Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction
- Music as Metaphor in Etty Hillesum’s Spirituality
- A “staretz” in Camp Westerbork: The Connections Between Slavic Orthodoxy and the Spirituality of Etty Hillesum
- Etty Hillesum: Humanity as a Task
- Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
- “Now is the Time to Put into Practice: Love Your Enemies”: Several Notes on Hillesum’s “Love for Enemies” in Levenskunst
- The Cares of the Pagans: The Reading of Matthew 6:25-34 by Søren Kierkegaard and Etty Hillesum
- Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
- Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum
- The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
- Etty Hillesum and Charlotte Salomon: Pregnancy as a Theme in Their Lives and Works
- Wandering Beyond Words: Etty Hillesum and Clarice Lispector
- “Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
- A “No” that Is an Affirmation: Etty Hillesum and Simone Weil Against the Laws of Force
- From Enclosure to Disclosure: Images of the Self in Etty Hillesum’s Diary
- A Story of Individuation in the Writings of Etty Hillesum: A Jungian Perspective
- Mad Midrash in the Diaries of Etty Hillesum
- The Mystery of Encounter: Poetry and Faith After Auschwitz in the Work of Paul Celan and Etty Hillesum
- Can Religion Help Heal a World Broken by Trauma?: Etty Hillesum as Our Ancestor in the Qahal Goyim
- The Contours of These Times:Etty Hillesum as Chronicler of Love Transcending Hate in Her Times, for Our Time, for All Time
- Etty Hillesum’s Hand Analysis: The Prologue to Her Diaries
- Suffering, Silence, and Wisdom in the Life of Etty Hillesum
- Feeding the Soul: Etty Hillesum’s Pedagogical and Spiritual Path
- Am I Really a Woman?: A Question About Female Identity in Etty Hillesum
- A Powerless God: Etty Hillesum and Dietrich Bonhoeffer
- New Light on Etty Hillesum’s Actions in Camp Westerbork
- “My Beloved Desk, the Best Place on this Earth”: Etty Hillesum Says Goodbye to Her Familiar Surroundings
- Etty Hillesum’s Humanism: Ethical, Philosophical and Theological Comments
- Etty Hillesum’s Struggle to See Clearly: A Story of Two Worlds
- Present Traces of a Past Existence: Through the Lens of Photography
- Etty Hillesum Bibliography
- Works on Etty Hillesum
- Index of Names and Subjects
- Index of Citations
Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
Published online by Cambridge University Press: 21 November 2020
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction
- Music as Metaphor in Etty Hillesum’s Spirituality
- A “staretz” in Camp Westerbork: The Connections Between Slavic Orthodoxy and the Spirituality of Etty Hillesum
- Etty Hillesum: Humanity as a Task
- Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
- “Now is the Time to Put into Practice: Love Your Enemies”: Several Notes on Hillesum’s “Love for Enemies” in Levenskunst
- The Cares of the Pagans: The Reading of Matthew 6:25-34 by Søren Kierkegaard and Etty Hillesum
- Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
- Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum
- The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
- Etty Hillesum and Charlotte Salomon: Pregnancy as a Theme in Their Lives and Works
- Wandering Beyond Words: Etty Hillesum and Clarice Lispector
- “Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
- A “No” that Is an Affirmation: Etty Hillesum and Simone Weil Against the Laws of Force
- From Enclosure to Disclosure: Images of the Self in Etty Hillesum’s Diary
- A Story of Individuation in the Writings of Etty Hillesum: A Jungian Perspective
- Mad Midrash in the Diaries of Etty Hillesum
- The Mystery of Encounter: Poetry and Faith After Auschwitz in the Work of Paul Celan and Etty Hillesum
- Can Religion Help Heal a World Broken by Trauma?: Etty Hillesum as Our Ancestor in the Qahal Goyim
- The Contours of These Times:Etty Hillesum as Chronicler of Love Transcending Hate in Her Times, for Our Time, for All Time
- Etty Hillesum’s Hand Analysis: The Prologue to Her Diaries
- Suffering, Silence, and Wisdom in the Life of Etty Hillesum
- Feeding the Soul: Etty Hillesum’s Pedagogical and Spiritual Path
- Am I Really a Woman?: A Question About Female Identity in Etty Hillesum
- A Powerless God: Etty Hillesum and Dietrich Bonhoeffer
- New Light on Etty Hillesum’s Actions in Camp Westerbork
- “My Beloved Desk, the Best Place on this Earth”: Etty Hillesum Says Goodbye to Her Familiar Surroundings
- Etty Hillesum’s Humanism: Ethical, Philosophical and Theological Comments
- Etty Hillesum’s Struggle to See Clearly: A Story of Two Worlds
- Present Traces of a Past Existence: Through the Lens of Photography
- Etty Hillesum Bibliography
- Works on Etty Hillesum
- Index of Names and Subjects
- Index of Citations
Summary
Abstract
Etty Hillesum's diaries and letters, in both their form and content, stand as a repudiation of the Nazis’ monologically constituted reductive discourse. Unlike her oppressors, Hillesum embraced the Other with its voices saturating her writings and informing her Weltanschauung. One such voice is that of Russian novelist, Fyodor Dostoevsky. Through an examination of his fable of “The Grand Inquisitor” and The Brothers Karamazov of which it is a part, their likely influences on Hillesum's all-embracing worldview are examined. In contrast to the diabolical markers of the Nazis’ discourse, it is the seminal proposition of this paper that Hillesum's dialogically constituted writings, which foreground a concern for the Other, reflect the discourse of the deity.
Keywords: Other, diabolical speech, “Grand Inquisitor” legend, Fyodor Dostoevsky, suffering of innocents, dialogical writings, Shoah, Nazi Rhetoric
According to Rowan Williams, “It is characteristic of diabolical speech to move toward silence, not a listening silence but that of incommunicable, self-enclosedness, death. To speak as if the other's responses were already known and could be dealt with or circumvented in advance.” Such a characterization can be attributed to the rhetoric of Hitler and his Nazis. The disconnect between language and life that marked their representations of the Jews revealed a narrative void of any of the signifiers of encounter so frequently found in Hillesum's writing; whether it be Hitler's proclamation of genocidal vengeance upon the Jews who laughed at his prophecies, or the recycled fables of the dark-haired Jew preying on the virginal Aryan girl, Hitler's references to Jews belong firmly in the realm of the abstract – divorced, not only from the reality of their existence, but from reality according to every possible measure. This wilful deafness to the Other promotes rigid representations with no relation to time and space; the Other is removed from his/her embodied reality and transposed into a fictional chronotope, where they become a plaything for the oppressor.
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- Lasting Significance of Etty Hillesum's Writings , pp. 115 - 128Publisher: Amsterdam University PressPrint publication year: 2019