Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-vpsfw Total loading time: 0 Render date: 2024-07-18T21:20:23.543Z Has data issue: false hasContentIssue false

ONE - Umberto Eco's intellectual origins: medieval aesthetics, publishing, and mass media

Published online by Cambridge University Press:  23 October 2009

Peter Bondanella
Affiliation:
Indiana University
Get access

Summary

Umberto Eco was born on 5 January 1932 in the city of Alessandria in the Piedmont region of Italy. Alessandria in the nineteenth century had become best known for the location of the most important factory of the Borsalino company, Italy's premier maker of hats. According to the accounts of his childhood that have come down to us after he reached international fame (accounts, therefore, which may be somewhat tinged by hagiography), Eco was a precocious young student who excelled in cartoons, parodies, and intellectual games. Apparently he composed a parody of Dante in hendecasyllabic verse entitled Ladiacqua commedia (The Divine Water Comedy), purporting to narrate events in his family as if he were the sommo poeta. After completing his maturità classica at the Liceo Plana, Eco began his university education, enrolling at the University of Turin, where he completed his degree in philosophy with Professor Luigi Pareyson in 1954.

Even before the publication of his thesis, however, Umberto Eco had begun to make a name for himself, even if not initially in the fields of cultural and literary theory. In 1951, a young man named Mario Rossi was elected president of the Gioventù Italiana di Azione Cattolica (the GIAC), the youth group of the Catholic Church. At this early stage in his life, Eco was a militant Catholic intellectual, working closely with a man and a movement attempting to transcend the heavily conservative religious, social, and cultural policies represented by the then reigning pontiff, Pius XII. Eco worked with Rossi in Rome, writing for Gioventù cattolica (the publication of GIAC) and attempting to push the church into the direction that would reflect the more liberal policies of the French clergy of the period.

Type
Chapter
Information
Umberto Eco and the Open Text
Semiotics, Fiction, Popular Culture
, pp. 1 - 18
Publisher: Cambridge University Press
Print publication year: 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×