The Cambridge Companion to Literature and Climate - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-vii

Figures

pp viii-viii

Notes on Contributors

pp ix-xiv

Introduction

pp 1-24

Part I - Historical Shifts in Climate Consciousness

pp 25-68

1 - Seasonal Processions

pp 27-39

2 - Literal and Literary Atmospheres

pp 40-54

3 - Weathers of Body and World

pp 55-68

Part II - Current Issues in Climate Change Criticism

pp 69-128

4 - Scales

pp 71-86

5 - Capitalist Cultures

pp 87-99

6 - Animals and Extinction

pp 100-113

7 - Climate Justice and Literatures of the Global South

pp 114-128

Part III - Ways of Telling Climate Stories

pp 129-176

8 - Climate Theatre

pp 131-145

9 - Digital Cli-Fi

pp 146-161

10 - Climate on Screen

pp 162-176

Part IV - Dialogic Perspectives on Emerging Questions

pp 177-306

Science Fiction and Future Fantasies

pp 177-200

11 - Ice-Sheet Collapse and the Consensus Apocalypse in the Science Fiction of Kim Stanley Robinson

pp 179-190

12 - Solarpunk

pp 191-200

Collective Climate Action

pp 201-226

13 - Indigenous and Black Feminist Knowledge-Production, Speculative Science Stories, and Climate Change Literature

pp 203-213

14 - More-than-Human Collectives in Richard Powers’ The Overstory and Vandana Singh’s ‘Entanglement’

pp 214-226

Love Letters to the Planet

pp 227-254

15 - Meteorology of Form

pp 229-243

16 - Perspective-Taking, Empathy, and Virtuality in Jorie Graham’s Fast

pp 244-254