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  1. Home
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  3. Landscape, Liberty and Authority
  • Cited by 49
Publisher:
Cambridge University Press
Online publication date:
September 2009
Print publication year:
1996
Online ISBN:
9780511519000
DOI:
https://doi.org/10.1017/CBO9780511519000
Subjects:
Literature, Geography, British History after 1450, Historical Geography, English Literature 1700-1830
Series:
Cambridge Studies in Eighteenth-Century English Literature and Thought (30)
Information

Book description

Eighteenth-century landscape description formed part of a larger debate over the nature of liberty and authority which was vital to a Britain newly defining its nationhood in a period of growing imperial power and rapid economic change. Tim Fulford examines landscape description in the writings of Thomson, Cowper, Johnson, Gilpin, Repton, Wordsworth, Coleridge and others, revealing tensions that arose as writers struggled for authority over the public sphere and sought to redefine the nature of that authority. In his investigation of poetry and political and aesthetic writing, Dr Fulford throws light on the legacy of Commonwealth and Country-party ideas of liberty. Also discussed are the significance of the Miltonic sublime, the politics of the picturesque and the post-colonial encounter of the Scottish tour. Dr Fulford goes on to show how the early radicalism and later conservatism of Wordsworth and Coleridge were shaped, in part, by eighteenth-century literary political and literary authorities. His study offers an understanding of literary and political influence that cuts across conventional periodization, finding new links between the early eighteenth and nineteenth centuries.

Reviews

‘Fulford’s book gives us reason to reconsider the history of the romantic landscape tradition; after Landscape, Liberty and Authority, readers of eighteenth- and nineteenth- century poetry will find the genealogy of the landscape tradition to be more engaged in political and historical processes, more nuanced, and more richly rewarding than before. Fulford’s achievement here should be applauded, and his historically informed analysis should generate much further discussion about the relationship between landscape poetry, politics, and history in the near future.’

Source: Romantic Circles

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