Altman, Dennis 1971 Homosexual: Oppression and liberationLondon: Allen Lane.
Augsburg, Tanya 1995 ‘Collaboration within the Field’ The Drama Review, 39(4), 166–72.
Auslander, Philip 1995 ‘Evangelical Fervor’ The Drama Review, 39(4), 178–83.
Auslander, Philip 1997 From Acting to Performance: Essays in modernism and postmodernismLondon and New York: Routledge.
Bacon, Wallace 1984 ‘Forum: Issues in interpretation’ Literature in Performance, 5(1), 83–84.
Banaji, Jairus 1970 ‘The Crisis of British Anthropology’ New Left Review, 64, 71–85.
Banes, Sally ‘Institutionalizing Avant-Garde Performance: A hidden history of university patronage in the United States’ in Harding, 2000.
Barber, Bruce 1979 ‘Indexing: Conditionalism and its heretical equivalents’ in Bronson, and Gale, 1979.
Battcock, Gregory (ed.) 1995 Minimal Art: A critical anthologyBerkeley, Los Angeles, London: University of California Press.
Battcock, Gregory and Nickas, Robert (eds) 1984 The Art of Performance: A critical anthologyNew York: E.P.Dutton.
Bauman, Richard 1977 Verbal Art as PerformanceRowley, MA: Newbury House Publishers.
Baxandall, Lee 1969 ‘Spectacles and Scenarios: A dramaturgy of radical activity’ The Drama Review, 13(4), 52–71.
Baxandall, Lee 1970 ‘Happenings: An exchange’ The Drama Review, 15(1), 147–49.
Bell, Catherine 1992 Ritual Theory, Ritual PracticeNew York and Oxford: Oxford University Press.
Bell, Catherine 1998 ‘Performance’ in Taylor, 1998.
Bell, Elizabeth 2008 Theories of PerformanceLos Angeles, London, New Delhi, Singapore: Sage Publications.
Belsey, Catherine 1985 The Subject of Tragedy: Identity and difference in Renaissance dramaLondon and New York: Methuen.
Ben-Amos, Dan and Goldstein, Kenneth (eds) 1975 Folklore: Performance and CommunicationThe Hague and Paris: Mouton.
Benamou, Michel and Caramello, Charles (eds) 1977 Performance in Postmodern CultureMadison, Wisconsin: Coda Press.
Benamou, Michel 1977a ‘Preface’ in Benamou, and Caramello 1977.
Benamou, Michel 1977b ‘Presence and Play’ in Benamou, and Caramello, 1977.
Berghaus, Günter 1995 ‘Happenings in Europe: Trends, events, and leading figures’ in Sandford, 1995.
Bial, Henry 2014 ‘Performance Studies 3.0’ in Citron, Atay, Aronson-Lehavi, Sharon, Zerbib, David (eds) Performance Studies in MotionLondon: Bloomsbury.
Blau, Herbert 1982/3 ‘Universals of Performance: Or, amortizing play’ SubStance, 11/12 (4/1), 140–61.
Bottoms, Stephen 2003 ‘The Efficacy/Effeminacy Braid: Unpicking the Performance Studies/theatre studies dichotomy’ Theatre Topics, 13(2), 173–87.
Bottoms, Stephen 2011 ‘In Defense of the String Quartet: An open letter to Richard Schechner’ in Harding, and Rosenthal, 2011a.
Brake, Michael 1987 Comparative Youth Culture: The sociology of youth culture and youth subcultures in America, Britain and CanadaLondon: Routledge & Kegan Paul.
Bronson, A.A. and Gale, Peggy (eds) 1979 Performance by ArtistsToronto: Art Metropole.
Buchanan, Ian 2000 Michel de Certeau: Cultural theoristLondon: Sage Publications.
Burke, Kenneth 1945 A Grammar of MotivesNew York: Prentice-Hall.
Burns, Elizabeth 1972 Theatricality: A study of convention in theatre and in social lifeLondon: Longman.
Burns, Elizabeth and Burns, Tom (eds) 1973 Sociology of Literature & Drama: Selected readingsHarmondsworth: Penguin.
Butler, Judith 1988 ‘Performative Acts and Gender Constitution: An essay in phenomenology and feminist theory’ Theatre Journal, 40(4), 519–31.
