Book contents
- Frontmatter
- CONTENTS
- Dedication
- Acknowledgements
- Epigraph
- Introduction: ‘A Head Full of Plays and Novels’
- 1 Godwin and London's Theatrical World
- 2 ‘The Link between the Literary Class of Mankind and the Uninstructed’: St Dunstan and Caleb Williams
- 3 ‘Applause Hitherto Would be Impertinent’: Spectacle and Anti-Spectacle in Antonio and St Leon
- 4 Conversation and Spectacle in Abbas, Faulkener and Fleetwood
- Conclusion
- Notes
- Works Cited
- Index
4 - Conversation and Spectacle in Abbas, Faulkener and Fleetwood
- Frontmatter
- CONTENTS
- Dedication
- Acknowledgements
- Epigraph
- Introduction: ‘A Head Full of Plays and Novels’
- 1 Godwin and London's Theatrical World
- 2 ‘The Link between the Literary Class of Mankind and the Uninstructed’: St Dunstan and Caleb Williams
- 3 ‘Applause Hitherto Would be Impertinent’: Spectacle and Anti-Spectacle in Antonio and St Leon
- 4 Conversation and Spectacle in Abbas, Faulkener and Fleetwood
- Conclusion
- Notes
- Works Cited
- Index
Summary
Godwin was disconsolate at the fate of Antonio but his determination to persist with writing plays is evident from the letter he wrote to Kemble announcing his new play Abbas, King of Persia:
The opinion of no individual, however respected, could have produced so essential a revolution in my judgment as the experiment of a crowded theatre. Whatever prejudice I may still retain in favour of Antonio as a literary composition, I am fully convinced that it was ill-fitted to become the favourite of a theatre audience playhouse. My ideas of a tragedy to please our present audiences are changed, and that change will exhibit a strong operation in anything I since have, or hereafter may, meditate of that kind.
Godwin's admission of failure is somewhat equivocal. He still strongly believed that Antonio was a drama of high quality as is testified by his minimal revision and rapid publication of the text. He had no qualms at pronouncing it a ‘literary composition’, spending four days working on it before it was published on 22 December. Indeed, he wrote in the same letter that ‘I regard the 13th of December last as a great era in my life, and I am not without hope that it ultimately may prove an auspicious one’, a telling echo of his declaration to Gerrald seven years previously:
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- Information
- William Godwin and the Theatre , pp. 117 - 154Publisher: Pickering & ChattoFirst published in: 2014