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, Anon. The Death of Usury, or the Disgrace of Usurers (Cambridge, 1594).
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Biddulph, William. The Travels of Certaine Englishmen into Africa, Asia, Troy, Bythinia, Thracia, and into the Black Sea (1609; Facsimile. New York: Da Capo Press, 1968).
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Burghley, William Cecil, Lord. The Copie of a Letter Sent Out of England to Don Bernadin Mendoza Ambassadour in France for the King of Spaine (London, 1588).
Caesar, Phillip. A General Discourse against the Damnable Sect of Usurers (London, 1578).
Dalechamp, Caleb. Christian Hospitality (London, 1632).
Deacon, John. Tobacco Tortured (1616; Facsimile. New York: Da Capo Press, 1968).
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Britain, Great. The Statutes of the Realm, 11 vols., eds. Luders, Alexanderet al. (London: HMSO, 1810–28).
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Henslowe, Philip. Henslowe's Diary, eds. Foakes, R. A. and Rickert, R. T. (Cambridge: Cambridge University Press, 1961).
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Lyly, John. Euphues: the Anatomy of Wit (1578 and 1580), eds. William Croll, Morris and Clemons, Harry (New York: Russell and Russell, 1964).
M., I. A Health to the Gentlemanly Profession of Servingmen (London, 1598), in England as Seen by Foreigners, ed. , Rye, pp. 196–7.
Meteren, Emanuel. A True Discourse Historicall, of the Succeeding Governours in the Netherlands (Dutch, 1599; trans. London, 1602), in England as Seen by Foreigners, ed. , Rye, pp. 67–73.
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Platter, Thomas. Thomas Platter's Travels in England, trans. and intro. Williams, Clare (1599; London: Jonathan Cape, 1937).
Purchas, Samuel. Hakluytus Posthumus, or Purchas His Pilgrimes, 20 vols. (1625; Glasgow: James MacLehose & Sons, 1905).
Rastell, John. An Exposition of Certaine Difficult and Obscure Words, and Termes of the Lawes of This Realme (London, 1592).
Rich, Barnabe. The Straunge and Wonderfull Adventures of Don Simonides, a Gentilman Spaniarde (London, 1581).
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Saunders, Laurence. A Trewe Mirrour or Glasse Wherin We Maye Beholde the Wofull State of Thys Our Realme of Englande (London, 1556).
Scouloudi, Irene. Returns of Strangers in the Metropolis 1593, 1627, 1635, 1639: a Study of an Active Minority (London: Huguenot Society of Great Britain and Ireland, 1985).
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Stow, John. A Survey of London, 2 vols., ed. Kingsford, C. L. (1599 and 1603; Oxford: Clarendon Press, 1908).
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Wirtemberg [i.e. Württemberg], Frederick, Duke of. A True and Faithful Narrative of the Bathing Excursion … to the Far-Famed Kingdom of England (Tübingen, 1602), in England as Seen by Foreigners, ed. , Rye, pp. 5–53.
SECONDARY MODERN WORKSAdler, Michael. Jews of Medieval England (London: The Jewish Historical Society, 1939).
Agnew, Jean-Christophe. Worlds Apart: the Market and the Theater in Anglo-American Thought, 1550–1750 (Cambridge: Cambridge University Press, 1986).
Allen, Morse S.The Satire of John Marston (New York: Haskell House, 1965).
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism, rev. edn (London and New York: Verso, 1991).
Arab, Ronda A. ‘Work, Bodies, and Gender in The Shoemaker's Holiday’, Medieval and Renaissance Drama in England 13 (2001): 182–212.
Archer, Ian. The Pursuit of Stability: Social Relations in Elizabethan London (Cambridge: Cambridge University Press, 1991).
Archer, John Michael. Citizen Shakespeare: Freemen and Aliens in the Language of the Plays (New York: Palgrave Macmillan, 2005).
Armitage, David. The Ideological Origins of the British Empire (Cambridge: Cambridge University Press, 2000).
Avery, Bruce. ‘Gelded Continents and Plenteous Rivers: Cartography as Rhetoric in Shakespeare’, in Playing the Globe, eds. , Gillies and , Vaughan, pp. 46–62.
