The field of research in design computing and cognition focuses on computational theories and systems that enact design. Design computing and cognition produces a unifying framework to model and explain design beyond the description of “design computing and cognition,” as in “design computing” and “design cognition” as two cognate disciplines. Research in design computing and cognition recognizes not only the essential relationship between human cognitive processes as models of computation but also how models of computation inspire conceptual realizations of human cognition in design. The articles in this Special Issue address the concomitant key areas of research in design computing and cognition: computational models of design, computational representations in design, computational design systems, and design cognition. The computationally inspired perspectives, metaphors, models, and theories that the papers deliver create a base for computing and cognition to (re)shape design practice and its role in design science and inquiry.

Studies of creativity have tended to focus on isolated individuals, under the assumption that it can be defined as a characteristic of an extraordinary person, product, or process. Existing computational models of creative behavior have inherited this emphasis on independent generative processes. However, an increasing multidisciplinary consensus regards creativity as a systems property, and extends the focus of inquiry to include the interaction between generative individuals and evaluative social groups. To acknowledge the complementarity of evaluative processes by social groups, experts, and peers, this paper presents experimentation with a framework of design as a social activity. This model is used to inspect phenomena associated with creativity in the interaction between designers and their societies. In particular, this paper describes the strength of social ties as a mechanism of social organization, and explores its potential relation to creativity in a computational social simulation. These experiments illustrate ways in which the role of designers as change agents of their societies can be largely determined by how the evaluating group self-organizes over time. A key potential implication is that the isolated characteristics of designers may be insufficient to formulate conclusions about the nature and effects of their behavior. Instead, causality could be attributed to situational factors that define the relationship between designers and their evaluators.

In intelligent computer-aided design the concept of intelligence is related to that of integration. Using feature-based computer-aided design models is thought to make a complete integration. This paper presents a feature recognition approach based on the use of a feature grammar. Given the complexity of feature recognition in interactions, the basic idea of the approach is to find the latent and logical structure of features in interaction. The approach includes five main phases. The first phase, called regioning, identifies the potential zones for the birth of features. The second phase, called virtual extension, builds links and virtual faces. The third phase, called structuring, transforms the region into a structure compatible with the structure of the features represented by the feature grammar. The fourth phase, called Identification, identifies the features in these zones. The fifth phase, called modeling, represents the model by features. The feature modeling system software is developed based on this approach.

Shapes play an important role in many human activities, but are rarely seen in their natural form as raw and unanalyzed. Rather, shapes come analyzed, structured in terms of their certain parts, forming shape decompositions. Different kinds of shape decompositions are developed, the most interesting among which are the decompositions that could be used as shape approximations. Two kinds of such decompositions, discrete and bounded, are examined in greater detail. Computations with shapes conducted in the framework of shape grammars and related shape algebras have been standard for over 3 decades. Similar computations are possible with analyzed shapes or shape decompositions. Different algebras to compute with shape decompositions are developed and compared to the shape algebras. The measure of their agreement determines how well the shapes are approximated by their decompositions.

In computer-aided architectural design, words are an underemployed source of information. Through a series of case studies, we deduced a design annotation data model. All entities in this model can be captured from the design draft, except one: the word relation. Therefore, a system was developed that generates word graphs using single words from the draft as input. The system searches for semantic relations between words and for new intermediate words that can connect two existing words. The system has filters that select only those graphs that are considered interesting by the designers. The envisioned applications of word graphs in the context of computer-aided architectural design are to contribute to the architect's design and to enhance the fluency of the design. These expectations are met, but must be considered in relation to the architect's drafting behavior.

This paper examines the role of design concepts in a modus operandi as opposed to a modus operatum, which is how their generation, as it unfolds over time, is perceived by someone involved in designing instead of with the hindsight of being finished. To this end, the interactive activation and competition model, commonly used to model the retrieval of information from stored knowledge of individual exemplars, is applied in the context of architectural design. Parsing the data of an architect's think-aloud protocol through this model at successive points in the design process results in a photo shoot of a design concept “under construction.” This allows for the start of appreciating and accounting for the highly elusive character of concepts during design.