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2. - Shakespeare in Performance

from The Year’s Contributions to Shakespeare Studies

Published online by Cambridge University Press:  04 September 2020

Emma Smith
Affiliation:
University of Oxford
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Summary

The title of Thomas Cartelli’s Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment calls for some clarification, which is provided in due course. Cartelli addresses the question of exactly what it is in which our ‘faith’ must be ‘awaked’ for Shakespeare’s plays ‘to engage their receivers/audiences with the kind of “nervous novelty” they presumably brought to the Elizabethan stage when Shakespeare himself took old matter and remixed it into new theatrical blends’ (17).

Type
Chapter
Information
Shakespeare Survey 73
Shakespeare and the City
, pp. 266 - 276
Publisher: Cambridge University Press
Print publication year: 2020

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References

Works Reviewed

Banks, Fiona, Shakespeare: Actors and Audiences (London, 2019)Google Scholar
Bessell, Jaq, ed., Shakespeare in Action: 30 Theatre Makers on Their Practice (London, 2019)Google Scholar
Bladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie, eds., Shakespeare on Screen: ‘King Lear’ (Cambridge, 2019)CrossRefGoogle Scholar
Burnett, Mark Thornton, ‘Hamlet’ and World Cinema (Cambridge, 2019)CrossRefGoogle Scholar
Cartelli, Thomas, Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment (New York, 2019)CrossRefGoogle Scholar
Forsyth, Neil, Shakespeare the Illusionist: Magic, Dreams and the Supernatural on Film (Athens, OH, 2019)Google Scholar
Hampton-Reeves, Stuart, Shakespeare in the Theatre: Peter Hall (London, 2019)CrossRefGoogle Scholar
Jensen, Michael P., The Battle of the Bard: Shakespeare on U.S. Radio in 1937 (Leeds, 2018)CrossRefGoogle Scholar
Kirwan, Peter, Shakespeare in the Theatre: Cheek by Jowl (London, 2019)CrossRefGoogle Scholar
McCullough, Lynsey, and Shaw, Brandon, eds., The Oxford Handbook of Shakespeare and Dance (Oxford, 2019)CrossRefGoogle Scholar
Ney, Charles, ed., Directing Shakespeare in America: Historical Perspectives (London, 2019)Google Scholar
Reynolds, Paige Martin, ed., Performing Shakespeare’s Women Playing Dead (London, 2019)Google Scholar
Sawyer, Robert, Shakespeare Between the World Wars: The Anglo-American Sphere (New York, 2019)CrossRefGoogle Scholar
Sillars, Stuart, Shakespeare as Seen: Image, Performance and Society (Cambridge, 2019)Google Scholar
Wyver, John, Screening the Royal Shakespeare Theatre: A Critical History (London, 2019)CrossRefGoogle Scholar

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