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Chthonic and Pelagic Metaphorization in Eighteenth-Century English Erotica

Published online by Cambridge University Press:  06 July 2010

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Summary

In Shakespeare's Venus and Adonis (1593), the goddess of love, while trying to seduce a coyly reluctant Adonis, compares her body to a deer park and develops the metaphor of her erotic topography with graphic precision:

I'll be a park, and thou shalt be my deer.

Feed where thou wilt, on mountain, or in dale;

Graze on my lips, and if those hills be dry,

Stray lower, where the pleasant fountains lie.

Within this limit is relief enough,

Sweet bottom-grass, and high delightful plain,

Round rising hillocks, brakes obscure and rough,

To shelter thee from tempest, and from rain.

(11.229-38)

Beyond the popular Ovidian tradition, Shakespeare was availing himself of a stock of erotic imagery as ancient as the “Song of Songs,” with its subtle blend of sacred and profane love in the description of the female body. Its metaphorical transmutation into a country described with (apparently) painstaking topographical accuracy is not particular to eighteenth-century erotica, but was first used—at least in book-length form—in Erotopolis: The Present State of Betty-Land (1684), attributed to Charles Cotton. In France, La Mothe Le Vayer (1588-1672) published his Hexaméron rustique in 1670, in which the chapter devoted to the fourth day gives a most ingenious, if covertly bawdy, interpretation of Homer's description of the Naiads' cave in Book 13 of the Odyssey. La Mothe Le Vayer's interpretation rests on a line-by-line and nearly word-by-word gloss of Homer's text.

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Information
'Tis Nature's Fault
Unauthorized Sexuality during the Enlightenment
, pp. 202 - 216
Publisher: Cambridge University Press
Print publication year: 1988

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