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St Anne in Renaissance Music
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Book description

Devotion to St Anne, the apocryphal mother of the Virgin Mary, reached its height in the fifteenth and early sixteenth centuries. Until now, Anne's reception history and political symbolism during this period have been primarily discussed through the lens of art history. This is the first study to explore the music that honoured the saint and its connections to some of the most prominent court cultures of western Europe. Michael Alan Anderson examines plainchant and polyphonic music for St Anne, in sources both familiar and previously unstudied, to illuminate not only Anne's wide-ranging intercessional capabilities but also the political force of the music devoted to her. Whether viewed as a fertility aide, wise mother, or dynastic protector, she modelled a number of valuable roles that rulers reflected in the music of their devotional programmes to project their noble lineage and prestige.

Reviews

'… Anderson explores brilliantly and exhaustively the many subtle influences music dedicated to the Mother of Mary had on the 'political' views of European nobility, especially females … The book is a triumph of prodigious research; close criticism of 'orthodox' views; mastery of a wide-ranging literature; and tendentious … tireless, detailed, specifically targeted conclusions … [It] is a wonder … A treat for scholars, musicologists, and historians of music and those specializing in the period.'

W. Metcalfe Source: Choice

‘St. Anne in Renaissance Music contributes significantly to our understanding of the way that liturgical music functioned in late-medieval culture by carefully scrutinizing a number of pieces from multiple genres that are unified by topic … Anderson deftly weaves together the various strands of devotion to St. Anne, drawing on the resources of early modern popular literature and visual culture, and the political contexts of various courts and churches, producing a book that is both thought provoking and pleasurable to read.’

Jane Daphne Hatter Source: Speculum

'This valuable book is an outstanding example of interdisciplinary scholarship that incorporates music sources, art and artifacts, and politics and addresses far more than its title suggests. It will certainly be of interest to scholars of music patronage, Saint Anne, and female patronage in general. Highly Recommended.'

Geneviève B. Bazinet Source: Renaissance Quarterly

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Contents

Bibliography

Select Manuscripts

  • Bologna, Civico Museo Bibliografico Musicale, MS Q15.

  • Brussels, Bibliothèque royale de Belgique, MSS 228, 6428, 9126, 9236, 9551, 10389, 10974, 15075, IV.922.

  • Cambridge, Magdalene College, Pepys Library, MS 1760.

  • Cambridge, Fitzwilliam Museum, MS 159.

  • Chicago, Newberry Library, MS 83.

  • Copenhagen, Royal Library, L.N. MS 30.

  • Évreux, Bibliothèque municipale, MS lat. 89.

  • Ghent, Poor Clares, MS 8.

  • Graz, Universitätsbibliothek, MS 30 (olim 38/9).

  • Jena, Thüringer Universitäts- und Landesbibliothek, Chorbuch MSS 3, 4, 5, 7, 30, 34, 35.

  • London, British Library, MS Royal 8 G.vii.

  • London, British Library, MS Stowe 12.

  • London, Royal College of Music, MS 1070.

  • Mainz, Bischöfliches Dom- und Diözesanmuseum, Codex C.

  • Mechelen, Archief en Stadsbibliotheek, MS s.s., “Livre de choeur.”

  • Montserrat, Biblioteca del Monestir, MS 773.

  • New York, Pierpont Morgan Library, MSS M.50, M.175, M.1166.

  • Oxford, Bodleian Library, MSS Lat. liturg.a.8, Lat. liturg.b.5.

  • Oxford, Bodleian Library, MS Laud Misc. 93.

  • Oxford, Bodleian Library, MS Rawlinson C. 489.

  • Paris, Bibliothèque de l’Arsenal, MSS 3358, 4009.

  • Paris, Bibliothèque nationale de France, MSS fr. 144, 1035, 5616, 7853.

  • Paris, Bibliothèque nationale de France, MSS lat. 830, 861, 865A, 872, 876, 1090, 1098, 8885, 9473, 9474, 10482, 12044, 14448, 15182, 15615, 17310, 17436.

  • Paris, Bibliothèque nationale de France, MS nouv. acq. lat. 83.

  • Torino, Biblioteca nazionale, MS J.II.9.

  • Vatican City, Biblioteca Apostolica Vaticana, MSS Palatini Latini 1976–9.

  • Vienna, Österreichische Nationalbibliothek, Musiksammlung, MS Mus. 15941.

  • Vienna, Österreichische Nationalbibliothek, MS Supplementum Musica 15496.

Prints Cited

Beda, Noël. Apologia p[ro] filiabus [et] nepotibus beatae Annae. Paris, 1520.
De Ceva, Boniface. Sermones prenatalicii, sive de adventu. Paris, 1518.
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Luther, Martin. An den christlichen Adel deutscher Nation. Wittenberg, 1520.
Luther, MartinWider den neuen Abgott und alten Teufel, der zu Meissen soll erhoben werden. Wittenberg, 1524.
Motetti de la corona. Libro primo. Venice, 1514.
Motetti de la corona. Libro primo. Rome, 1526.
Motettorum IV vocum ‘Liber secundus’, editio secunda. Venice, 1545.
Trithemius, Johannes. De laudibus sanctissimae matris Annae. Mainz, 1494.

Editions

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Ordonnances des rois de France: règne de François Ier. 9 vols. Paris, 1902–92.
Pipelare, Mathaeus. Opera Omnia. 3 vols. Ed. Ronald Cross. Corpus Mensurabilis Musicae 34. Rome, 1967.
Pizan, Christine de. The Book of the City of Ladies. Ed. Natalie Zemon Davis. Trans. Earl Jeffery Richards. New York, 1988.
Pizan, Christine deLe Livre des Trois Vertus: Édition critique. Ed. Charity Cannon Willard and Eric Hicks. Paris, 1989.
Pizan, Christine deA Medieval Woman’s Mirror of Honor: The Treasury of the City of Ladies. Trans. Charity Cannon Willard. Ed. Madeleine Pelner Cosman. Tenafly, NJ, 1989.
The Prayer Book of Anne de Bretagne: MS M.50, The Pierpont Morgan Library, New York. Commentary by Roger Wieck with a contribution from K. Michelle Hearne. Lucern, 1999.
Segovia, Juan de. Septem allegationes et totidem avisamenta pro informatione partum Concilii Basiliensis …Circa Sacratissimae Virginis Mariae Immaculatam Conceptionem ejusque preservationem a peccato originali. Brussels, 1664. Repr., 1965.
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