Baker, David. Between Nations: Shakespeare, Spenser, Marvell, and the Question of Britain (Stanford: Stanford University Press, 1997).
Baker, David J., and Willy, Maley. British Identities and English Renaissance Literature (Cambridge: Cambridge University Press, 2002).
Bartels, Emily C. Spectacles of Strangeness: Imperialism, Alienation, and Marlowe (Philadelphia: University of Pennsylvania Press, 1993).
Beckerman, Bernard. ‘Playing the Crowd: Structure and Soliloquy in Tide Tarrieth No Man’, in Mirror up to Shakespeare, ed. Gray, J. C. (Toronto: University of Toronto Press, 1984), pp. 128–37.
Beer, M.Early British Economics from the XIIIth to the Middle of the XVIIIth Century (New York: Kelley, 1967).
Beier, A. L. ‘Social Problems in Elizabethan London’, Journal of Interdisciplinary History 9 (1978): 203–21.
Bevington, David. From Mankind to Marlowe: Growth of Structure in the Popular Drama of Tudor England (Cambridge, MA: Harvard University Press, 1962).
Bevington, David. Tudor Drama and Politics (Cambridge, MA: Harvard University Press, 1968).
Blank, Paula. Broken English: Dialects and the Politics of Language in Renaissance Writings (London and New York: Routledge, 1996).
Boling, Ronald J. ‘Anglo-Welsh Relations in Cymbeline’, Shakespeare Quarterly 51 (2000): 33–66.
Borchsenius, Poul. Behind the Wall: the Story of the Ghetto, trans. Spink, Reginald (London: George Allen and Unwin, 1964).
Bradbrook, Muriel. ‘Shakespeare and the Use of Disguise in Elizabethan Drama’, Essays in Criticism 2 (1952): 159–68.
Bradshaw, Brendan, Hadfield, Andrew, and Maley, Willy, eds. Representing Ireland: Literature and the Origins of Conflict, 1534–1660 (Cambridge: Cambridge University Press, 1993).
Bradshaw, Brendan, and Roberts, Peter, eds. British Consciousness and Identity: the Making of Britain, 1533–1707 (Cambridge: Cambridge University Press, 1998).
Brenner, Robert. Merchants and Revolution: Commercial Change, Political Conflict, and London Overseas Traders, 1550–1653 (Princeton: Princeton University Press, 1993).
Brown, Paul. ‘This Thing of Darkness I Acknowledge Mine: The Tempest and the Discourse of Colonialism’, in Political Shakespeare: Essays in Cultural Materialism, eds. Dollimore, Jonathan and Sinfield, Alan (Ithaca, NY: Cornell University Press, 1985), pp. 48–71.
Burton, Jonathan. ‘Anglo–Ottoman Relations and the Image of the Turk in Tamburlaine’, Journal of Medieval and Early Modern Studies 30 (2000): 125–56.
Butler, Judith. Gender Trouble: Feminism and Subversion of Identity (London: Routledge, 1990).
Cady, Diane. ‘Linguistic Dis-ease: Foreign Language as Sexual Disease in Early Modern England’, in Sins of the Flesh, ed. , Siena, pp. 159–86.
Campos, Edmund Valentine. ‘Jews, Spaniards, and Portingales: Ambiguous Identities of Portuguese Marranos in Elizabethan England’, ELH 69 (2002): 599–616.
Caputi, Anthony. John Marston, Satirist (Ithaca, NY: Cornell University Press, 1961).
Chambers, E. K.The Elizabethan Stage, 4 vols. (Oxford: Clarendon Press, 1923).
Clark, Peter, and Slack, Paul. English Towns in Transition 1500–1700 (Oxford: Oxford University Press, 1976).
Collinson, Patrick. ‘Europe in Britain: Protestant Strangers and the English Reformation’, in From Strangers to Citizens, eds. , Vigne and , Littleton, pp. 57–67.
Craik, T. W. ‘The Political Interpretation of Two Tudor Interludes: Temperance and Humility and Wealth and Health’, Review of English Studies n.s. 4 (1953): 98–108.
Dessen, Alan. Shakespeare and the Late Moral Plays (Lincoln, NE: University of Nebraska Press, 1986).
