhibition, January 5-31, 1969. New York: Seth Siegelaub, 1969.Google Scholar