Poverty in ancient Egypt remains a rarely-studied subject. For decades Egyptologists have focused their attention mainly on the so-called ‘elite’, while the poor, their housing, their possessions, their diet, or their cultural values, remain largely in the shadows. Although they are much less visible archaeologically, they were much more numerous than the wealthy. Despite these circumstances, ancient Egypt provides a good starting point for discussing how to approach poverty during antiquity, as there are archaeological and textual records that can shed light on this complex issue. This article aims to stimulate reflection on the issue of poverty in the Nile valley and how it can be explored. It seeks also to add nuance to the idea of a strict dichotomy opposing the poor to the elite. In so doing, this paper will present discussion of the definition of poverty.

During the Early-Middle Bronze Age, a new package of technological knowledge, including high-fired ‘proto-porcelain’ products and specialized ‘dragon’ kilns, entered Lingnan in South China from neighbouring cultures. This enabled the first local production of proto-porcelain in Bronze Age communities of Guangdong province that later became concentrated in ceramic workshops in the Dongjiang valley. Through a holistic approach towards ceramic production and consumption that integrates elements of functionalist and social perspectives, this study will explore the technological and socio-political conditions underlying the value creation and consequent social usage of proto-porcelain. It will be argued that proto-porcelain was a suitable medium for the simultaneous expression of different social roles that might have included its use as serving ware in community rituals as well as its involvement in politico-economic strategies of elite groups.

The likelihood that Palaeolithic artisans sometimes used natural objects as models for their image-making has long been suggested, yet well-contextualized and stratified examples have remained rare. This study examines a series of natural and fabricated items from the Natufian settlement of Wadi Hammeh 27 in Jordan (12,000–12,500 cal. bc) to propose that the site occupants collected a variety of found objects such as fossils, unusually shaped stones and animal bones, which they utilized as templates in the production of geometric art pieces. Natural and fabricated objects were woven into complex schemes of relation by Natufian artisans. Existing patterns were copied and applied to a variety of representational images. Found objects were sometimes subtly modified, whereas at other times they were transformed into finished artefacts. The scute pattern on the tortoise carapace, in particular, appears to have formed the basis of important ritual beliefs across the Natufian culture area. At Wadi Hammeh 27, it was evoked in various media and at various scales to form interrelating tableaux of representation.

This paper examines the concept of animals as social actors in the ancient Near East through a case study of human–equid relations. In particular, examples where equids may be seen as expressing resistance, as depicted in the iconography of the third and second millennia bc, are analysed. The first part of the paper discusses how animals have been perceived in scholarly debates in philosophy, archaeology and human–animal studies. It is argued that an acknowledgement of animals as social actors can improve our understanding of the human past, and the relation of humans to their broader environment. The second part of the paper presents three examples from the ancient Near East where equids may be interpreted as pushing back or resisting the boundaries placed by humans, resulting in a renegotiation of the relationship.

In Europe, Scandinavia holds the largest concentration of rock art (i.e. petroglyphs), created c. 5000–first century bc, many of them showing figurative and seemingly narrative representations. In this paper, we will discuss possible narratological approaches applied to these images. We might reasonably distinguish between three levels of pictorial narrativity: representations of (i) single events, understood as the transition from one state of affairs to another, usually involving (groups of) agents interacting; (ii) stories, e.g. particular sequences of related events that are situated in the past and retold for e.g. ideological or religious purposes; and (iii) by implication, master-narratives deeply embedded in a culture, which provide and consolidate cosmological explanations and social structures. Some concrete examples of petroglyphs will be presented and analysed from narratological and iconographical perspectives. We will as a point of departure focus on (i), i.e. single events, though we shall also further consider the possibility of narrative interpretations according to (ii) and (iii).

Presented here is a meal from a simple cooking vessel, excavated from the Late Moche (AD 600–850) site of Wasi Huachuma on the north coast of Peru. This meal, cooked in a whole, plain vessel and spilled beneath the floor of a domestic structure, was unambiguously marked by a large stone embedded in the floor. It contained diverse plant and animal materials associated with the sea, the coastal plains, the highlands and the jungle. Via its contents and placement, this meal embodies the ways in which the domestic world of exchange and interaction was deeply entangled with the spiritual and political. All at once, this meal was utilitarian, domestic, industrial, ritually charged and politically embedded. Within it, the fruits of communities, geographical regions and ideas were assembled together to be realized as a dedicatory offering within, and potentially to, this domestic structure. I argue that this meal both contains and is contained by a milieu that is eminently local and mundane as well as worldly and supernatural.

The Iron Age of Mainland Southeast Asia began in the fifth century bc and lasted for about a millennium. In coastal regions, the development of trade along the Maritime Silk Road led to the growth of port cities. In the interior, a fall in monsoon rains particularly affected the Mun River valley. This coincided with the construction of moats/reservoirs round Iron Age settlements from which water was channelled into wet rice fields, the production of iron ploughshares and sickles, population growth, burgeoning exchange and increased conflict. We explore the social impact of this agricultural revolution through applying statistical analyses to mortuary samples dating before and after the development of wet rice farming. These suggest that there was a swift formation of social elites represented by the wealth of mortuary offerings, followed by a decline. Two associated changes are identified. The first involved burying the dead in residential houses; the second considers the impact of an increasingly aquatic environment on health by examining demographic trends involving a doubling of infant mortality that concentrated on neonates. A comparison between this sequence and that seen in coastal ports suggests two interconnected instances of rapid pathways to social change responding to different social and environmental stressors.

This contribution explores modes of human–animal interactions in hunter-gatherer communities in near-contemporary eastern Siberia and the Mesolithic of northwest Europe. By discussing notions of care and control and drawing on syntheses of Russian-language ethnographic data from eastern Siberia, this paper explores the diversity and nuances of hunter-gatherers’ interactions with animals. While some contexts may reveal respectful yet diverse treatments of the hunted animals, others suggest that hunter-gatherers also might have interacted with animals kept as pets, captives or companions, thus implicating relations in which notions of care and control seem to be tightly bound.