Inspired by Toni Morrison's call for an interracial approach to American literature, and by recent efforts to globalize American literary studies, Race, Transnationalism, and Nineteenth-Century American Literary Studies ranges widely in its case-study approach to canonical and non-canonical authors. Leading critic Robert S. Levine considers Cooper, Hawthorne, Stowe, Melville, and other nineteenth-century American writers alongside less well known African American figures such as Nathaniel Paul and Sutton Griggs. He pays close attention to racial representations and ideology in nineteenth-century American writing, while exploring the inevitable tension between the local and the global in this writing. Levine addresses transatlanticism, the Black Atlantic, citizenship, empire, temperance, climate change, black nationalism, book history, temporality, Kantian transnational aesthetics, and a number of other issues. The book also provides a compelling critical frame for understanding developments in American literary studies over the past twenty-five years.

'The breadth and depth of knowledge in this collection of essays is astonishing. The accumulation of brilliant readings, with topics ranging from James Fenimore Cooper’s works to Hurricane Katrina, illustrates yet again the centrality and importance of Robert S. Levine’s work to American literary studies.'

Cindy Weinstein - Eli and Edythe Broad Professor of English, Vice Provost, California Institue of Technology

'Robert S. Levine is one of our leading Americanists and these essays reveal why. Uniting beautiful close readings with brilliant historical analyses, they should be required reading for anyone interested in American culture or cultural criticism at its most exciting.'

John Stauffer - Sumner R. and Marshall S. Kates Professor of English and of African and African American Studies, Harvard University

'With typical cogency and a mastery of nineteenth-century American literary history, Robert S. Levine presents, in revised form, a series of essays that have helped to reshape the field over the past quarter century. The individual essays are impressive, taking up European American and African American literatures, advancing our understanding of nineteenth-century debates about race, nation, empire, temporality, and aesthetics, and showing the importance of these debates for the present. Taken together, the ten essays offer a model for articulating literature and history that preserves the complexities in both fields, and they make an eloquent case for authorial intention and critical agency.'

Samuel Otter - University of California, Berkeley