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The Year’s Contributions to Shakespeare Studies

Published online by Cambridge University Press:  04 September 2020

Emma Smith
University of Oxford
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Shakespeare Survey 73
Shakespeare and the City
, pp. 252 - 288
Publisher: Cambridge University Press
Print publication year: 2020

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Works Reviewed

Akhimie, Patricia, and Andrea, Bernadette, eds., Travel and Travail: Early Modern Women, English Drama and the Wider World (Lincoln and London, 2019)CrossRefGoogle Scholar
Arshad, Yasmin, Imagining Cleopatra: Performing Gender and Power in Early Modern England (London, 2019)CrossRefGoogle Scholar
Bergeron, David, Shakespeare’s London 1613 (Manchester, 2018)CrossRefGoogle Scholar
Chalk, Darryl, and Floyd-Wilson, Mary, eds., Contagion and the Shakespearean Stage (Basingstoke, 2019)CrossRefGoogle Scholar
Garrison, John S., Shakespeare and the Afterlife (Oxford, 2019)Google Scholar
Jowitt, Claire, and McInnis, David, Travel and Drama in Early Modern England: The Journeying Play (Cambridge, 2019)Google Scholar
Langley, Eric, Shakespeare’s Contagious Sympathies (Oxford, 2019)Google Scholar
Love, Genevieve, Early Modern Theatre and the Figure of Disability (London, 2019)Google Scholar
Mottram, Stewart, Ruin and Reformation in Spenser, Shakespeare and Marvell (Oxford, 2019)CrossRefGoogle Scholar
Publicover, Laurence, Dramatic Geography, Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama (Oxford, 2017)Google Scholar
Singh, Jyotsna, Shakespeare and Post Colonial Theory (London, 2019)CrossRefGoogle Scholar
Tudeau-Clayton, Margaret, Shakespeare’s Englishes: Against Englishness (Cambridge, 2020)Google Scholar
Whipday, Emma, Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home (Cambridge, 2019)CrossRefGoogle Scholar

Works Reviewed

Banks, Fiona, Shakespeare: Actors and Audiences (London, 2019)Google Scholar
Bessell, Jaq, ed., Shakespeare in Action: 30 Theatre Makers on Their Practice (London, 2019)Google Scholar
Bladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie, eds., Shakespeare on Screen: ‘King Lear’ (Cambridge, 2019)CrossRefGoogle Scholar
Burnett, Mark Thornton, ‘Hamlet’ and World Cinema (Cambridge, 2019)CrossRefGoogle Scholar
Cartelli, Thomas, Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment (New York, 2019)CrossRefGoogle Scholar
Forsyth, Neil, Shakespeare the Illusionist: Magic, Dreams and the Supernatural on Film (Athens, OH, 2019)Google Scholar
Hampton-Reeves, Stuart, Shakespeare in the Theatre: Peter Hall (London, 2019)CrossRefGoogle Scholar
Jensen, Michael P., The Battle of the Bard: Shakespeare on U.S. Radio in 1937 (Leeds, 2018)CrossRefGoogle Scholar
Kirwan, Peter, Shakespeare in the Theatre: Cheek by Jowl (London, 2019)CrossRefGoogle Scholar
McCullough, Lynsey, and Shaw, Brandon, eds., The Oxford Handbook of Shakespeare and Dance (Oxford, 2019)CrossRefGoogle Scholar
Ney, Charles, ed., Directing Shakespeare in America: Historical Perspectives (London, 2019)Google Scholar
Reynolds, Paige Martin, ed., Performing Shakespeare’s Women Playing Dead (London, 2019)Google Scholar
Sawyer, Robert, Shakespeare Between the World Wars: The Anglo-American Sphere (New York, 2019)CrossRefGoogle Scholar
Sillars, Stuart, Shakespeare as Seen: Image, Performance and Society (Cambridge, 2019)Google Scholar
Wyver, John, Screening the Royal Shakespeare Theatre: A Critical History (London, 2019)CrossRefGoogle Scholar

Works Reviewed

Atkin, Tamara, Reading Drama in Tudor England (London, 2018)CrossRefGoogle Scholar
Boeckeler, Erika Mary, ‘The Hamlet First Quarto (1603) & the play of typography’, Early Theatre 21.1 (2018), 5986Google Scholar
Brokaw, Katherine Steele, ed., Macbeth, Arden Performance Editions (London, 2019)Google Scholar
Duncan, Dennis, and Smyth, Adam, eds, Book Parts (Oxford, 2019)Google Scholar
Edwards, Philip, ed., Hamlet, Prince of Denmark, 3rd edn, with new introduction by Heather Hirschfeld, New Cambridge Shakespeare (Cambridge, 2019)Google Scholar
George, David, ed., Coriolanus, 2 vols. (n.p., 2019)Google Scholar
Gossett, Suzanne, and Wilcox, Helen, eds., All’s Well That Ends Well, Arden Shakespeare (London, 2019)CrossRefGoogle Scholar
Gurr, Andrew, ed., King Richard II, 3rd edn, with updated introduction by Claire McEachern, New Cambridge Shakespeare (Cambridge, 2019)Google Scholar
Hulme, Peter, and Sherman, William H., eds., The Tempest, 2nd edn, Norton Critical Editions (New York, 2019)Google Scholar
Kingsley-Smith, Jane, The Afterlife of Shakespeare’s Sonnets (Cambridge, 2019)CrossRefGoogle Scholar
Mares, F. H., ed., Much Ado about Nothing, 3rd edn, with updated introduction by Travis D. Williams, New Cambridge Shakespeare (Cambridge, 2018)Google Scholar
Miola, Robert, ed., Hamlet, 2nd edn, Norton Critical Editions (New York, 2019)Google Scholar
Rourke, Josie, ed., Measure for Measure (London, 2018)Google Scholar
Thompson, Ann, ed., The Taming of the Shrew, 3rd edn, New Cambridge Shakespeare (Cambridge, 2017)Google Scholar
Vadnais, Matt, ‘The distribution and ordering of speeches and Shakespearean revision’, Shakespeare Bulletin 36.4 (2018), 657–86.CrossRefGoogle Scholar
Werner, Sarah, Studying Early Printed Books, 1450–1800: A Practical Guide (Wiley Blackwell, 2019)Google Scholar

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