Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Textual Note and Abbreviations
- Preface
- 1 ‘A Man Darkly Wonderful’: Coleridgean Reorientations in De Quincey Criticism
- 2 ‘Like the Ghost in Hamlet’: Radical Politics and Revisionary Interpretation
- 3 Revolutionary Joy: De Quincey's Discovery of Lyrical Ballads
- 4 The Pains of Growth: Language and Cultural Politics
- 5 Power and Knowledge: English Nationalism and the Mediation of Kant in England
- 6 De Quincey as Critic: Politics of Style and Representation of Wordsworth
- Conclusion—Visions and Revisions: New Directions in De Quincey Studies
- A Three Uncollected Coleridgean Marginalia from De Quincey
- B ‘Lessons of the French Revolution’
- C ‘To William Tait, Esquire’
- Works Cited
- Index
Frontmatter
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Textual Note and Abbreviations
- Preface
- 1 ‘A Man Darkly Wonderful’: Coleridgean Reorientations in De Quincey Criticism
- 2 ‘Like the Ghost in Hamlet’: Radical Politics and Revisionary Interpretation
- 3 Revolutionary Joy: De Quincey's Discovery of Lyrical Ballads
- 4 The Pains of Growth: Language and Cultural Politics
- 5 Power and Knowledge: English Nationalism and the Mediation of Kant in England
- 6 De Quincey as Critic: Politics of Style and Representation of Wordsworth
- Conclusion—Visions and Revisions: New Directions in De Quincey Studies
- A Three Uncollected Coleridgean Marginalia from De Quincey
- B ‘Lessons of the French Revolution’
- C ‘To William Tait, Esquire’
- Works Cited
- Index
Summary
- Type
- Chapter
- Information
- Revisionary GleamDe Quincey, Coleridge and the High Romantic Argument, pp. i - ivPublisher: Liverpool University PressPrint publication year: 2000