Meredith’s novels abound in sentences, understood not just as the verbal form that contains a subject and a predicate, ending in a period, but as sententiae or maxims, which express a general truth or opinion in striking and memorable terms. A long-time feature of argument and rhetoric, sententiae are intimately associated with the development of oral and written prose, though their presence in Meredith’s work has led to the accusation that his novels are excessively poetic. This essay adopts a genealogical approach to Meredith’s style by tracing the development of his earliest sententiae to their recognizably mature form. With roots in the “wisdom” tradition in ancient prophecy and philosophy, Meredith’s sententiae reflect an ideal of cultivated speech historically associated with intelligent conversation and drama, which he then assimilated to narrative fiction. The singularity of the Meredithian sentence – a metaphorically dense and syntactically complex assertion that blends idiosyncratic expression with judgments of common sense – thus arises from synthetic hybridity, overlaying didacticism with description and intellection with image.