Book contents
- Wilkie Collins in Context
- Wilkie Collins in Context
- Copyright page
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Chronology
- Abbreviations
- Frontispiece
- Part I Life and Works
- Part II Critical Response and Afterlife
- Part III Contexts: Literary
- Part IV Contexts: Cultural and Social
- Further Reading
- Index
- References
Further Reading
Published online by Cambridge University Press: 27 July 2023
Book contents
- Wilkie Collins in Context
- Wilkie Collins in Context
- Copyright page
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Chronology
- Abbreviations
- Frontispiece
- Part I Life and Works
- Part II Critical Response and Afterlife
- Part III Contexts: Literary
- Part IV Contexts: Cultural and Social
- Further Reading
- Index
- References
Summary
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- Information
- Wilkie Collins in Context , pp. 324 - 331Publisher: Cambridge University PressPrint publication year: 2023
References
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Weston, N. Daniel Maclise: Irish Artist in Victorian London (Dublin: Four Courts Press, 2001).Google Scholar
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Brantlinger, Patrick. Taming Cannibals: Race and the Victorians (Ithaca, NY: Cornell University Press, 2011).Google Scholar
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Gore, C. W. Plotting Disability in the Nineteenth-Century Novel (Edinburgh University Press, 2020).Google Scholar
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Baker, William, and Biwu, Shang. ‘Fruitful Collaborations: Ethical Literary Criticism in Chinese Academe’, Times Literary Supplement, 31 July 2015, pp. 14–15.Google Scholar
Nie, Z. Z. Introduction to Ethical Literary Criticism (Beijing: Peking University Press, 2014).Google Scholar
Law, Graham. ‘The Professionalization of Authorship’, in Kucich, John and Taylor, Jenny Bourne (eds.), The Oxford History of the Novel in English, Vol. iii: The Nineteenth-Century Novel, 1820–1880 (Oxford University Press, 2012), pp. 37–55.Google Scholar
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Allan, Janice M. ‘A Lock without a Key: Language and Detection in Collins’s The Law and the Lady’, Clues: A Journal of Detection 25.1 (Fall 2006), pp. 45–57.Google Scholar
Bowen, John. ‘The Man in White: Wilkie Collins’s Styles’, in Tyler, Daniel (ed.), On Style in Victorian Fiction (Cambridge University Press, 2022), pp. 172–90.Google Scholar
Finley, Matthew. ‘Hearsay Evidence: Legal Discourse, Circumstantiality, and The Woman in White’, Global Tides 10, Article 1 (2016), pp. 1–10. https://digitalcommons.pepperdine.edu/globaltides/vol10/iss1/1Google Scholar
Longmuir, Anne. ‘The Scotch Verdict and Irregular Marriages: How Scottish Law Disrupts the Normative in The Law and the Lady and Man and Wife’, in Mangham, Andrew (ed.), Wilkie Collins: Interdisciplinary Essays (Newcastle: Cambridge Scholars Publishing, 2008), pp. 166–77.Google Scholar
Atlas, Allan W. ‘Wilkie Collins on Music and Musicians’, Journal of the Royal Musical Association 124.2 (1999), pp. 255–70.Google Scholar
Bledsoe, Robert Terrell. Henry Fothergill Chorley: Victorian Journalist (Aldershot: Ashgate, 1998).Google Scholar
Gillett, Paula. Musical Women in England, 1870–1914: ‘Encroaching on All Man’s Privileges’ (New York: St Martin’s Press, 2000).Google Scholar
Losseff, Nicky. ‘Absent Melody and “The Woman in White”’, Music and Letters 81.4 (November 2000), pp. 532–50.Google Scholar
