Book contents
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- Copyright page
- Contents
- Notes on Contributors
- Book part
- Introduction
- 1 “The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor
- 2 Phillis Wheatley
- 3 The Historical Epic, Women’s Poetry, and Early American Verse
- 4 The Fire This Time: Longfellow, Lowell, Holmes, Whittier
- 5 Ralph Waldo Emerson
- 6 Edgar Allan Poe
- 7 Walt Whitman
- 8 Melville the Poet
- 9 Forever Young: Rereading Emily Dickinson in the Twenty-First Century
- 10 Paul Laurence Dunbar
- 11 Edwin Arlington Robinson
- 12 Robert Frost
- 13 Gertrude Stein
- 14 Wallace Stevens
- 15 William Carlos Williams
- 16 Ezra Pound
- 17 Marianne Moore
- 18 T. S. Eliot and American Poetry
- 19 Hart Crane’s Visionary Company
- 20 The New Negro Renaissance
- 21 Langston Hughes
- 22 Elizabeth Bishop
- 23 Gwendolyn Brooks
- 24 The Three Voices of Robert Lowell
- 25 The Black Mountain School
- 26 Jack Spicer
- 27 Allen Ginsberg: Irreverent, Reverential, and Apocalyptic American Poet
- 28 Anne Sexton, Sylvia Plath and Confessional Poetry
- 29 “Street Musicians”: Frank O’Hara and John Ashbery
- 30 Adrienne Rich: The Poetry of Witness
- 31 An “Empty Prescription”: Pleasure in Contemporary American Poetry
- Further Reading
- Index
- Series page
- References
19 - Hart Crane’s Visionary Company
Published online by Cambridge University Press: 05 November 2015
Edited by
Book contents
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- Copyright page
- Contents
- Notes on Contributors
- Book part
- Introduction
- 1 “The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor
- 2 Phillis Wheatley
- 3 The Historical Epic, Women’s Poetry, and Early American Verse
- 4 The Fire This Time: Longfellow, Lowell, Holmes, Whittier
- 5 Ralph Waldo Emerson
- 6 Edgar Allan Poe
- 7 Walt Whitman
- 8 Melville the Poet
- 9 Forever Young: Rereading Emily Dickinson in the Twenty-First Century
- 10 Paul Laurence Dunbar
- 11 Edwin Arlington Robinson
- 12 Robert Frost
- 13 Gertrude Stein
- 14 Wallace Stevens
- 15 William Carlos Williams
- 16 Ezra Pound
- 17 Marianne Moore
- 18 T. S. Eliot and American Poetry
- 19 Hart Crane’s Visionary Company
- 20 The New Negro Renaissance
- 21 Langston Hughes
- 22 Elizabeth Bishop
- 23 Gwendolyn Brooks
- 24 The Three Voices of Robert Lowell
- 25 The Black Mountain School
- 26 Jack Spicer
- 27 Allen Ginsberg: Irreverent, Reverential, and Apocalyptic American Poet
- 28 Anne Sexton, Sylvia Plath and Confessional Poetry
- 29 “Street Musicians”: Frank O’Hara and John Ashbery
- 30 Adrienne Rich: The Poetry of Witness
- 31 An “Empty Prescription”: Pleasure in Contemporary American Poetry
- Further Reading
- Index
- Series page
- References
- Type
- Chapter
- Information
- The Cambridge Companion to American Poets , pp. 258 - 270Publisher: Cambridge University PressPrint publication year: 2015
References
Further Reading
Berthoff, Warner, Hart Crane: A Reintroduction (Minneapolis: University of Minnesota Press, 1989).Google Scholar
Brunner, Edward J., Splendid Failure: Hart Crane and the Making of “The Bridge” (Urbana-Champaign: University of Illinois Press, 1985).Google Scholar
Combs, Robert, Vision of the Voyage: Hart Crane and the Psychology of Romanticism (Memphis: Memphis State University Press, 1978).Google Scholar
Corn, Alfred, Hart Crane’s “Atlantis”: The Metamorphoses of Metaphor (New York: Viking Press, 1987).Google Scholar
Gabriel, Daniel, Hart Crane and the Modernist Epic: Canon and Genre Formation in Crane, Pound, Eliot and Williams (New York: Palgrave Macmillan, 2007).CrossRefGoogle Scholar
Horton, Philip, Hart Crane: The Life of an American Poet (New York: W. W. Norton & Company, 1937).Google Scholar
Hammer, Langdon, Hart Crane & Allen Tate: Janus-Faced Modernism (Princeton: Princeton University Press, 1993).Google Scholar
Irwin, John, Hart Crane’s Poetry: “Apollinaire Lived in Paris, I Lived in Cleveland, Ohio” (Baltimore: Johns Hopkins University Press, 2011).CrossRefGoogle Scholar
Leibowitz, Herbert A., Hart Crane: An Introduction to the Poetry (New York, Columbia University Press, 1968).Google Scholar
Lewis, R. W. B, The Poetry of Hart Crane: A Critical Study (Princeton: Princeton University Press, 1967).Google Scholar
Mariani, Paul, The Broken Tower: A Life of Hart Crane (New York: W. W. Norton & Company, 1999).Google Scholar
Nickowitz, Peter, Rhetoric and Sexuality: The Poetry of Hart Crane, Elizabeth Bishop, and James Merrill (New York: Palgrave Macmillan, 2006).CrossRefGoogle Scholar
Pritchard, William, Lives of the Modern Poets (New York: Oxford University Press, 1980).Google Scholar
Reed, Brian, Hart Crane: After His Lights (Tuscaloosa: University of Alabama Press, 2006).Google Scholar
Trachtenberg, Alan, Brooklyn Bridge: Fact and Symbol (Chicago: University of Chicago Press, 1979).Google Scholar
Untrecker, John, Voyager: A Life of Hart Crane (New York: Farrar, Straus and Giroux, 1969).Google Scholar
Woods, Gregory, Articulate Flesh: Male Homoeroticism and Modern Poetry (New Haven: Yale University Press, 1987).CrossRefGoogle Scholar
Yingling, Thomas E., Hart Crane and the Homosexual Text: New Thresholds, New Anatomies (Chicago: University of Chicago Press, 1990).Google Scholar