Dillon, Janette. Language and Stage in Medieval and Renaissance England (Cambridge: Cambridge University Press, 1998).
Dutton, Richard. Mastering the Revels: the Regulation and Censorship of English Renaissance Drama (London: Macmillan, 1991).
Dynes, William R. ‘“London, Look On!”: the Estates Morality Play and the Moralities of Economy’, paper for GEMCS conference, Pittsburgh, 1996. Online, available at: http://english.uindy.edu/dynes/estatesmorality.htm (accessed 23 February 2006).
Eccles, Mark. ‘William Wager and His Plays’, English Language Notes 18 (1981): 258–62.
Edwards, Philip. Threshold of a Nation: a Study of English and Irish Drama (Cambridge: Cambridge University Press, 1979).
Ellis, S. G. Tudor Ireland: Crown, Community and the Conflict of Cultures, 1470–1603 (London: Longman, 1985).
Finkelpearl, Philip J.John Marston of the Middle Temple (Cambridge, MA: Harvard University Press, 1969).
Fitzpatrick, Joan. ‘Food and Foreignness in Sir Thomas More’, Early Theatre 7 (2004): 33–47.
Fleck, Andrew. ‘Marking Difference and National Identity in Dekker's The Shoemaker's Holiday’, Studies in English Literature 1500–1900 46 (2006): 349–70.
Floyd-Wilson, Mary. English Ethnicity and Race in Early Modern Drama (Cambridge: Cambridge University Press, 2003).
Freeburg, Victor O. Disguise Plots in Elizabethan Drama: a Study in Stage Tradition (1915; New York: Benjamin Blom, 1965).
Freedman, Barbara. ‘Elizabethan Protest, Plague, and Plays: Rereading the “Documents of Control”’, English Literary Renaissance 26 (1996): 17–45.
Freeman, Arthur. ‘Marlowe, Kyd, and the Dutch Church Libel’, English Literary Renaissance 3 (1973): 44–52.
Fuchs, Barbara. ‘Faithless Empires: Pirates, Renegadoes, and the English Nation’, ELH 67 (2000): 45–69.
Gasper, Julia. The Dragon and the Dove: the Plays of Thomas Dekker (Oxford: Clarendon Press, 1990).
Gillies, John. ‘The Scene of Cartography in King Lear’, in Literature, Mapping, and the Politics of Space in Early Modern Britain, eds. Gordon, Andrew and Klein, Bernhard (Cambridge: Cambridge University Press, 2001), pp. 109–37.
Gillies, John. Shakespeare and the Geography of Difference (Cambridge: Cambridge University Press, 1994).
Gillies, John, and Mason Vaughan, Virginia, eds. Playing the Globe: Genre and Geography in English Renaissance Drama (Madison: Farleigh Dickinson University Press, 1998).
Girard, René. Violence and the Sacred, trans. Gregory, Patrick (Paris, 1972; Baltimore and London: The Johns Hopkins University Press, 1979).
Goose, Nigel. ‘Immigrants in Tudor and Early Stuart England’, in Immigrants in Tudor and Early Stuart England, eds. , Goose and , Luu, pp. 1–38.
Goose, Nigel. ‘“Xenophobia” in Elizabethan and Early Stuart England: an Epithet Too Far?’, in Immigrants in Tudor and Early Stuart England, eds. , Goose and , Luu, pp. 110–35.
Goose, Nigel, and Luu, Lien, eds. Immigrants in Tudor and Early Stuart England (Brighton: Sussex Academic Press, 2005).
Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare (Chicago: Chicago University Press, 1980).
Greenfield, Matthew. ‘1 Henry IV: Metatheatrical Britain’, in British Identities and English Renaissance Literature, eds. , Baker and Maley, , pp. 71–80.
Griffin, Eric. ‘From Ethos to Ethnos: Hispanizing “the Spaniard” in the Old World and the New’, The New Centennial Review 2.1 (2002): 69–116.
Griffith, William P. ‘Humanist Learning, Education and the Welsh Language’, in The Welsh Language before the Industrial Revolution, ed. Geraint, H. Jenkins (Cardiff: University of Wales Press, 1997), pp. 289–315.
