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8 - Writing news beyond the inverted pyramid

from Part 3 - NEWS-WRITING ACROSS THE GENRES

Published online by Cambridge University Press:  05 October 2012

Bruce Grundy
Affiliation:
University of Queensland
Martin Hirst
Affiliation:
Deakin University, Victoria
Janine Little
Affiliation:
Deakin University, Victoria
Mark Hayes
Affiliation:
University of Queensland
Greg Treadwell
Affiliation:
Auckland University of Technology
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Summary

Chapter objectives

In this chapter you will discover the following:

  • How to write for the discerning reader

  • When and why to abandon the ‘inverted pyramid’

  • Some elements of successful ‘long-form’ writing

  • How to stretch your writing wings

News organisations want more from their reporters than just an ability to write news stories. They want people who can also write well to satisfy those who want more from their news outlet than just the news. This chapter is about introducing some style and flair into your writing. This is not a licence to go ‘crazy’ and come over all ‘experimental’, but it is a form of permission to flex your writing muscle and exercise your imagination.

Writing well is not just writing

Good writing is all but invisible. You know it’s there only because what you are reading or hearing has a flow, a rhythm and a beat that make you want more. It holds your attention, but without drawing attention to itself. It is an artform. According to research findings presented a few years ago at an annual Journalism Education Association conference, both print and electronic media recruiters said they prized journalism graduates who could write well over those with a command of technology (Nankervis, 2005 ). Other research into the journalism job market also suggests that editors want reporters who can write for several media platforms and also for the time-rich reader – this is in line with international studies too.

Type
Chapter
Information
So You Want To Be A Journalist?
Unplugged
, pp. 174 - 197
Publisher: Cambridge University Press
Print publication year: 2012

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