Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction
- Music as Metaphor in Etty Hillesum’s Spirituality
- A “staretz” in Camp Westerbork: The Connections Between Slavic Orthodoxy and the Spirituality of Etty Hillesum
- Etty Hillesum: Humanity as a Task
- Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
- “Now is the Time to Put into Practice: Love Your Enemies”: Several Notes on Hillesum’s “Love for Enemies” in Levenskunst
- The Cares of the Pagans: The Reading of Matthew 6:25-34 by Søren Kierkegaard and Etty Hillesum
- Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
- Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum
- The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
- Etty Hillesum and Charlotte Salomon: Pregnancy as a Theme in Their Lives and Works
- Wandering Beyond Words: Etty Hillesum and Clarice Lispector
- “Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
- A “No” that Is an Affirmation: Etty Hillesum and Simone Weil Against the Laws of Force
- From Enclosure to Disclosure: Images of the Self in Etty Hillesum’s Diary
- A Story of Individuation in the Writings of Etty Hillesum: A Jungian Perspective
- Mad Midrash in the Diaries of Etty Hillesum
- The Mystery of Encounter: Poetry and Faith After Auschwitz in the Work of Paul Celan and Etty Hillesum
- Can Religion Help Heal a World Broken by Trauma?: Etty Hillesum as Our Ancestor in the Qahal Goyim
- The Contours of These Times:Etty Hillesum as Chronicler of Love Transcending Hate in Her Times, for Our Time, for All Time
- Etty Hillesum’s Hand Analysis: The Prologue to Her Diaries
- Suffering, Silence, and Wisdom in the Life of Etty Hillesum
- Feeding the Soul: Etty Hillesum’s Pedagogical and Spiritual Path
- Am I Really a Woman?: A Question About Female Identity in Etty Hillesum
- A Powerless God: Etty Hillesum and Dietrich Bonhoeffer
- New Light on Etty Hillesum’s Actions in Camp Westerbork
- “My Beloved Desk, the Best Place on this Earth”: Etty Hillesum Says Goodbye to Her Familiar Surroundings
- Etty Hillesum’s Humanism: Ethical, Philosophical and Theological Comments
- Etty Hillesum’s Struggle to See Clearly: A Story of Two Worlds
- Present Traces of a Past Existence: Through the Lens of Photography
- Etty Hillesum Bibliography
- Works on Etty Hillesum
- Index of Names and Subjects
- Index of Citations
Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
Published online by Cambridge University Press: 21 November 2020
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction
- Music as Metaphor in Etty Hillesum’s Spirituality
- A “staretz” in Camp Westerbork: The Connections Between Slavic Orthodoxy and the Spirituality of Etty Hillesum
- Etty Hillesum: Humanity as a Task
- Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
- “Now is the Time to Put into Practice: Love Your Enemies”: Several Notes on Hillesum’s “Love for Enemies” in Levenskunst
- The Cares of the Pagans: The Reading of Matthew 6:25-34 by Søren Kierkegaard and Etty Hillesum
- Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
- Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum
- The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
- Etty Hillesum and Charlotte Salomon: Pregnancy as a Theme in Their Lives and Works
- Wandering Beyond Words: Etty Hillesum and Clarice Lispector
- “Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
- A “No” that Is an Affirmation: Etty Hillesum and Simone Weil Against the Laws of Force
- From Enclosure to Disclosure: Images of the Self in Etty Hillesum’s Diary
- A Story of Individuation in the Writings of Etty Hillesum: A Jungian Perspective
- Mad Midrash in the Diaries of Etty Hillesum
- The Mystery of Encounter: Poetry and Faith After Auschwitz in the Work of Paul Celan and Etty Hillesum
- Can Religion Help Heal a World Broken by Trauma?: Etty Hillesum as Our Ancestor in the Qahal Goyim
- The Contours of These Times:Etty Hillesum as Chronicler of Love Transcending Hate in Her Times, for Our Time, for All Time
- Etty Hillesum’s Hand Analysis: The Prologue to Her Diaries
- Suffering, Silence, and Wisdom in the Life of Etty Hillesum
- Feeding the Soul: Etty Hillesum’s Pedagogical and Spiritual Path
- Am I Really a Woman?: A Question About Female Identity in Etty Hillesum
- A Powerless God: Etty Hillesum and Dietrich Bonhoeffer
- New Light on Etty Hillesum’s Actions in Camp Westerbork
- “My Beloved Desk, the Best Place on this Earth”: Etty Hillesum Says Goodbye to Her Familiar Surroundings
- Etty Hillesum’s Humanism: Ethical, Philosophical and Theological Comments
- Etty Hillesum’s Struggle to See Clearly: A Story of Two Worlds
- Present Traces of a Past Existence: Through the Lens of Photography
- Etty Hillesum Bibliography
- Works on Etty Hillesum
- Index of Names and Subjects
- Index of Citations
Summary
Abstract
Albert Konrad Gemmeker, Commander of Durchgangslager Westerbork, became to be known as the “gentleman-commander,” because of his polite and friendly behaviour. After the war, he declared, during his trial, like many perpetrators, that he didn't know of the massive extermination of millions of innocents. Etty Hillesum, unlike Gemmeker's judges, was not blindsided by his behaviour and in her letters she described and criticized the commander, exposing him as one of the most important executors of the extermination system, the key player in the Entjudung of the Netherlands.
Keywords: Albert Konrad Gemmeker, Westerbork Camp, deportation of Jews, Nazism, prosecution of Nazi war crimes, “gentleman-commander”, Westerbork letters of Etty Hillesum
“My God, are the doors really being shut now?” Hillesum asks herself on 24 August 1943. Through the small openings at the top of the train, she catches a glimpse of the passengers. She sees only heads and hands. Hands that will wave to the ones who will be left behind, when the train leaves. This time, the transport consists of more than a thousand innocent men, women, and children destined for Auschwitz-Birkenau where the train will arrive in three days. Between July 1942 and September 1944, 93 of such transports departed from Camp Westerbork for the camps in Eastern Europe.
Camp Westerbork was established by the Dutch government on 9 October 1939 as the Central Refugee Camp Westerbork. The place was to provide a safe haven for Jews who had fled Germany and Austria. But on 1 July 1942, the Germans took over control of the camp and Camp Westerbork fell under the Befehlshaber der Sicherheitspolizei und des SD. Camp Westerbork continued under the official name Polizeiliches Durchgangslager Westerbork.
The organization of the camp that had already been introduced and put into motion by Jacques Schol, the first Westerbork commander, was taken over by the Germans. Security in the camp was tightened. The military police present in the camp together with the Ordedienst (OD; Jewish camp police) took care of surveillance of the interior. An SS unit was responsible for surveillance outside. Barbed wire and watchtowers gave the camp a different appearance.
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- Lasting Significance of Etty Hillesum's Writings , pp. 59 - 80Publisher: Amsterdam University PressPrint publication year: 2019