Book contents
- Frontmatter
- Contents
- Tribute to Harry Mortimer Hubbell
- Preface
- The Socratic self as it is parodied in Aristophanes' Clouds
- The relativism of Protagoras
- Thucydides' historical perspective
- The psychoanalysis of Pentheus in the Bacchae of Euripides
- Aetiology, ritual, charter: three equivocal terms in the study of myths
- Divine and human action in Sophocles: the two burials of the Antigone
- Menander's Samia in the light of the new evidence
- The choral odes of the Bacchae of Euripides
- Stylistic characterization in Thucydides: Nicias and Alcibiades
- Scientific apparatus onstage in 423 B.C.
- Phaedra and the Socratic paradox
- Euripides' Iphigenia in Aulide 1–163 (in that order)
- Notes on Sophocles' Trachiniae
Euripides' Iphigenia in Aulide 1–163 (in that order)
Published online by Cambridge University Press: 10 January 2011
- Frontmatter
- Contents
- Tribute to Harry Mortimer Hubbell
- Preface
- The Socratic self as it is parodied in Aristophanes' Clouds
- The relativism of Protagoras
- Thucydides' historical perspective
- The psychoanalysis of Pentheus in the Bacchae of Euripides
- Aetiology, ritual, charter: three equivocal terms in the study of myths
- Divine and human action in Sophocles: the two burials of the Antigone
- Menander's Samia in the light of the new evidence
- The choral odes of the Bacchae of Euripides
- Stylistic characterization in Thucydides: Nicias and Alcibiades
- Scientific apparatus onstage in 423 B.C.
- Phaedra and the Socratic paradox
- Euripides' Iphigenia in Aulide 1–163 (in that order)
- Notes on Sophocles' Trachiniae
Summary
When Murray, following England's example, printed the iambic trimeters before the anapaests in what was to become the standard text, and so presented generations of students with two incomplete prologues (imposing on the nonconformist much page-turning and mental gymnastics) he was simply reflecting the almost unanimous consensus of European scholarship. Even since Musgrave in 1762 expressed doubts about the anapaests and suggested that two and a half lines cited by Aelian (Hist. Anim. VII. 39) from ‘Euripides’ Iphigenia' came from a genuine, lost prologue, the great figures of European scholarship had wrestled with the problem in languages ancient and modern. Musgrave's championship of the Aelian fragment as part of a lost prologue was soon (for obvious reasons) abandoned, but his attack on the form of the traditional opening was pressed home by other scholars with new and sharper weapons. Explanations varied (two editions, two separate plays, a manuscript left unfinished by Euripides and completed by his son) as did tastes (some saw Euripides' hand in the trimeters and some in the anapaests) but agreement was almost universal that the prologue in its traditional form could not be Euripidean, that the same man could not have written both anapaests and iambics to run in their present sequence.
Since Murray's text was published, this point of view has been reaffirmed (with some new arguments and a judicious pruning of the old) by two acute and learned critics, D. L. Page and E. Fraenkel.
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- Information
- Studies in Fifth Century Thought and Literature , pp. 239 - 262Publisher: Cambridge University PressPrint publication year: 1972