Griffiths, Huw. ‘The Geographies of Shakespeare's Cymbeline’, English Literary Renaissance 34 (2004): 339–58.
Gurr, Andrew. ‘The Bare Island’, Shakespeare Survey 47 (1994): 29–43.
Gwynn, Robin D.Huguenot Heritage: the History and Contribution of the Huguenots in Britain (London: Routledge, 1985).
Hadfield, Andrew. Edmund Spenser's Irish Experience: Wilde Fruit and Salvage Soyl (Oxford: Clarendon Press, 1997).
Hadfield, Andrew, and Maley, Willy. ‘Introduction’, in Representing Ireland, eds. Bradshaw, , Hadfield, , and Maley, , pp. 1–23.
Hanson, Elizabeth. Discovering the Subject in Renaissance England (Cambridge: Cambridge University Press, 1998).
Happé, Peter. ‘The Devil in the Interludes’, Medieval English Theatre 11 (1989): 42–55.
Harris, Jonathan Gil. Foreign Bodies and the Body Politic: Discourses of Social Pathology in Early Modern England (Cambridge: Cambridge University Press, 1998).
Harris, Jonathan Gil. ‘(Po)X Marks the Spot: How to “Read” “Early Modern” “Syphilis” in The Three Ladies of London’, in Sins of the Flesh, ed. Siena, , pp. 111–34.
Harris, Jonathan Gil. ‘Properties of Skill: Product Placement in Early English Artisanal Drama’, in Staged Properties in Early Modern English Drama, eds. , Harris and , Korda, pp. 35–66.
Harris, Jonathan Gil. Sick Economies: Drama, Mercantilism, and Disease in Shakespeare's England (Philadelphia: University of Pennsylvania Press, 2004).
Harris, Jonathan Gil, and Korda, Natasha, eds. Staged Properties in Early Modern English Drama (Cambridge: Cambridge University Press, 2002).
Hawkes, Terence. ‘Bryn Glas’, in Post-Colonial Shakespeares, eds. Loomba, Ania and Orkin, Martin (London and New York: Routledge, 1998), pp. 117–40.
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Heal, Felicity. Hospitality in Early Modern England (Oxford and New York: Oxford University Press, 1990).
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Hopkins, Lisa. Shakespeare on the Edge: Border-Crossing in the Tragedies and the Henriad (Aldershot: Ashgate, 2005).
Howard, Jean. ‘Other Englands: the View from the Non-Shakespearean History Play’, in Other Voices, Other Views, ed. Ostovich, , Silcox, , and Roebuck, , pp. 135–53.
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Kermode, Lloyd Edward. ‘The Playwright's Prophecy: Robert Wilson's The Three Ladies of London and the “Alienation” of the English’, Medieval and Renaissance Drama in England 11 (1999): 60–87.
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Leinwand, Theodore B.The City Staged: Jacobean Comedy, 1603–1613 (Madison: University of Wisconsin Press, 1986).
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Luu, Lien. ‘Natural-Born versus Stranger-Born Subjects: Aliens and Their Status in Elizabethan London’, in Immigrants in Tudor and Early Stuart England, eds. , Goose and , Luu, pp. 57–75.
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Maley, Willy. ‘Postcolonial Shakespeare: British Identity Formation and Cymbeline’, in Shakespeare's Late Plays: New Readings, eds. Richards, J. and Knowles, J. (Edinburgh: Edinburgh University Press, 1999), pp. 145–57.
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McMillin, Scott. The Elizabethan Theatre and ‘The Book of Sir Thomas More’ (Ithaca, NY: Cornell University Press, 1987).
McMillin, Scott, and MacLean, Sally-Beth. The Queen's Men and Their Plays, 1583–1603 (Cambridge: Cambridge University Press, 1998).
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Mullaney, Steven. ‘Strange Things, Gross Terms, Curious Customs: the Rehearsal of Cultures in the Late Renaissance’, in Representing the Renaissance, ed. Greenblatt, Stephen (Berkeley and Los Angeles: University of California Press, 1988), pp. 65–92. (Originally published in Representations 3 [1983]: 40–67. Revised as Chapter 3 in Mullaney, The Place of the Stage.)
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