Butler, Judith 1990 Gender Trouble: Feminism and the subversion of identityNew York and London: Routledge.
Butler, Judith 1993 Bodies that Matter: On the discursive limits of ‘sex’New York & London: Routledge.
Caillois, Roger 1961 Man, Play and Games, trans. Barash, M.New York: Free Press of Glencoe.
Caramello, Charles 1977. ‘Styles of Postmodern Writing’ in Benamou, and Caramello, 1977.
Carlson, Marvin 1996 Performance: A critical introductionLondon: Routledge.
Carlson, Marvin 2004 Performance: A critical introduction, second editionNew York and Abingdon: Routledge.
Carlson, Marvin 2011 ‘Performance Studies and the Enhancement of Theatre Studies’ in Harding, and Rosenthal, 2011a.
Case, Sue-Ellen (ed.) 1990 Performing Feminisms: Feminist critical theory and theatreBaltimore and London: The Johns Hopkins University Press.
Case, Sue-Ellen 1992 ‘Theory/History/Revolution’ in Reinelt, and Roach, 1992.
Case, Sue-Ellen 2002 ‘The Emperor's New Clothes: The naked body and theories of performance’ SubStance, 31(2 & 3), 186–200.
CCCS 1975 Resistance through Rituals Working Papers in Cultural Studies 7 & 8 Birmingham: The Centre for Contemporary Cultural Studies.
Clarke, John 1975 ‘Style’ in CCCS 1975.
Clarke, John 1978 ‘Football and Working Class Fans: Tradition and change’ in Ingham, Roger et al, ‘Football Hooliganism’: The wider contextLondon: Inter-Action Inprint.
Cockburn, Alexander and Blackburn, Robin (eds) 1969 Student Power: Problems, diagnosis, actionHarmondsworth: Penguin.
Cohen-Cruz, Jan 2006 ‘The Problem Democracy Is Supposed to Solve: The politics of community-based performance’ in Madison, and Hamera, 2006a.
Connor, Steven 1992 Postmodernist Culture: An introduction to theories of the contemporaryOxford and Cambridge, MA: Blackwell.
Conquergood, Dwight 1989 ‘Poetics, Play, Process, and Power: The performative turn in anthropology’ Text and Performance Quarterly, 1, 82–97.
Conquergood, Dwight 1991 ‘Rethinking Ethnography: Towards a critical cultural politics’ Communication Monographs, 58, 179–94.
Conquergood, Dwight 1992 ‘Ethnography, Rhetoric, and Performance’ Quarterly Journal of Speech, 78, 80–123.
Conquergood, Dwight 1995 ‘Of Caravans and Carnivals: Performance Studies in motion’ The Drama Review, 39(4), 137–41.
Conquergood, Dwight 1998 ‘Beyond the Text: Toward a performative cultural politics’ in Dailey, 1998.
Coutts-Smith, Kenneth 1970 The Dream of Icarus: Art and society in the twentieth centuryLondon: Hutchinson & Co.
Coutts-Smith, Kenneth 1979 ‘Role Art and Social Context’ in Bronson, and Gale, 1979.
Dailey, Sheron (ed.) 1998 The Future of Performance Studies: Visions and revisionsAnnandale, VA: National Communication Association.
Davis, Fred 1970 ‘Focus on the Flower Children: Why all of us may be hippies someday’ in Douglas, Jack D. (ed.) Observations of DevianceNew York: Random House.
Davis, R.G. 1966 ‘Guerrilla Theatre’ Tulane Drama Review, 10(4), 130–36.
Davis, R.G. 1988 ‘The Politics, Packaging, and Potential of Performance Art: Reactionary and revolutionary elements in the avant-garde’ New Theatre Quarterly, 4 (13), 17–31.
Davis, Tracy C. (ed.) 2008 The Cambridge Companion to Performance StudiesCambridge: Cambridge University Press.
Debord, Guy 2010 Society of the SpectacleDetroit: Black & Red.
de Certeau, Michel 1988 The Practice of Everyday Life, trans. Berkeley, Steven Rendall, Los Angeles, London: University of California Press.
