It seems appropriate to begin this chapter on theatrical matters with a prologue – in fact two prologues – the first taken from a relatively obscure play, William Hawkins's Apollo Shroving, an example of the academic drama written for scholars at Hadleigh School, Suffolk, and performed by them on Shrove Tuesday, 6 February 1626. In what Hawkins calls the ‘Introduction’, the male speaker of the prologue is interrupted by a female spectator called Lala (addressed as ‘Mistress Lala, Spinster’, or ‘Dame Lall’) who objects to his use of Latin words and classical names, fearing that she will not be able to follow the play if it is in Latin. At the end of the first scene she leaves, somewhat mollified, with this exit speech: