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  • Cited by 4
Publisher:
Cambridge University Press
Online publication date:
June 2012
Print publication year:
2007
Online ISBN:
9780511840890

Book description

Aphra Behn's novel Oroonoko (1688) is one of the most widely studied works of seventeenth-century literature, because of its powerful representation of slavery and complex portrayal of ways in which differing races and cultures - European, Black African, and Native American - observe and misinterpret each other. This edition presents a new edition of Oroonoko, with unprecedentedly full and informative commentary, along with complete texts of three major British seventeenth-century works concerned with race and colonialism: Henry Neville's The Isle of Pines (1668), Behn's Abdelazer (1676), and Thomas Southerne's tragedy Oroonoko (1696). It combines these with a rich anthology of European discussions of slavery, racial difference, and colonial conquest from the mid-sixteenth century to the time of Behn's death. Many are taken from important works that have not hitherto been easily available, and the collection offers an unrivaled resource for studying the culture that produced Britain's first major fictions of slavery.

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Contents


Page 1 of 2



Page 1 of 2


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Secondary works
Armitage, David, The Ideological Origins of the British Empire, Ideas in Context, 59 (Cambridge: Cambridge University Press, 2000).
Ballaster, Ros, “New Hystericism: Aphra Behn's Oroonoko: The Body, the Text and the Feminist Critic,” in New Feminist Discourses: Critical Essays on Theories and Texts, ed. Isobel Armstrong (London: Routledge, 1992), 283–95.
Beach, Adam R., “Anti-Colonist Discourse, Tragicomedy, and the ‘American’ Behn,” Comparative Drama 38 (2004), 213–33.
Beckles, Hilary McD., White Servitude and Black Slavery in Barbados, 1627–1715 (Knoxville: University of Tennessee Press, 1989).
Brown, Laura, “The Romance of Empire: Oroonoko and the Trade in Slaves,” in The New 18th Century, ed. Felicity Nussbaum and Laura Brown (New York: Methuen, 1987), 41–61, reprinted in Laura Brown, Ends of Empire: Women and Ideology in Early Eighteenth-Century English Literature (Ithaca and London: Cornell University Press, 1993), 23–63, and Janet Todd, ed., Aphra Behn (Basingstoke: Macmillan, 1999), 180–208.
Canny, Nicholas, and Pagden, Anthony, eds, Colonial Identity in the Atlantic World: 1500–1800 (Princeton; Guildford: Princeton University Press, 1987).
Chernaik, Warren, “Captains and Slaves: Aphra Behn and the Rhetoric of Republicanism,” Seventeenth Century 17 (2002), 97–107.
Chibka, Robert L., “‘Oh! Do Not Fear a Woman's Invention’: Truth, Falsehood, and Fiction in Aphra Behn's Oroonoko,” Texas Studies in Literature and Language 30 (1988), 510–37.
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Crump, Thomas, The Anthropology of Numbers (Cambridge: Cambridge University Press, 1990).
Cuder-Dominguez, Pilar, “Of Spain, Moors, and Women: The Tragedies of Aphra Behn and Mary Pix,” in Re-Shaping the Genres: Restoration Women Writers, ed. Zenón Luis-Martínez and Jorge Figueroa-Dorrego (Bern: Peter Lang, 2003), 157–73.
Dhuicq, Bernard, “Further Evidence of Aphra Behn's Stay in Surinam,” Notes and Queries 26 (1979), 524–26.
Dhuicq, BernardNew Evidence on Aphra Behn's Stay in Surinam,” Notes and Queries 42 (1995), 40–41.
Dunn, Richard S., Sugar and Slaves: The Rise of the Planter Class in the English West Indies, 1624–1713 (London: Cape, 1973).
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Ferguson, Margaret W. “News from the New World: Miscegenous Romance in Aphra Behn's Oroonoko and The Widow Ranter,” in The Production of English Renaissance Culture, ed. David Lee Miller, Sharon O'Dair, and Harold Weber (Ithaca: Cornell University Press, 1994), 151–89.
Ferguson, Margaret W. “Transmuting Othello: Aphra Behn's Oroonoko,” in Cross-Cultural Performances: Differences in Women's Re-Visions of Shakespeare, ed. Marianne Novy and Peter Erickson (Urbana: University of Illinois Press, 1993), 15–49.
Ferguson, Moira, “Oroonoko: Birth of a Paradigm,” New Literary History 23 (1992), 339–59.
Finch, G. J., “Hawkesworth's Adaptation of Southerne's Oroonoko,” Restoration and 18th Century Theatre Research 16 (1977), 41–43.
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Frohock, Richard, “Violence and Awe: The Foundations of Government in Aphra Behn's New World Settings,” Eighteenth-Century Fiction 8 (1996), 437–52, reprinted in Women at Sea: Travel Writing and the Margins of Caribbean Discourse, ed. Lizabeth Paravisini-Gebert and Ivette Romero-Cesareo (New York: Palgrave; 2001), 41–58.
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Gallagher, Catherine, “Oroonoko's Blackness,” in Aphra Behn Studies, ed. Janet Todd (Cambridge: Cambridge University Press), 235–58, reprinted in Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace, 1670–1820 (Oxford: Oxford University Press, 1994), 49–87.
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Hoegberg, David E., “Caesar's Toils: Allusion and Rebellion in Oroonoko,” Eighteenth-Century Fiction, 7 (1995), 239–58, reprinted in The Eighteenth-Century English Novel, ed. Harold Bloom (Philadelphia: Chelsea House; 2004), 329–46.
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Hughes, Derek, “Race, Gender, and Scholarly Practice: Aphra Behn's Oroonoko,” Essays in Criticism 52 (2002), 1–22.
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