Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Galenson, David W.
and
Kotin, Joshua
2007.
Filming Images or Filming Reality: The Life Cycles of Important Movie Directors from D. W. Griffith to Federico Fellini.
Historical Methods: A Journal of Quantitative and Interdisciplinary History,
Vol. 40,
Issue. 3,
p.
117.
Pamerleau, William C.
2009.
Existentialist Cinema.
p.
138.
Bakan, Michael B.
2009.
The Abduction of the Signifying Monkey Chant: Schizophonic Transmogrifications of BalineseKecakin Fellini'sSatyriconand the Coen Brothers’Blood Simple.
Ethnomusicology Forum,
Vol. 18,
Issue. 1,
p.
83.
Lichtner, Giacomo
2013.
Fascism in Italian Cinema since 1945.
p.
129.
Landy, Marcia
2013.
A Companion to the Historical Film.
p.
133.
Saldanha-Álvarez, José Maurício
2017.
Intimate Relationships in Cinema, Literature and Visual Culture.
p.
75.
Burke, Frank
2017.
A Companion to Italian Cinema.
p.
16.
Burke, Frank
2017.
A Companion to Italian Cinema.
p.
1.
Batsakis, Joanna Elena
2018.
La bella figuraand the Picasso complex: fromLost in TranslationtoStreet of Dreams, Scarlett Johansson, the Dolce & Gabbana ambassador.
Celebrity Studies,
Vol. 9,
Issue. 3,
p.
279.
Gubareva, Marita
2020.
A Companion to Federico Fellini.
p.
141.
Corsi, Barbara
and
Nicoli, Marina
2020.
A Companion to Federico Fellini.
p.
177.
Raffi, Francesca
2020.
Resubtitling Italian cinema classics: case studies of De Sica’s Ladri di Biciclette (1948) and Fellini’s La Strada (1954).
The Translator,
Vol. 26,
Issue. 1,
p.
61.
Forcucci, Luca
2021.
Sounds from Within: Phenomenology and Practice.
Vol. 18,
Issue. ,
p.
197.
Leube-Sonnleitner, Katharina
2021.
Von La Strada bis The Hours - Leidende und souveräne Frauen im Spielfilm.
p.
65.
Coelho-Junior, Hélio José
and
Marzetti, Emanuele
2022.
Attitudes toward finitude in the cinema of Federico Fellini: Light on older adults.
Frontiers in Psychology,
Vol. 13,
Issue. ,
Lir, Shlomit Aharoni
and
Ayalon, Liat
2022.
THE ETHOS OF THE AUTEUR AS FATHER OF THE FILM CRAFT – ON MASCULINITY, CREATIVITY AND THE ART OF FILMMAKING.
Creativity Studies,
Vol. 15,
Issue. 1,
p.
130.
Gibson, John
2023.
Philosophy of Film Without Theory.
p.
99.
