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  • Cited by 4
Publisher:
Cambridge University Press
Online publication date:
October 2016
Print publication year:
2016
Online ISBN:
9781107477216

Book description

Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the context of the 1940s and 1950s, and secondly on the development of the composer's style, the contributors address recurring themes such as Boulez's approach to the serial principle and the related issues of form and large-scale structure. Featuring excerpts from Boulez's correspondence with a range of his contemporaries here published for the first time, the book illuminates both Boulez's relationship with them and his thinking concerning the challenges which confronted both him and other leading figures of the European avant-garde. In the final section, three chapters examine Boulez's relationship with audiences in the United Kingdom, and the development of the appreciation of his music.

Reviews

'By bringing together a substantial amount of recent scholarship in a highly accessible format, this collection of essays should open up numerous avenues for exploration and have a significant impact on future research in this area. … The availability of groundbreaking scholarship that had previously only been published in other languages to the general English-speaking public will hopefully have an impact, broadening and refining understanding of his music. The diverse readership that this book targets through the accessibility of its content is clearly beneficial to its wider aim of disseminating scholarship on this relatively understudied repertoire.'

Catherine Losada Source: Music Theory Spectrum

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Contents

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Newspapers, Magazines and Programme Notes

Anon. ‘Music at the Festival: Testing even the Avant-Garde.’ Glasgow Herald, 21 August 1965, p. 6.
Anon. Edinburgh Festival Programme, programme note, 29 August 1965.
Anon. ‘Conducting Other Men’s Music.’ Times, 30 August 1965, p. 4.
Anon. ‘Music from France for Exotic Birds.’ Glasgow Herald, 30 August 1965, p. 5.
Anon. ‘Spectacular Concert Experience.’ Times, 30 August 1965, p. 4.
Anon. ‘Mozart to Messiaen at Edinburgh.’ Times, 2 September 1965, p. 6.
Anon. ‘20th Century Music to the Fore.’ Times, 6 September 1965, p. 5.
Anon. ‘Rich Musical Sympathy by Mr. Boulez.’ Times, 8 September 1965, p. 13.
Anon. ‘Some Characteristics of Pierre Boulez’s Work.’ Times, 10 September 1965, p. 13.
Anon. ‘Le Festival D’Edimbourg.’ Revue Française, Octobre 1965, pp. 83–4.
Anon. Obituary of Yvonne Loriod. Daily Telegraph, 18 May 2010.
Anon. Obituary of Yvonne Loriod. Herald, 22 May 2010.
Anon. ‘Edinburgh: NDR-Sinfonie-Orchester.’ Westfälische Nachrichten, Münster, 1 September 1965.
Aprahamian, Felix. ‘Felix Aprahamian in Edinburgh.’ Sunday Times, 12 September 1965, p. 44.
Baby, Yvonne. ‘La naissance à soi-même doit s’accomplir chaque matin.’ Interview with Boulez, Pierre, Le Monde, 23 December 1976, p. 11.
Bradshaw, Susan. Edinburgh International Festival, programme note, 31 August 1965.
Cardus, Neville. Guardian review, 28 August 1965, p. 5.
Cardus, Neville. ‘Hamburg Orchestra Concert.’ Guardian, 30 August 1965, p. 5.
Cardus, Neville. ‘Pli selon pli.’ Guardian, 2 September 1965, p. 6.
Cardus, Neville. The Spectator, 2 September 1965, p. 14.
Cardus, Neville. ‘Brahms, Britten, Tippett and Busoni at Edinburgh.’ Guardian, 10 September 1965, p. 11.
Cardus, Neville. ‘Edinburgh Music: Bouleversed.’ The Spectator, 16 September 1965, p. 15.
Cooper, Martin. ‘Audience fascinated by Messiaen bird music: Dazzling Counterpoint.’ Daily Telegraph, 30 August 1965, p. 9.
Douglas, D. ‘Recital an Answer to Carping Critics.’ Glasgow Herald, 3 September 1965, p. 10.
Dumesnil, René. ‘Pierre Boulez – Peter Frankl – Georges Prêtre aux concerts Lamoureux.’ Le Monde, 18 March 1958, p. 13.
E.B.S.M. ‘Festival Profile: Boulez’s Outlook on Modern Composing.’ Glasgow Herald, 2 September 1965, p. 10.
Edinburgh Evening News, 14 August 1965.
Engel, Claire-Eliane. ‘Théâtre et Musique à Edimbourg.’ Le Monde, 17 September 1965.
Engel, Claire-Eliane. ‘Pierre Boulez Plébiscité.’ Nouvelles Littéraires, 30 September 1965.
Fife Free Press, 9 January 1965.
Gavoty, Bernard (alias ‘Clarendon’). ‘Pierre Boulez ou La polka des chaises.’ Le Figaro, 18 March 1958, p. 18.
Hamon, Jean. ‘Propos sur Doubles de Pierre Boulez.’ Combat, 20 March 1958, p. 2.
Hamon, Jean. ‘Toujours à propos de Doubles de Pierre Boulez.’ Combat, 24 March 1958, p. 2.
Hartmann, P. ‘Edinburgh: NDR-Sinfonie-Orchester.’ Flensburger Tageblatt, 2 September 1965.