Denzin, Norman K. 2006 ‘The Politics and Ethics of Performance Pedagogy’ in Madison, and Hamera, 2006a.
Derrida, J. 1988 Limited Inc, ed. Graff, GeraldEvanston: Northwestern University Press.
Dews, Peter 1989 ‘From Post-Structuralism to Postmodernity’ in Appignanesi, Lisa (ed.) Postmodernism: ICA documentsLondon: Free Association Books.
Diamond, Elin (ed.) 1996 Performance and Cultural PoliticsLondon and New York: Routledge.
Dirksmeier, Peter and Helbrecht, Ilse 2008 ‘Time, Non-representational Theory and the “Performative Turn”: Towards a new methodology in qualitative social research’ Forum Qualitative Sozialforschung, 9(2), 1–10; www.qualitative-research.net (accessed June 2015)
Dirksmeier, Peter and Helbrecht, Ilse 2010 ‘Intercultural Interaction and “Situational Places”: A perspective for urban cultural geography within and beyond the performative turn’ Social Geography, 5, 39–48.
Dolan, Jill 1995 ‘Response to W.B.Worthen's “Disciplines of the Text/Sites of Performance”’ The Drama Review, 39(1), 28–34.
Dolan, Jill 2001 Geographies of Learning: Theory and practice, activism and performanceMiddletown, CN: Wesleyan University Press.
Duvignaud, Jean 1973 ‘The Theatre in Society: Society in the Theatre’, trans. Burns, Tom in Burns, and Burns, 1973.
Dworkin, Dennis 1997 Cultural Marxism in Postwar Britain: History, the New Left, and the origins of cultural studiesDurham and London: Duke University Press.
Edwards, Paul 2006 ‘Performance of and beyond Literature’ in Madison, and Hamera, 2006a.
Emigh, John 2011 ‘Liminal Richard: Approaches to Performance Studies’ in Harding, and Rosenthal, 2011a.
Erickson, Jon 1992 ‘The Spectacle of the Anti-Spectacle: Happenings and the Situationist International’ Discourse, 14(2), 36–58.
Estrin, Marc 1969 ‘A Note on Guerrilla Theatre’ The Drama Review, 13(4), 76.
Evreinoff, Nicolas 2013 The Theatre in Life, ed. and trans. Nazaroff, A.I.Mansfield Centre, CT: Martino Publishing.
Féral, Josette 1982 ‘Performance and Theatricality: The subject demystified’ Modern Drama, 25(1), 170–81.
Féral, Josette 2002 ‘Foreword’ SubStance, 31 (2 & 3), 3–13.
Fischer-Lichte, Erika 2014 The Routledge Introduction to Theatre and Performance Studies, ed. Arjomand, Minou and Mosse, Ramona, trans. Arjomand, MinouLondon and New York: Routledge.
Frascina, Francis 1999 Art, Politics and Dissent: Aspects of the art left in sixties AmericaManchester and New York: Manchester University Press.
Fried, Michael 1995 ‘Art and Objecthood’ in Battcock, 1995.
Geertz, Clifford 1972 ‘Deep Play: Notes on the Balinese cockfight’ Daedalus: Journal of the American Academy of Arts and Sciences, 101(1), 1–37.
Geertz, Clifford 1980 ‘Blurred Genres: The refiguration of social thought’ The American Scholar, 49(2), 165–82.
Gilson-Ellis, Jools 1995 ‘Say Just What You Mean’, The Drama Review, 39(4), 173–77.
Goffman, Erving 1990 The Presentation of Self in Everyday LifeLondon: Penguin.
Goffman, Erving 2005a ‘On face-work’ in Interaction Ritual: Essays in face-to-face behavior, intro. Best, JoelNew Brunswick and London: Aldine Transaction.
Goffman, Erving 2005b ‘The Nature of Deference and Demeanor’ in Interaction Ritual: Essays in face-to-face behavior, intro. Best, JoelNew Brunswick and London: Aldine Transaction.
Goldberg, RoseLee 1979 Performance: Live Art 1909 to the presentLondon: Thames and Hudson.
Goldhill, Simon 1999 ‘Programme Notes’ in Goldhill, Simon and Osborne, Robin (eds) Performance Culture and Athenian DemocracyCambridge: Cambridge University Press.
