Book contents
- Frontmatter
- Contents
- Acknowledgements
- Preface to the Third Edition
- Biographical Outline
- Abbreviations and References
- Introduction
- 1 Ishiguro as an International Writer
- 2 Reading the Novels
- 3 Narrative and Memory: A Pale View of Hills
- 4 Deflecting Truth in Memory: An Artist of the Floating World
- 5 Disclosure and ‘Unconcealment’: The Remains of the Day
- 6 Seizing Comprehension: The Unconsoled
- 7 Odd Failures of Guardianship in When We Were Orphans and Never Let Me Go
- 8 Parody and Performance in Nocturnes
- 9 Cloaked Memories in The Buried Giant
- Notes
- Select Bibliography
- Index
This chapter is part of a book that is no longer available to purchase from Cambridge Core
Contents
Book contents
- Frontmatter
- Contents
- Acknowledgements
- Preface to the Third Edition
- Biographical Outline
- Abbreviations and References
- Introduction
- 1 Ishiguro as an International Writer
- 2 Reading the Novels
- 3 Narrative and Memory: A Pale View of Hills
- 4 Deflecting Truth in Memory: An Artist of the Floating World
- 5 Disclosure and ‘Unconcealment’: The Remains of the Day
- 6 Seizing Comprehension: The Unconsoled
- 7 Odd Failures of Guardianship in When We Were Orphans and Never Let Me Go
- 8 Parody and Performance in Nocturnes
- 9 Cloaked Memories in The Buried Giant
- Notes
- Select Bibliography
- Index
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Kazuo Ishiguro , pp. v - viPublisher: Liverpool University PressPrint publication year: 2019