Heyworth, Peter. ‘Bewildering Boulez.’ Observer, 5 September 1965, p. 24.
Hope-Wallace, Phillip. ‘Festival Postscript.’ Guardian, 13 September 1965, p. 7.
Hope-Wallace, Phillip. ‘“Que Boulez-vous?”: A bang at Edinburgh.’ Christian Science Monitor, 16 September 1965.
Inverness Courier, 29 January 1965.
Irwin, David. ‘Edinburgh Festival.’ Burlington Magazine 106/739, October 1964, pp. 474–5, 477.
Irwin, David. ‘Edinburgh Festival.’ Burlington Magazine 107/751, October 1965, pp. 536, 538–41.
Irwin, David. ‘C.R. Mackintosh and the Edinburgh Festival.’ Burlington Magazine 110/787, October 1968, pp. 588–92.
Larner, Gerald. ‘Boulez’s “Pli selon pli”.’ Guardian, 30 August 1965, p. 5.
Larner, Gerald. ‘Edinburgh Concerts.’ Guardian, 1 September 1965, p. 7.
Larner, Gerald. ‘Edinburgh Concert.’ Guardian, 2 September 1965, p. 7.
Larner, Gerald. ‘Boulez at the Freemasons’ Hall, Edinburgh.’ Guardian, 3 September 1965, p. 9.
Larner, Gerald. ‘Pierre Boulez at Leith Town Hall.’ Guardian, 6 September 1965, p. 7.
L.C.M.S. ‘Edinburgh welcomes stranger.’ New Zealand Herald, 11 September 1965.
Lindsay, M. Scottish Field review, 1965.
Northern Scot, 2 January 1965.
Paisley Daily Express, 28 August 1965.
Perthshire Advertiser, 2 January 1965.
Pincherle, Marc. ‘La musique.’ Les Nouvelles Littéraires, 20 March 1958, p. 10.
Samuel, Claude. ‘Edimbourg n’a pas sifflé Boulez.’ Paris Presse, L’Intransigeant, 10 September 1965.
Samuel, Claude. ‘Un Ahurissant Festival.’Le Nouveau Candide, 20 and 26 September 1965.
S.C. La Libre Belgique review, 20 September 1965.
Schneider, Marcel. ‘La musique à Paris.’ Combat, 27 March 1958, p. 3.
Shawe-Taylor, Desmond. ‘Adrift in the tone-continuum.’ Sunday Times, 5 September 1965, p. 36.
Stadlen, Peter. ‘Boulez revives melody in his own way.’ Daily Telegraph, 30 August 1965, p. 9.
Stadlen, Peter. ‘Messiaen’s lesson from bird-song.’ Daily Telegraph, 1 September 1965, p. 16.
Stadlen, Peter. ‘Boulez work that sows doubt.’ Daily Telegraph, 2 September 1965, p. 18.
Stadlen, Peter. ‘Edinburgh Festival: Composition on Platform: Pianists signal in Boulez.’ Daily Telegraph, 3 September 1965, p. 18.
Stadlen, Peter. ‘Exotic charm of Boulez “Le Marteau”.’ Daily Telegraph, 6 September 1965, p. 14.
Stadlen, Peter. ‘World of Music: Fragments for our Time.’ Daily Telegraph, 18 September 1965, p. 11.
Stravinsky, Igor. ‘New Sound as Stravinsky Hears it: Stravinsky and Sound.’ New York Times, 15 March 1959, pp. M1, M14.
Thorn, F. ‘Eine Welt in Edinburgh.’ Süddeutsche Zeitung, 11 September 1965.
T.M. ‘Truer understanding of serial music: Dedicated and Inspired Performance by Boulez.’ Glasgow Herald, 30 August 1965, p. 5.
T.M. ‘Pianist’s Expressive Playing.’ Glasgow Herald, 1 September 1965, p. 10.
T.M. ‘Boulez’s Arid Discourse in Serialism.’ Glasgow Herald, 3 September 1965, p. 10.
T.M. ‘Emphasising Boulez’s Individualism.’ Glasgow Herald, 6 September 1965, p. 5.
Wilson, Conrad. ‘Music: Three Shapely Themes.’ Scotsman, Weekend Magazine, 21 August 1965, p. 5.
Wilson, Conrad. ‘Boulez’s Cornucopia of Sound Effects: Visual as well as aural.’ Scotsman, 30 August 1965, p. 4.
Wilson, Conrad. ‘Boulez Forms Climax: Pianist’s stunning feat.’ Scotsman, 1 September 1965, p. 6.
Wilson, Conrad. ‘A Beautiful Example of Boulez’s Art: quartet play with warmth.’ Scotsman, 2 September 1965, p. 8.
Wilson, Conrad. ‘Maestro of modern serial music.’ Scotsman, 3 September 1965, p. 8.
Wilson, Conrad. ‘Obscurer Side of Boulez.’ Scotsman, 3 September 1965, p. 8.
Wilson, Conrad. ‘Weaving a Finer Fabric.’ Scotsman, 6 September 1965, p. 9.
‘WFUV To Program Stereophonic FM: Fordham Radio Station Will Begin Broadcasts Oct. 1 – New Technique Planned.’ New York Times, 22 September 1958, p. 52.
Zipser, Alfred R. ‘Plants quicken tempo to meet stereophonic sales crescendo: Orders Booming In Stereo Field.’ New York Times, 6 September 1959, p. F1.

Other Sources

Various collections of the following institutions and copyright holders have been consulted and are acknowledged in the text.

  • Archives et Musée de la Littérature, Brussels

  • BBC Written Archives Centre, Caversham

  • Bibliothèque nationale de France

  • The British Library, William Glock Collection

  • Brussels, Private archives

  • The Getty Research Institute, Los Angeles

  • Internationales Musikinstitut Darmstadt

  • National Library of Scotland

  • Paris, Musée de la musique

  • Paul Sacher Stiftung, Basel:

    • Sammlung Pierre Boulez

    • Sammlung René Leibowitz

    • Sammlung Henri Pousseur

    • Sammlung Karlheinz Stockhausen

  • Stockhausen Stiftung, Kürten

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