Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-18T05:39:38.656Z Has data issue: false hasContentIssue false

7 - Filmmakers

from Part III

Published online by Cambridge University Press:  24 October 2009

Sara Dickey
Affiliation:
Bowdoin College, Maine
Get access

Summary

The attitudes of a medium's creators toward their creation and their audience are significant for understanding the medium, especially when the creators differ from the main audience in class, gender, or some other fundamental feature. Their values and attitudes shape the content the audience receives, as well as the attitudes with which the audience itself apprehends the material. Exactly who constitutes the “creators” is a complicated matter in the case of commercial film, as it is with many media, because making such a movie is never an individual act. Filmmaking requires numerous technical and often creative assistants. To be successful, it also demands that attention be paid to audience preferences, and thus to some extent involves the audience in the creative process – a point that many filmmakers are reluctant to admit. Nonetheless, it is possible to isolate those who are most directly responsible for the creation of a film. In Tamil Nadu these are the directors, who generally have the strongest hand in determining a film's specific shape. The producers, those who put together the precious financing, may also wield considerable influence. For this reason – and because many producers have worked as directors, and many of the major directors also act as producers – I bracket both directors and producers together under the title of “filmmaker.”

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 1993

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Filmmakers
  • Sara Dickey, Bowdoin College, Maine
  • Book: Cinema and the Urban Poor in South India
  • Online publication: 24 October 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511557972.008
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Filmmakers
  • Sara Dickey, Bowdoin College, Maine
  • Book: Cinema and the Urban Poor in South India
  • Online publication: 24 October 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511557972.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Filmmakers
  • Sara Dickey, Bowdoin College, Maine
  • Book: Cinema and the Urban Poor in South India
  • Online publication: 24 October 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511557972.008
Available formats
×