Hostname: page-component-7479d7b7d-q6k6v Total loading time: 0 Render date: 2024-07-11T20:34:54.440Z Has data issue: false hasContentIssue false

Archaeological Draughtsmanship: Principles and Practice Part III: Lines of Communication

Published online by Cambridge University Press:  02 January 2015

Extract

Time and again, at international gatherings of archaeologists, the language barrier topples at the touch of a pencil on the back of an envelope. There is already a universal visual language, because archaeological evidences exist in the same visual terms the world over. Translate such data into words, and not only are they removed one step further from reality but also their meaning is put internationally at risk. They have to be translated yet again, from one verbal language to another, by intermediaries whose knowledge and skill may be imperfect.

Type
Articles
Copyright
Copyright © Antiquity Publications Ltd 1967

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

* Curwen, Harold, Processes of Graphic Reproduction in Printing, Faber (1934)Google Scholar; 3rd ed. (1963), 49, is excellent and carries a useful bibliography.