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3 - Malory's Moral Scribes: ‘Balyn’ in the Winchester Manuscript

Published online by Cambridge University Press:  12 September 2012

Thomas H. Crofts
Affiliation:
East Tennessee State University
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Summary

Unity of plot does not, as some persons think, consist in the unity of the hero. For infinitely various are the incidents in one man's life which cannot be reduced to unity; and so, too, there are many actions of one man out of which we cannot make one action. Hence the error, it appears, of all the poets who have composed a Heracleid, a Theseid, or other poems of the kind. They imagine that as Heracles was one man, the story of Heracles must be a unity.

(Aristotle, Poetics, VIII. 1–2)

Introduction: Exemplarity and Fifteenth-Century Literary Production

Since Malory's translation served not only a linguistic but a cultural demand, the Morte must be read not only in the context of its French sources, but as continuous with the Winchester manuscript itself. This chapter will analyze the extent to which the manuscript's ‘exterior’ tokens of literary value can help us historicize the emergence of Malory's book. As we shall see, such an analysis must also expose aspects of Malory's text that are little suited to the uses urged by those exterior tokens.

That ‘unsuitability’ has a history of its own. For example, the struggle of a knight to be, or become, identical with himself is found in Chrétien's Percival; it is refined (highly) into comedy by the Gawain-poet; and it is also the struggle of Malory's knights, especially Lancelot, who are doomed to serve both truth and honor, virtues whose paths are rarely the same.

Type
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Information
Malory's Contemporary Audience
The Social Reading of Romance in Late Medieval England
, pp. 61 - 93
Publisher: Boydell & Brewer
Print publication year: 2006

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