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  1. Home
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  3. Rossini and Post-Napoleonic Europe
  • Cited by 4
Publisher:
Boydell & Brewer
Online publication date:
June 2021
Print publication year:
2015
Online ISBN:
9781782046363
DOI:
https://doi.org/10.1017/9781782046363
Series:
Eastman Studies in Music
Subjects:
Music, Music: General Interest
Information

Book description

This book examines Rossini within the context of his own time, one of Napoleonic domination of Italy, restoration of the Bourbon monarchy in Naples in 1815, and the 1830 Revolution in Paris. Using thetechniques of the historian, and reading librettos as texts, the author analyzes the five operas treated in detail in the book (Il barbiere di Siviglia, Cenerentola, La gazza ladra, Matilde di Shabran, and Il viaggio a Reims) as responses, each in its own way, to the history that the composer experienced. Roberts shows that Rossini made probing commentaries on politics and religion in a time of reaction and revolution, and that the composer was well-informed on post-Napoleonic politics. Rossini's comic writing served very serious purposes, exposing the problems and complications of an age that he observed with striking clarity.

Warren Roberts is Professor Emeritus of History at the University at Albany, SUNY, and has published extensively on eighteenth-century French culture.

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