Book contents
- The Invention of Beethoven and Rossini
- The Invention of Beethoven and Rossini
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Abbreviations
- Introduction: Pleasure in history
- Part I The age of Beethoven and Rossini?
- Part II Senses of place
- 5 Two styles in 1830s London: “The form and order of a perspicuous unity”
- 6 Looking north: Carlo Soliva and the two styles south of the Alps
- 7 “More German than Beethoven”: Rossini’sZelmiraand Italian style
- 8 On being there in 1824
- Part III Rehearings
- Part IV Crossing musical cultures
- List of works cited
- Index
5 - Two styles in 1830s London: “The form and order of a perspicuous unity”
from Part II - Senses of place
Published online by Cambridge University Press: 05 December 2013
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Book contents
- The Invention of Beethoven and Rossini
- The Invention of Beethoven and Rossini
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Abbreviations
- Introduction: Pleasure in history
- Part I The age of Beethoven and Rossini?
- Part II Senses of place
- 5 Two styles in 1830s London: “The form and order of a perspicuous unity”
- 6 Looking north: Carlo Soliva and the two styles south of the Alps
- 7 “More German than Beethoven”: Rossini’sZelmiraand Italian style
- 8 On being there in 1824
- Part III Rehearings
- Part IV Crossing musical cultures
- List of works cited
- Index
- Type
- Chapter
- Information
- The Invention of Beethoven and RossiniHistoriography, Analysis, Criticism, pp. 123 - 138Publisher: Cambridge University PressPrint publication year: 2013
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