^{page 353 note a} This same tomb also yielded, as I am informed, a large cista of wood, with bronze feet formed as sphynxes, and handle on the lid modelled as a group of three armed warriors; another, a small bronze rista offineworkmanship, ornamented with centaurs, &c; a mirror of remarkable beauty and size, having a ligure of Bacchus on a leopard, in rilievo, of admirable art; also one of cast metal with a figure of Leda i n relief, and some other less important objects.

^{page 356 note a} , Jahn, Telephos und Troilos. Kiel, 1841Google Scholar. , Overbeck, Sagenkr. 13, 6, 11, &cGoogle Scholar.

^{page 356 note b} , Henzen, Bull, dell' Inst. 1869, p. 15Google Scholar.

^{page 357 note a} , Müller, Alt. Kunst. p. 39, fig. 440Google Scholar.

^{page 357 note b} Hygin. Fab. 132–242. Serv. ad Aen. iii. 14.

^{page 360 note a} The British Museum possesses four such rings, all of which are solid. One is of similar size to my No. 5, and with a like edging. The subject is an undraped man and woman embracing; it is much rubbed by wear. Another, smaller than any described in this paper, represents a warrior, wearing a cuirass, and with shield and drawn sword; he is looking over the right shoulder.

A third, also small, has a flying figure of Victory with the palm-branch, of excellent workmanship, in relief. The fourth is a small ring of great elegance and artistic merit. The subject is a nude male figure holding an oinochoe in the right hand and a patera (?) in the left; perhaps intended for Ganymede.

The Castellani collection has only one ring of this type. It is hollow and much battered, and the workmanship less excellent. The subject is a satyr, whose legs are doubled back.

There are four rings of similar type in the Louvre (Campana Coll.); three are hollow without any silver cores. On two of them the subject of a young man seated with a draped female in his lap, or on his knee, is represented. The third has for subject a male and a female figure, both draped, standing and looking towards each other in seeming converse; he holds a sword—perhaps the parting of a warrior and his wife—Hector and Andromache? The fourth is solid, of similar execution to my No. 6; the subject Mercury wearing a chlamys, the caduceus at his side; he is reposing, his head resting on a lion's skin.

In the Etruscan Museum at Florence is also one: a man seated, a female at his side or on his knee.

All would seem to be approximately of the same period, and to have originated from the same locality.

^{page 362 note a} Pausanias says:—“Πτερύ δέ ἓχον οὓτε τούτο το ὤγαλμα Νεμέσεωδ, οἂλλο ΠεΠοίηντμι τών άρχαίων”.

^{page 362 note b} , Hirt, Mythol. Bilderb. p. 97, &cGoogle Scholar .