Book contents
- Kierkegaard’s Either/Or
- Cambridge Critical Guides
- Kierkegaard’s Either/Or
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Abbreviations
- Introduction
- Chapter 1 Existential Melancholia
- Chapter 2 Don Giovanni and the Musical-Erotic
- Chapter 3 For What May the Aesthete Hope?
- Chapter 4 Companions in Guilt
- Chapter 5 A’s Religion of Boredom
- Chapter 6 The Artist Is Not Present
- Chapter 7 Failed Temporalities in Either/Or
- Chapter 8 Love, Marriage, and Delusion in Either/Or
- Chapter 9 The Philosophy of Science in Either/Or
- Chapter 10 The Despair of Judge William
- Chapter 11 The Problem of Evil in Either/Or
- Chapter 12 Illusions of Ethical Independence
- References
- Index
- Cambridge Critical Guides
Chapter 4 - Companions in Guilt
Aestheticism and Cartesianism as Two Sides of the Same Coin
Published online by Cambridge University Press: 16 November 2023
- Kierkegaard’s Either/Or
- Cambridge Critical Guides
- Kierkegaard’s Either/Or
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Abbreviations
- Introduction
- Chapter 1 Existential Melancholia
- Chapter 2 Don Giovanni and the Musical-Erotic
- Chapter 3 For What May the Aesthete Hope?
- Chapter 4 Companions in Guilt
- Chapter 5 A’s Religion of Boredom
- Chapter 6 The Artist Is Not Present
- Chapter 7 Failed Temporalities in Either/Or
- Chapter 8 Love, Marriage, and Delusion in Either/Or
- Chapter 9 The Philosophy of Science in Either/Or
- Chapter 10 The Despair of Judge William
- Chapter 11 The Problem of Evil in Either/Or
- Chapter 12 Illusions of Ethical Independence
- References
- Index
- Cambridge Critical Guides
Summary
In Either/Or I, the aesthete, A, gives us the following diagnosis of his predicament: “I think I have the courage to doubt everything; I think I have the courage to fight everything. But I do not have the courage to know anything, nor to possess, to own anything.” In this chapter, I explore A’s fascinating claim that knowledge requires courage by way of juxtaposing the aesthetic life with Cartesian skeptical doubt. I show that just as the Cartesian doubter seeks refuge from radical skepticism in the safety of introspective knowledge – what is directly present to consciousness – so the aesthete seeks solace in the moment and what is sensuously present to him. Both methods ultimately prove ineffective and spurious, however: Cartesian introspection imprisons us in a mental cage with no beyond, just as aestheticism holds us captive in a self-spun world where our self dissolves. Consequently, what both the aesthete and the Cartesian need to do is to develop the strength to confront and overcome the anxieties that have motivated the flight from “the outer” (the flight from the world) in the first place.
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- Kierkegaard's Either/OrA Critical Guide, pp. 62 - 78Publisher: Cambridge University PressPrint publication year: 2023