Gorsen, Peter 1984 ‘The Return of Existentialism in Performance Art’ in Battcock, and Nickas, 1984.
Gottlieb, Vera and Jones, Nesta 1976 ‘Drama: A course, a process and a project’ in Craig, David and Heinemann, Margot (eds) Experiments in English Teaching: New work in higher and further educationLondon: Edward Arnold.
Gregson, Nicky and Rose, Gillian 2000 ‘Taking Butler Elsewhere: Performativities, spatialities and subjectivities’ Environment and Planning D: Society and Space, 18, 433–52.
Gurvitch, Georges 1973 ‘The Sociology of the Theatre’, trans. Morrison, Petra in Burns, and Burns, 1973.
Hall, Stuart c.1968/69 The Hippies: An American “Moment”Birmingham: CCCS; http://www.birmingham.ac.uk/schools/historycultures/departments/history/research/projects/cccs/publications/stencilled-occasional-papers.aspx (accessed October 2015).
Hall, Stuart 1969 ‘The Hippies: An American “Moment”’ in Nagel, 1969.
Hamera, Judith 1986 ‘Postmodern Performance, Postmodern Criticism’ Literature in Performance, 7(1), 13–20.
Hamera, Judith 2006 ‘Performance, Performativity, and Cultural Poiesis in Practices of Everyday Life’ in Madison, and Hamera, 2006a.
Hansen, Al 1965 A Primer of Happenings, & Time/Space ArtNew York, Paris, Cologne: Something Else Press.
Harding, James M. 2000 Contours of the Theatrical Avant-Garde: Performance and textualityAnn Arbor: The University of Michigan Press.
Harding, James M. 2003 ‘From Anti-Culture to Counter-Culture: The emergence of the American avant-garde performance events’ in Rathman, Thomas (ed.) Ereignis: Konzeptionen eines Begriffs in Gesichte, Kunst und LiteraturKöln, Weimar, Wien: Böhlau Verlag.
Harding, James M. and Rosenthal, Cindy (eds) 2011a The Rise of Performance Studies: Re-thinking Richard Schechner's broad spectrumBasingstoke: Palgrave Macmillan.
Harding, James M. and Rosenthal, Cindy 2011b ‘Introduction: The rise of Performance Studies’ in Harding, and Rosenthal, 2011.
Harrison-Pepper, Sally 1999 ‘Dramas of Persuasion: Performance Studies and interdisciplinary education’ Theatre Topics, 9(2), 141–56.
Harvey, David 2005 A Brief History of NeoliberalismOxford and New York: Oxford University Press.
Hebdige, Dick c.1974 Sub-cultural Conflict and Criminal Performance in Fulham: Towards a radical theory of roleBirmingham: CCCS; http://www.birmingham.ac.uk/schools/historycultures/departments/history/research/projects/cccs/publications/stencilled-occasional-papers.aspx (accessed October 2015).
Hebdige, Dick 1979 Subculture: The meaning of styleLondon and New York: Methuen.
Heddon, Deirdre 2012 ‘The Politics of Live Art’ in Heddon, Deirdre and Klein, Jennie (eds) Histories and Practices of Live ArtBasingstoke: Palgrave Macmillan.
Hibbitts, Bernard J. 1992 ‘Coming to Our Senses: Communication and legal expression in performance culture’ Emory Law Journal, 4, 1–46; http://faculty.law.pitt.edu/hibbitts/ctos.htm (accessed June 2015).
Higgins, Dick 1969 Foew and Ombwhnw: A grammar of the mind and a phenomenology of love and a science of the arts as seen by a stalker of the wild mushroomNew York, Barton, Cologne: Something Else Press.
Hoffman, Beth 2009 ‘Radicalism and the Theatre in Genealogies of Live Art’ Performance Research, 14(1), 95–105.
Home, Stewart 1991 The Assault on Culture: Utopian currents from Lettrisme to Class WarStirling: A.K.Press.
Howell, Anthony and Templeton, Fiona 1977 Elements of Performance ArtLondon: The Ting: Theatre of Mistakes.
Huizinga, Johann 1949 Homo Ludens: A study of the play-element in cultureLondon: Routledge & Kegan Paul.
