Book contents
- The Victorian Cult of Shakespeare
- Cambridge Studies In Nineteenth-Century Literature And Culture
- The Victorian Cult of Shakespeare
- Copyright page
- Dedication
- Contents
- Figures
- Preface
- Acknowledgments
- Introduction
- Chapter 1 Shakespearean Sermons and Other Pious Texts
- Chapter 2 The Harmonies and Beauties of Devotional Shakespeare Volumes
- Chapter 3 The Sonnets and the Messiah
- Chapter 4 The Authority of the (Missing) Author
- Chapter 5 Shakespearean Clerisies and Perfect Texts
- Conclusion: Concealed Wonders and Choice Treasures
- Notes
- Selected Bibliography
- Index
- Cambridge Studies in Nineteenth-Century Literature and Culture
Chapter 1 - Shakespearean Sermons and Other Pious Texts
Published online by Cambridge University Press: 30 October 2020
- The Victorian Cult of Shakespeare
- Cambridge Studies In Nineteenth-Century Literature And Culture
- The Victorian Cult of Shakespeare
- Copyright page
- Dedication
- Contents
- Figures
- Preface
- Acknowledgments
- Introduction
- Chapter 1 Shakespearean Sermons and Other Pious Texts
- Chapter 2 The Harmonies and Beauties of Devotional Shakespeare Volumes
- Chapter 3 The Sonnets and the Messiah
- Chapter 4 The Authority of the (Missing) Author
- Chapter 5 Shakespearean Clerisies and Perfect Texts
- Conclusion: Concealed Wonders and Choice Treasures
- Notes
- Selected Bibliography
- Index
- Cambridge Studies in Nineteenth-Century Literature and Culture
Summary
Chapter One, “Shakespearean Sermons and other Pious Texts,” examines Shakespeare’s treatment in the Victorian pulpit, especially his place in what were then called “Shakespearean sermons.” This subgenre effectively begins at the celebratory religious services for Shakespeare’s tercentenary in 1864 and continues into the first decades of the twentieth century. Initially, Shakespearean sermons sought chiefly to evidence Shakespeare’s familiarity with scriptures. But progressively the genre developed strong claims that Shakespeare’s texts served as a “Lay Bible” that served better for sermons – and perhaps for souls – than the original Bible. By the fin de siècle, some preachers could prophetically boast that believers would soon celebrate Shakespeare’s inspiration across the Christian churches. Claims like this one derive from a well-developed Victorian hermeneutics that sees Shakespeare’s wisdom as both universal and given to sacred exegesis.
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- The Victorian Cult of ShakespeareBardology in the Nineteenth Century, pp. 22 - 49Publisher: Cambridge University PressPrint publication year: 2020