Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- A Note to Readers
- Introduction
- Chapter One “Gentle Irony”
- Chapter Two Simple Sound: Ravel and “Crescendo”
- Chapter Three Opposed Sound: Ravel and Counterpoint
- Chapter Four Displaced Sound: Ravel and Registration
- Chapter Five Plundered Sound: Ravel and the Exotic
- Chapter Six Sound and Sense: Ravel and Synaesthesia
- Chapter Seven “Secrets of Modernity”: Irony and Style
- Appendix Ravel’s 1902 Prix de Rome Fugue
- Notes
- Bibliography
- Index
- Eastman Studies in Music
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- A Note to Readers
- Introduction
- Chapter One “Gentle Irony”
- Chapter Two Simple Sound: Ravel and “Crescendo”
- Chapter Three Opposed Sound: Ravel and Counterpoint
- Chapter Four Displaced Sound: Ravel and Registration
- Chapter Five Plundered Sound: Ravel and the Exotic
- Chapter Six Sound and Sense: Ravel and Synaesthesia
- Chapter Seven “Secrets of Modernity”: Irony and Style
- Appendix Ravel’s 1902 Prix de Rome Fugue
- Notes
- Bibliography
- Index
- Eastman Studies in Music
Summary
- Type
- Chapter
- Information
- Irony and SoundThe Music of Maurice Ravel, pp. v - viPublisher: Boydell & BrewerPrint publication year: 2009