Hostname: page-component-848d4c4894-2xdlg Total loading time: 0 Render date: 2024-06-21T07:59:41.488Z Has data issue: false hasContentIssue false
  • English
  • Français

Ars Hispaniae: Historia Universal del Arte Hispánico, Vol. VI. Pintura e Imaglneria Románicas, por W. W. S. Cook y J. Gudiol Ricart. 11 × 9. Pp. 404; pls. 449. Madrid, Editorial Plus-Ultra, 1950. £3. 5s.

Published online by Cambridge University Press:  29 November 2011

J. R. H. Weaver
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
The Antiquaries Journal , Volume 32 , Issue 1-2 , April 1952 , pp. 90 - 92
Copyright
Copyright © The Society of Antiquaries of London 1952

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

page 91 note a When the convent was fired in July 1936 the splendid coffered ceiling of the chapter-house was destroyed, and the wall paintings irreparably damaged.

page 91 note b The best of the Berlanga frescoes were sold to dealers by the peasant-owners in 1922. Two of the finest, ‘The Last Supper’ and ‘The Marys at the Tomb’, are in the Boston Museum of Fine Arts.

page 92 note 1 An extraordinary detail in this scene helps to identify the fresquista of the lateral apse of Santa Maria of Tarrasa, dated c. 1180, with the painter of the Epiphany frontal of Espinelvas, viz. the wearing of stocking-suspenders by one of the knights at Canterbury and by Gaspar and Melchior in the Epiphany scene (figs. 64, 187).