Technological transformation has profound and frequently unforeseen influences on art, design and media. At times technology emancipates art and enriches the quality of design. Occasionally it causes acute individual and collective problems of mediated perception. Time after time technological change accomplishes both simultaneously. This new book series explores and reflects philosophically on what new and emerging technicities do to our everyday lives and increasingly immaterial technocultural conditions. Moving beyond traditional conceptions of the philosophy of technology and of techne, the series presents new philosophical thinking on how technology constantly alters the essential conditions of beauty, invention and communication. From novel understandings of the world of technicity to new interpretations of aesthetic value, graphics and information, Technicities focuses on the relationships between critical theory and representation, the arts, broadcasting, print, technological genealogies/histories, material culture and digital technologies and our philosophical views of the world of art, design and media.

The series foregrounds contemporary work in art, design and media while remaining inclusive, both in terms of philosophical perspectives on technology and interdisciplinary contributions. For a philosophy of technicities is crucial to extant debates over the artistic, inventive and informational aspects of technology. The books in the Technicities series concentrate on present-day and evolving technological advances but visual, design-led and mass-mediated questions are emphasised to further our knowledge of their oftencombined means of digital transformation.

The editors of Technicities welcome proposals for monographs and well-considered edited collections that establish new paths of investigation.