Hunt, Albert 1976 Hopes for Great Happenings: Alternatives in education and theatreLondon: Eyre Methuen.
Hunter, Roddy and Bodor, Judit 2012 ‘Art, Meeting, and Encounter: The art of action in Great Britain’ in Heddon, Deirdre and Klein, Jennie (eds) Histories and Practices of Live ArtBasingstoke: Palgrave Macmillan.
Hymes, Dell 1964 ‘Introduction: Toward ethnographies of communication’ American Anthropologist, new series, 66(6.2), 1–34.
Hymes, Dell 1975 ‘Breakthrough into Performance’ in Ben-Amos, and Goldstein, 1975.
Jackson, Shannon 2004 Professing Performance: Theatre in the academy from philology to performativityCambridge: Cambridge University Press.
Jackson, Shannon 2006 ‘Genealogies of Performance Studies’ in Madison, and Hamera, 2006a.
Jackson, Shannon 2012 ‘Rhetoric in Ruins: Performance Studies, speech, and the “Americanization” of the American university’ in McKenzie, , Roms, and Wee, 2012.
Jansen, William Hugh 1957 ‘Classifying Performance in the Study of Verbal Folklore’ in Richmond, W. Edson (ed.) Studies in Honor of Distinguished Service Professor Stith ThompsonBloomington: Indiana University Press.
Jappe, Anselm 1999 Guy Debord, trans. Nicholson-Smith, D.Berkeley: University of California Press.
Jeffery, Tom 1999 Mass Observation: A short history MO Occasional Papers number 10 [first published as a CCCS Occasional Paper in 1978].
Jordan, John 1998 ‘The Art of Necessity: The subversive imagination of anti-road protest and Reclaim the Streets’ in McKay, 1998.
Kaprow, Allan 2003 Essays on the Blurring of Art and Life, ed. Kelley, JeffBerkeley, Los Angeles, London: University of California Press.
Kaye, Nick 1994 Postmodernism and PerformanceBasingstoke: Macmillan.
Kempton, Richard 2007 Provo: Amsterdam's anarchist revoltBrooklyn, NY: Autonomedia.
Kershaw, Baz 1997 ‘Fighting in the Streets: Dramaturgies of popular protest, 1968–1989’ New Theatre Quarterly, 13, 255–76.
Kirby, Michael 1995 ‘The New Theatre’ in Sandford, 1995.
Kirshenblatt-Gimblett, Barbara 1975 ‘A Parable in Context: A social interactional analysis of storytelling performance’ in Ben-Amos, and Goldstein, 1975.
Klein, Jennie 2012 ‘Developing Live Art’ in Heddon, Deirdre and Klein, Jennie (eds) Histories and Practices of Live ArtBasingstoke: Palgrave Macmillan.
Knabb, Ken (ed. and trans.) 1981 Situationist International AnthologyBerkeley, CA: Bureau of Public Secrets.
Kostelanetz, Richard 1968 The Theatre of Mixed Means: An introduction to happenings, kinetic environments, and other mixed-means performanceNew York: The Dial Press.
Lebel, Jean-Jacques 1969 ‘Notes on Political Street Theatre, Paris: 1968, 1969’ The Drama Review, 13(4), 111–18.
Lebel, Jean-Jacques 1995 ‘On the Necessity of Violation’ in Sandford, 1995.
Lefebvre, Henri 1995 Introduction to Modernity: Twelve preludes, September 1959–May 1961, trans. Moore, JohnLondon: Verso.
Lefebvre, Henri 1996 Writings on Cities, selected, translated and introduced by Kofman, E. and Lebas, E.Oxford: Blackwell.
Loeffler, Carl E. (ed.) 1980 Performance Anthology: Sourcebook for a decade of California Performance ArtSan Francisco, CA: Contemporary Arts Press.
Lorimer, Hayden 2005 ‘Cultural Geography: The busyness of being “more-than-representational”’ Progress in Human Geography, 29(1), 83–94.
Loxley, James 2007 PerformativityLondon and New York: Routledge.
Lyman, Stanford M. and Scott, Marvin B. 1975 The Drama of Social RealityNew York: Oxford University Press.
