Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean

doi:10.1017/9789048518241

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Hiding Making - Showing Creation

Hiding Making - Showing Creation

The Studio from Turner to Tacita Dean

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Brogniez, Laurence 2018. De L’intérieurd’artisteà l’intérieurartiste:l’atelier d’artiste, entre pierre et papier, dans le Bruxellesfin de siècle. Dix-Neuf, Vol. 22, Issue. 3-4, p. 245.

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2023. Bibliographie sélective. Romantisme, Vol. n° 202, Issue. 4, p. 92.

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Stoltz, Barbara 2023. A Nature Thing: What Does Contemporary Ecological Art Produce?. Arts, Vol. 12, Issue. 2, p. 67.

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Edited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann

Publisher:: Amsterdam University Press
Online publication date:: December 2020
Print publication year:: 2013
Online ISBN:: 9789048518241
DOI:: https://doi.org/10.1017/9789048518241

Subjects:: Art: General Interest, Art

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The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The essays here also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present.

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Hiding Making - Showing Creation

The Studio from Turner to Tacita Dean

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Frontmatter
pp 1-4

Contents
pp 5-6

Foreword
pp 7-8

Introduction
pp 9-13

PART I
pp 14-14

Introduction: Old and New Studio Topoi in the Nineteenth Century
pp 15-30

1 - Studio Matters: Materials, Instruments and Artistic Processes
pp 31-42

2 - Jean-Léon Gérôme, his Badger and his Studio
pp 43-61

3 - Showing Making in Courbet's The Painter's Studio
pp 62-72

4 - Making and Creating. The Painted Palette in Late Nineteenth-Century Dutch Painting
pp 73-85

5 - 14, rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau
pp 86-105

6 - The Artist as Centerpiece. The Image of the Artist in Studio Photographs of the Nineteenth Century
pp 106-119

PART II
pp 120-120

Introduction: Forms and Functions of the Studio from the Twentieth Century to Today
pp 121-135

7 - The Studio as Mediator
pp 136-156

8 - Accrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings
pp 157-175

9 - Studio, Storage, Legend. The Work of Hiding in Tacita Dean's Section Cinema (Homage to Marcel Broodthaers)
pp 176-187

10 - The Empty Studio: Bruce Nauman's Studio Films
pp 188-208

11 - Home Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur
pp 209-225

12 - Staging the Studio: Enacting Artful Realities through Digital Photography
pp 226-244

Epilogue: “Good Art Theory Must Smell of the Studio”
pp 245-256

Index
pp 257-262

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Hiding Making - Showing Creation

The Studio from Turner to Tacita Dean

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