Book contents
- Schubert's Late Music
- Schubert's Late Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Tables
- Contributors
- Book part
- Introduction: Schubert's late style and current musical scholarship
- Part I Reception histories
- Part II The late instrumental music (1): hermeneutics and performance
- Part III The late instrumental music (2): meaning and genre
- 10 Schubert hearing Don Giovanni: Mozartian death music in the ‘Unfinished’ Symphony
- 11 Longing for the unattainable: the second movement of the ‘Great’ C major Symphony
- 12 Tonal recollection in Schubert's late instrumental music
- 13 Detours, wrong tracks and dead ends: the Wanderer in the labyrinth of Schubert's late instrumental music
- 14 Formal ambiguity and generic reinterpretation in the late instrumental music
- Part IV Defining late style
- Select bibliography
- Index
13 - Detours, wrong tracks and dead ends: the Wanderer in the labyrinth of Schubert's late instrumental music
from Part III - The late instrumental music (2): meaning and genre
Published online by Cambridge University Press: 05 April 2016
- Schubert's Late Music
- Schubert's Late Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Tables
- Contributors
- Book part
- Introduction: Schubert's late style and current musical scholarship
- Part I Reception histories
- Part II The late instrumental music (1): hermeneutics and performance
- Part III The late instrumental music (2): meaning and genre
- 10 Schubert hearing Don Giovanni: Mozartian death music in the ‘Unfinished’ Symphony
- 11 Longing for the unattainable: the second movement of the ‘Great’ C major Symphony
- 12 Tonal recollection in Schubert's late instrumental music
- 13 Detours, wrong tracks and dead ends: the Wanderer in the labyrinth of Schubert's late instrumental music
- 14 Formal ambiguity and generic reinterpretation in the late instrumental music
- Part IV Defining late style
- Select bibliography
- Index
Summary
- Type
- Chapter
- Information
- Schubert's Late MusicHistory, Theory, Style, pp. 263 - 281Publisher: Cambridge University PressPrint publication year: 2016
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