Book contents
- Representation in Western Music
- Representation in Western Music
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Introduction
- Part I Representation and the interpretation of musical meaning
- Part II Sound and visual representations: music, painting, and dance
- Part III Musical representations in opera and cinema
- Part IV Music, representation, and the concepts of East and West
- 13 Doing more than representing western music
- 14 The persistence of Orientalism in the postmodern operas of Adams and Sellars
- Afterword: What else?
- Index
14 - The persistence of Orientalism in the postmodern operas of Adams and Sellars
from Part IV - Music, representation, and the concepts of East and West
Published online by Cambridge University Press: 05 April 2013
- Representation in Western Music
- Representation in Western Music
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Introduction
- Part I Representation and the interpretation of musical meaning
- Part II Sound and visual representations: music, painting, and dance
- Part III Musical representations in opera and cinema
- Part IV Music, representation, and the concepts of East and West
- 13 Doing more than representing western music
- 14 The persistence of Orientalism in the postmodern operas of Adams and Sellars
- Afterword: What else?
- Index
Summary
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- Information
- Representation in Western Music , pp. 267 - 286Publisher: Cambridge University PressPrint publication year: 2013
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