Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-04T02:35:55.700Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  10 March 2022

Amy Lidster
Affiliation:
University of Oxford
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publishing the History Play in the Time of Shakespeare
Stationers Shaping a Genre
, pp. 254 - 276
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Secondary Sources

[Place of publication is London, unless otherwise specified.]Google Scholar
Alexander, Gavin (ed.), William Scott, The Model of Poesy (Cambridge: Cambridge University Press, 2013)Google Scholar
Alexander, William, The Monarchick Tragedies (1605, STC 343 and 1607, 344)Google Scholar
Anon., The Famovs Victories of Henry the fifth (1598; STC 13072)Google Scholar
Anon., The Famous Victories of Henry the Fifth, Hanabusa, prep Chiaki, Malone Society Publications, vol. 171 (Manchester: Manchester University Press for the Malone Society, 2007)Google Scholar
Anon., A Gagge for the Pope and the Iesvits (1624; STC 20111)Google Scholar
Anon., An Homilie Against Disobedience and Wylfull Rebellion (1570; STC 13680)Google Scholar
Anon., The Life and death of Iacke Straw (1604; STC 23357)Google Scholar
Anon., The True Chronicle History of King Leir (1605; STC 15343)Google Scholar
Anon., A Continuation of More Newes from the Palatinate [13 June 1622] (1622; STC 18507.51A)Google Scholar
Anon., The Mutable and wauering estate of France, from the yeare of our Lord 1460, vntill the yeare 1595 (1597; STC 11279)Google Scholar
Anon., Newes from Brest (1594; STC 18654)Google Scholar
Anon., News from Lough-foyle in Ireland (1608; STC 18784)Google Scholar
Anon., Newes From Most Parts of Christendome [25 September 1622] (1622; STC 18507.79)Google Scholar
Anon., The certaine Newes of this present Weeke [23 August 1622] (1622; STC 18507.72)Google Scholar
Anon., A Plaine Demonstration of the Vnlawful Svccession of the Now Emperovr Ferdinand the Second, because of the incestuous Marriage of his Parents (‘the Hage’ [i.e. London], 1620; STC 10814)Google Scholar
Anon., The True Tragedie of Richard the third (1594; STC 21009)Google Scholar
Anon., Sir Thomas Smithes Voiage and Entertainment in Rushia (1605; STC 22869)Google Scholar
Anon., A Warning for Faire Women (1599; STC 25089)Google Scholar
Anon./[George Peele?], The Historie of the two valiant Knights, Syr Clyomon Knight of the Golden Sheeld, sonne to the King of Denmarke; And Clamydes the white Knight (1599; STC 5450a)Google Scholar
Anon./Henri IV of France, The Copie of a Letter sent by the French king (1595; STC 13119)Google Scholar
Anon./Henri IV of France, The Kings Declaration and Ordinance, Containing the Cause of His Warre (1600; STC 13121)Google Scholar
Anon./‘I. H.’, The Divell of the Vault (1606; STC 12568)Google Scholar
Anon./‘J. G. E.’, Englands Hope, Against Irish Hate (1600; STC 7434.7)Google Scholar
Anon./‘R. A.’, The Valiant Welshman (1615; STC 16)Google Scholar
Anon./‘R. S.’, The Iesuites play at Lyons in France (1607; STC 21513.5)Google Scholar
Anon./‘W. S.’, The Lamentable Tragedie of Locrine (1595; STC 21528)Google Scholar
Barlow, William, The Svmme and Svbstance of the Conference (1604; STC 1456)Google Scholar
Barnes, Barnabe, The Divils Charter (1607; STC 1466)Google Scholar
Barret, Robert, The Theorike and Practike of Moderne Warres (1598; STC 1500)Google Scholar
Beaumont, Francis and Fletcher, John, Comedies and Tragedies (1647; Wing B1581)Google Scholar
Bell, Thomas, The Downefall of Poperie (1604; STC 1818 and 1818.5)Google Scholar
Bignon, Jérôme, The True Maner of Electing of Popes, English translation (1605; STC 3057.7 and 3058)Google Scholar
Blundeville, Thomas, The true order and Methode of wryting and reading Hystories (1574; STC 3161)Google Scholar
Brabantina, Charlotte, The Conuersion of a most Noble Lady of France In Iune last past (1608; STC 11262)Google Scholar
Brooke, Ralph, A Catalogve and Succession of the Kings, Princes, Dukes, Marquesses, Earles, and Viscounts of this Realme of England, since the Norman Conquest, to this present years, 1619 (1619; STC 3832)Google Scholar
Browne, Thomas, Christian Morals (1716)Google Scholar
Camden, William, Britannia (1586; STC 4503)Google Scholar
Carey, Robert, Memoirs of the Life of Robert Cary, Baron of Leppington, and Earl of Monmouth; Written by Himself (R. and J. Dodsley, 1759)Google Scholar
Cecil, William, A Trve Report of Svndry Horrible Conspiracies (1594; STC 7603)Google Scholar