MacAloon, John J. 1984a ‘Introduction’ to MacAloon, John J. (ed.) Rite, Drama, Festival, Spectacle: Rehearsals toward a theory of cultural performancePhiladelphia: The Institute for the Study of Human Issues.
MacAloon, John J. 1984b ‘Olympic Games and the Theory of Spectacle in Modern Societies’ in MacAloon, John J. (ed.) Rite, Drama, Festival, Spectacle: Rehearsals toward a theory of cultural performancePhiladelphia: The Institute for the Study of Human Issues.
Madison, D. Soyini and Hamera, Judith (eds) 2006a The Sage Handbook of Performance StudiesThousand Oaks, London, New Delhi: Sage Publications.
Madison, D. Soyini and Hamera, Judith 2006b ‘Performance Studies at the Intersections’ in Madison, and Hamera, 2006a.
Manning, Phil 1991 ‘Drama as Life: The significance of Goffman's changing use of the theatrical metaphor’ Sociological Theory, 9(1), 70–86.
Marranca, Bonnie 1996 ‘Introduction’ and ‘Afterword to the 1996 Edition’ in The Theatre of ImagesBaltimore and London: The Johns Hopkins University Press.
Marsh, Peter 1978 ‘Life and Careers on the Soccer Terraces’ in Ingham, Roger et al, ‘Football Hooliganism’: The wider contextLondon: Inter-Action Inprint.
Martin, Bradford D. 2004 The Theater Is in the Street: Politics and public performance in sixties AmericaAmherst and Boston: University of Massachusetts Press.
Marx, Karl 1986 Karl Marx: A reader, ed. Elster, JonCambridge: Cambridge University Press.
Maxwell, Ian 2006 ‘Performance Studies at the University of Sydney’ The Drama Review, 50(1), 33–45.
McAuley, Gay 2012 ‘Interdisciplinary Field or Emerging Discipline? Performance Studies at the University of Sydney’ in McKenzie, , Roms, and Wee, 2012.
McKay, George (ed.) 1998 DiY Culture: Party & Protest in Nineties BritainLondon and New York: Verso.
McKenzie, Jon 1998 ‘Genre Trouble: (The) Butler did it’ in Phelan, and Lane, 1998.
McKenzie, Jon 2001 Perform or Else: From discipline to performanceLondon and New York: Routledge.
McKenzie, Jon 2006 ‘Performance and Globalization’ in Madison, and Hamera, 2006a.
McKenzie, Jon, Roms, Heike, Wee, C.J.W-L. (eds) 2012 Contesting Performance: Global Sites of ResearchBasingstoke: Palgrave Macmillan.
Messinger, Sheldon E., Sampson, Harold, Towne, Robert D. 1975 ‘Life as Theater: Some notes on the dramaturgical approach to social reality’ in Brissett, Dennis and Edgley, Charles (eds) Life as Theater: A dramaturgical sourcebookChicago: Aldine Publishing Company.
Metzger, Gustav 1965 Auto-Destructive ArtLondon: A.C.C.
Nagel, Julian (ed.) 1969 Student PowerLondon: Merlin Press.
Nuttall, Jeff 2012 ‘The Situation Regarding Performance Art (1973)’ Contemporary Theatre Review, 22(1), 175–77.
Parker, Andrew and Sedgwick, Eve Kosofsky 1995 ‘Introduction: Performativity and Performance’ in Parker, Andrew and Sedgwick, Eve Kosofsky (eds) Performativity and PerformanceNew York and London: Routledge.
Peariso, Craig J. 2014 Radical Theatrics: Put-ons, politics, and the sixtiesSeattle & London: University of Washington Press.
Pelias, Ronald 1998 ‘Performance Studies: Meditations and mediations’ in Dailey, 1998.
Pelias, Ronald and VanOosting, James 1987 ‘A Paradigm for Performance Studies’ Quarterly Journal of Speech, 73(2), 219–31.
Peters, Sybylle 2012 ‘The Performance of Performance Research: A report from Germany’ in McKenzie, , Roms, and Wee, 2012.
Phelan, Peggy 1993a Unmarked: The politics of performanceLondon and New York: Routledge.
Phelan, Peggy 1993b ‘Reciting the Citation of Others, or, a second introduction’ in Hart, Lynda and Phelan, Peggy (eds) Acting Out: Feminist performancesAnn Arbor: The University of Michigan Press.
