Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-09T03:49:03.886Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  27 July 2023

Martin Nedbal
Affiliation:
University of Kansas
Get access

Summary

Although Mozart spent only a few weeks altogether in Prague, the city has been generally considered one of the most prominent sites associated with the composer. Czech- and German-language commentators in Bohemia usually take the successful production of Die Entführung aus dem Serail in 1783 as the starting point for the positive reception of Mozart’s music in Prague. The enthusiasm aroused by Die Entführung intensified with the success of Le nozze di Figaro in late 1786 and led to Mozart’s first visit to the Bohemian capital in early 1787. The most famous link between Mozart and Prague was created a few months later, when Mozart finished, rehearsed, and premiered his Don Giovanni at Prague’s Nostitz Theater (a theater initially created mainly for the production of German works, though later also featuring Italian operas and occasional Czech offerings) on October 29, 1787. One more famous premiere followed in September 1791 – that of La clemenza di Tito, commissioned for the coronation of Leopold II as the king of the Bohemian crownlands.

Type
Chapter
Information
Mozart's Operas and National Politics
Canon Formation in Prague from 1791 to the Present
, pp. 1 - 14
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Introduction
  • Martin Nedbal, University of Kansas
  • Book: Mozart's Operas and National Politics
  • Online publication: 27 July 2023
  • Chapter DOI: https://doi.org/10.1017/9781009257619.002
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Introduction
  • Martin Nedbal, University of Kansas
  • Book: Mozart's Operas and National Politics
  • Online publication: 27 July 2023
  • Chapter DOI: https://doi.org/10.1017/9781009257619.002
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Martin Nedbal, University of Kansas
  • Book: Mozart's Operas and National Politics
  • Online publication: 27 July 2023
  • Chapter DOI: https://doi.org/10.1017/9781009257619.002
Available formats
×