Vorachek, L. ‘Female Performances: Melodramatic Music Conventions and The Woman in White’, in Fuller, Sophie and Losseff, Nicky (eds.), The Idea of Music in Victorian Fiction (Burlington, VT: Ashgate, 2004), pp. 105–28.Google Scholar
Weliver, P. ‘The Prima Donna, Opera Chorus and Amateur Violinist: Music as “Event” in Wilkie Collins’s Man and Wife’, Forum for Modern Language Studies 48.2 (2012), pp. 178–94.Google Scholar
Hewitt, Martin. ‘Victoria’s Victorians and the Mid-Victorians’, Journal of Victorian Culture 24.4 (2019), pp. 431–9.CrossRefGoogle Scholar
Hurley, Kelly. The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siècle (1996; Cambridge University Press, 2004).Google Scholar
Lansbury, Coral. ‘Gynaecology, Pornography, and the Antivivisection Movement’, Victorian Studies 28.3 (Spring 1985), pp. 413–37.Google Scholar
Mangham, Andrew. Violent Women and Sensation Fiction: Crime, Medicine and Victorian Popular Culture (Basingstoke: Palgrave, 2007).Google Scholar
Pedlar, Valerie. ‘Experimentation or Exploitation? The Investigations of David Ferrier, Dr Benjulia and Dr Seward’, Interdisciplinary Science Reviews 28.3 (September 2003), pp. 169–74.CrossRefGoogle Scholar
Small, Helen. Love’s Madness: Medicine, the Novel, and Female Insanity, 1800–1865 (Oxford: Clarendon Press, 1996).Google Scholar
Talairach, Laurence. Gothic Remains: Corpses, Terror and Anatomical Culture, 1764–1897 (Cardiff: University of Wales Press, 2019).Google Scholar
Talairach-Vielmas, Laurence. Wilkie Collins, Medicine and the Gothic (Cardiff: University of Wales Press, 2009).Google Scholar
Allan, Janice M. ‘The Contemporary Response to Sensation Fiction’, in Mangham, Andrew (ed.), The Cambridge Companion to Sensation Fiction (Cambridge University Press, 2013), pp. 85–98.Google Scholar
Allan, Janice M. ‘To See Is to Suspect: Investigating the Private in Sensation Fiction’, in Rolls, Alistair and Franks, Rachel (eds.), Private Investigator (Bristol: Intellect Books, 2016), pp. 172–83.Google Scholar
Beller, Anne-Marie. ‘Detecting the Self in the Sensation Fiction of Wilkie Collins and Mary Elizabeth Braddon’, Clues: A Journal of Detection 26.1 (2007), pp. 49–61.Google Scholar
Beller, Anne-Marie. ‘“The Fashions of the Current Season”: Recent Critical Work on Victorian Sensation Fiction’, Victorian Literature and Culture 45. 2 (2017), pp. 461–73.Google Scholar
Beller, Anne-Marie. ‘Sensation Fiction in the 1850s’, in Mangham, Andrew (ed.), The Cambridge Companion to Sensation Fiction (Cambridge University Press, 2013), pp. 7–20.Google Scholar
Beller, Anne-Marie, and MacDonald, T. (eds.). Rediscovering Victorian Women Sensation Writers: Beyond Braddon (London: Routledge, 2014).Google Scholar
Calovini, Susan. ‘A “Secret” Novel of Her Own: Mary Elizabeth Braddon’s Rewriting of Dickens and Collins’, Tennessee Philological Bulletin 38 (2001), pp. 19–29.Google Scholar
Costantini, Mariaconcetta. Sensation and Professionalism in the Victorian Novel (Bern: Peter Lang, 2015).Google Scholar
Costantini, Mariaconcetta. ‘Sensational Artists in Italy: Mid-Victorian Variations of the Künstlerroman Plot’, Journal of Anglo-Italian Studies 13–14 (2014), pp. 161–73.Google Scholar
Daly, Nicholas. Sensation and Modernity in the 1860s (Cambridge University Press, 2009).Google Scholar
Emrys, A. B. Wilkie Collins, Vera Caspary and the Evolution of the Casebook Novel (Jefferson, NC: McFarland & Company, Inc., 2011).Google Scholar
Heller, Tamar. Dead Secrets: Wilkie Collins and the Female Gothic (New Haven, CT: Yale University Press, 1992).Google Scholar
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