Phelan, Peggy and Lane, Jill 1998 The Ends of PerformanceNew York and London: New York University Press.
Pinder, David 2005 Visions of the City: Utopianism, power and politics in twentieth-century urbanismEdinburgh: Edinburgh University Press.
Pollock, Della 1998 ‘Introduction: Making History Go’ in Exceptional Spaces: Essays in performance and historyChapel Hill and London: University of North Carolina Press.
Pontbriand, Chantal 1979 ‘Introduction: Notions of Performance’ in Bronson, and Gale, 1979.
Pontbriand, Chantal 1982 ‘The Eye Finds No Fixed Point on Which to Rest …’ Modern Drama, 25(1), 154–62.
Puchner, Martin 2006 Poetry of the Revolution: Marx, manifestos, and the avant-gardesPrinceton and Oxford: Princeton University Press.
Ramparts, , The Editors of (eds) 1971 Conversations with the New Reality: Readings in the cultural revolutionSan Francisco: Canfield Press.
Reinelt, Janelle G. 2002 ‘The Politics of Discourse: Performativity meets theatricality’ SubStance, 31(2 & 3), 201–15.
Reinelt, Janelle G. and Roach, Joseph R. (eds) 1992 Critical Theory and PerformanceAnn Arbor: The University of Michigan Press.
Roms, Heike and Edwards, Rebecca 2012 ‘Towards a Prehistory of Live Art in the UK’ Contemporary Theatre Review, 22(1), 17–31.
Rosenberg, Harold 1962 The Tradition of the New [London]: Thames and Hudson.
Rothenberg, Jerome 1977 ‘New Models, New Visions: Some notes toward a poetics of performance’ in Benamou, and Caramello, 1977
Sainer, Arthur 1975 The Radical Theatre NotebookNew York: Avon.
Sandford, Mariellen (ed.) 1995 Happenings and Other ActsLondon and New York: Routledge.
Saunders, Graham 2012 ‘The Freaks’ Roll Call: Live art and the Arts Council, 1968–73’ Contemporary Theatre Review, 22(1), 32–45.
Savran, David 2005 ‘The Death of the Avantgarde’ The Drama Review, 49(3), 10–42.
Sayre, Henry M. 1989 The Object of Performance: The American avant-garde since 1970Chicago and London: The University of Chicago Press.
Schechner, Richard 1966 ‘Approaches to Theory/Criticism’ Tulane Drama Review, 10(4), 20–53.
Schechner, Richard 1969 Public Domain: Essays on the TheatreIndianapolis: Bobbs-Merrill.
Schechner, Richard 1973 ‘Performance and the Social Sciences: Introduction’ The Drama Review, 17(3), 3–4.
Schechner, Richard 1988 Performance TheoryNew York and London: Routledge.
Schechner, Richard 1998 ‘What Is Performance Studies Anyway?’ in Phelan, and Lane, 1998.
Schechner, Richard 2001 Performance Studies: An introductionLondon and New York: Routledge.
Schneider, Rebecca 1997 The Explicit Body in PerformanceLondon and New York: Routledge.
Sell, Mike 1998 ‘The Avant-garde of Absorption: Happenings, Fluxus, and the performance economies of the American sixties’ Rethinking Marxism, 10(2), 1–26.
Shepherd, Simon and Wallis, Mick 2004 Drama/Theatre/PerformanceLondon and New York: Routledge.
Shubik, Martin 2011 The Present and Future of Game TheoryCowles Foundation for Research in Economics, Yale University: http://cowles.econ.yale.edu/P/cd/d18a/d1808.pdf (accessed June, 2015).
Singer, Milton (ed.) 1959 Traditional India: Structure and changePhiladelphia: The American Folklore Society.
Singer, Milton 1972 When a Great Tradition Modernizes: An anthropological approach to Indian civilizationLondon: Pall Mall Press.
Smithson, Alison and Smithson, Peter 1967 Urban Structuring: Studies of Alison & Peter SmithsonLondon: Studio Vista.
Sohm, H. (ed.) 1970 Happening & Fluxus: MaterialenKoeln: Koelnischer Kunstverein.
Sontag, Susan 1966 Against Interpretation and Other EssaysNew York: Dell Publishing.
States, Bert O. 1996 ‘Performance as Metaphor’ Theatre Journal, 48(1), 1–26.
Stedman Jones, Gareth 1969 ‘The Meaning of the Student Revolt’ in Cockburn, and Blackburn, 1969.
Stegmann, Petra (ed.) 2012 ‘The Lunatics Are on the Loose … ’: European Fluxus Festivals 1962–1977Berlin: Down with Art!.
Striff, Erin 2003 Performance StudiesBasingstoke: Palgrave Macmillan.
Strine, Mary S., Long, Beverly Whitaker, Hopkins, Mary Frances 1990 ‘Research in Interpretation and Performance Studies: Trends, issues, priorities’ in Phillips, Gerald M. and Wood, Julia T. (eds) Speech Communication: Essays to commemorate the 75th anniversary of the Speech Communication AssociationCarbondale and Edwardsville: Southern Illinois University Press.
Stucky, Nathan 2006 ‘Fieldwork in the Performance Studies Classroom: Learning objectives and the activist curriculum’ in Madison, and Hamera, 2006a.
Stucky, Nathan and Wimmer, Cynthia 2002 Teaching Performance StudiesCarbondale: Southern Illinois University Press.
Sullivan, Rob 2011 Geography Speaks: Performative aspects of geographyFarnham: Ashgate.
Sun, William H. and Fei, Faye C. 2014 ‘Social Performance Studies: A new PS school with Chinese characteristics’ in Citron, Atay, Aronson-Lehavi, Sharon, Zerbib, David (eds) Performance Studies in MotionLondon: Bloomsbury.
Tambiah, S.J. 1979 ‘A Performative Approach to Ritual’ Proceedings of the British Academy, 65, 113–69.
Taylor, Mark C. (ed.) 1998a Critical Terms for Religious StudiesChicago & London: The University of Chicago Press.
Taylor, Mark C. 1998b ‘Introduction’ in Taylor, 1998a.
Thrift, Nigel and Dewsbury, John-David 2000 ‘Dead Geographies – and How to Make Them Live’ Environment and Planning D: Society and Space, 18, 411–32.
Tilly, Charles 2008 Contentious PerformancesCambridge: Cambridge University Press.
Tuan, Yi-Fu 1977 Space and Place: The perspective of experienceMinneapolis and London: University of Minnesota Press.
Turner, Victor 1977 ‘Frame, Flow and Reflection: Ritual and drama as public liminality’ in Benamou, and Caramello, 1977.
Turner, Victor 1982 From Ritual to Theatre: The human seriousness of playNew York: PAJ Publications.
Turner, Victor 1984 ‘Liminality and the Performative Genres’ in MacAloon, John J. (ed.) Rite, Drama, Festival, Spectacle: Rehearsals towards a theory of cultural performancePhiladelphia: The Institute for the Study of Human Issues.
Turner, Victor 1992 The Anthropology of PerformanceNew York: PAJ Publications.
Turner, Victor 1995 The Ritual Process: Structure and anti-structureNew York: Aldine de Gruyter.
van Haaren, Hein 1966 Constant, trans. Schuchart, MaxAmsterdam: J.M. Meulenhoff.
Voeten, Teun 1990 ‘Dutch Provos’ High Times, January: http://www.marijuanalibrary.org/HT_provos_0190.html (accessed December 2013).
Walsh, Victoria 2001 Nigel Henderson: Parallel of Life and ArtLondon: Thames & Hudson.
Wigley, Mark 1998 Constant's New Babylon: The hyper-architecture of desireRotterdam: Witte de With.
Wollen, Peter 1989 ‘Bitter Victory: The art and politics of the Situationist International’ in Sussman, Elisabeth (ed.) On the Passage of a Few People Through a Rather Brief Moment in Time: The Situationist International, 1957–1972Cambridge, MA, London: MIT Press
Worthen, W.B. 1995 ‘Disciplines of the Text/Sites of Performance’ The Drama Review, 39(1), 13–28.
Worthen, W.B. 1998 ‘Drama, Performativity, and Performance’ PMLA, 113(5), 1093–107.