Clapham, Henoch, A Briefe of the Bibles Historie (1603, STC 5333; 1608, STC 5334)Google Scholar
Clapham, Henoch, Errour on the Left Hand (1608; STC 5342)Google Scholar
Coke, Edward, La Sept Part Des Reports Sr. Edw. Coke (1608; STC 5511)Google Scholar
Corneille, Pierre, Nicomède (1671; Wing C6315)Google Scholar
Daniel, Samuel, Certaine Small Poems (1605; STC 6239)Google Scholar
Daniel, Samuel, The First Fowre Bookes of the ciuile warres (1595; STC 6244)Google Scholar
Daniel, Samuel, The Civile Wares (1609; STC 6245)Google Scholar
Davies of Hereford, John, Bien Venu (1606; STC 6329)Google Scholar
Dekker, Thomas, The Whore of Babylon (1607; STC 6532)Google Scholar
Dekker, Thomas [and Thomas Middleton], The Magnificent Entertainment (1604; STC 6510)Google Scholar
Drayton, Michael, Hathaway, Richard, Munday, Anthony, and Wilson, Robert (‘William Shakespeare’), The first part Of the true and honorable history, of the Life of Sir Iohn Old-castle, the good Lord Cobham (1600 [1619]; STC 18796)Google Scholar
Ducci, Lorenzo, Ars Avlica, or The Courtiers Arte (1607; STC 7274)Google Scholar
Fernández, Jerónimo, The Honour of Chivalrie, trans. Rinaldi, Oratio and ‘L.A.’ (1598; STC 1804)Google Scholar
Field, Theophilus (ed.), Albvm, Sev nigrum amicorum (1600; STC 19154)Google Scholar
Field, Theophilus (ed.), An Italians dead bodie, Stucke with English Flowers (1600; STC 19154.3)Google Scholar
Florio, John, Florios Second Frvtes (1591; STC 11097)Google Scholar
Ford, John, The Chronicle Historie of Perkin Warbeck (1634; STC 11157)Google Scholar
Freeman, John, The Apologie for the Conformable Ministers of England For their Subscription to the present Church Gouernment (1609; STC 11366.5)Google Scholar
Galloway, Bruce R. and Levack, Brian P. (eds.), The Jacobean Union: Six Tracts of 1604 (Edinburgh: Clark Constable, 1985)Google Scholar
Greene, Robert (‘R. G.’), The Comicall Historie of Alphonsus, King of Aragon (1599; STC 12233)Google Scholar
Greene, Robert (‘R.G.’), The Honorable Historie of frier Bacon, and frier Bongay (1594; STC 12267)Google Scholar
Greene, Robert (‘R.G.’), The Scottish Historie of Iames the fourth (1598; STC 12308)Google Scholar
[Greene, Robert]/Anon., The First part of the Tragicall raigne of Selimus (1594; STC 12310a)Google Scholar
Hall, Edward, The Vnion of the two noble and illustrate famelies of Lancastre and Yorke (1548; STC 12721)Google Scholar
Harington, John, A Briefe View of the State of the Church of England (1653; Wing H770)Google Scholar
Harrison, Stephen, [Thomas Dekker, and John Webster], The Archs of Trivmph (1604; STC 12863)Google Scholar
Harry, George Owen, The Genealogy of the High and Mighty Monarch, James (1604; STC 12872)Google Scholar
Hayward, John, The First Part of the Life and raigne of King Henrie the IIII (1599; STC 12995)Google Scholar
Heywood, Thomas, An Apology for Actors (1612; STC 13309)Google Scholar
Heywood, Thomas, The English Traueller (1633; STC 13315)Google Scholar
Heywood, Thomas, If you know not me, you know no bodie (1605, STC 13328 and 1639, STC 13335)Google Scholar
Heywood, Thomas, The Second Part of If you know not me, you know no bodie (1606, STC 13336 and STC 13336.5)Google Scholar
Heywood, Thomas, The Rape of Lvcrece (1608; STC 13360)Google Scholar
Holinshed, Raphael, The First and second volumes of Chronicles … First collected and published by Raphaell Holinshed, William Harrison, and others: Now newlie augmented and continued … to the yeare 1586 by Iohn Hooker alias Vowell Gent. and others (1587; STC 13569)Google Scholar
Holland, Abraham (‘A. H.’), ‘A Continved Inqvisition against Paper-Persecutors’, in Davies, John of Hereford (‘I. D.’), A Scovrge for Paper-Persecutors (1625; STC 6340)Google Scholar
Jaggard, William, A view of all the Right Honourable the Lord Mayors of this Honorable Citty of London (1601; STC 14343)Google Scholar
James, I of England and Ireland (James VI of Scotland), Basilikon Doron (Edinburgh, 1599, STC 14348; and London, 1603, STC 14353)Google Scholar
James, I, ‘By the King [19 May 1603]’ (1603; STC 8314)Google Scholar
James, I, ‘By the King [20 October 1604]’ (1604; STC 8361)Google Scholar
James, I, The Kings Maiesties Speech [19 March 1604] (1604; STC 14390)Google Scholar
James, I, His Maiesties Speech to Both the Houses of Parliament [31 March 1607] (1607; STC 14395)Google Scholar
James, I, Triplici nodo, triplex cuneus, or An Apology for the Oath of Allegiance (1607, STC 14400; 1609, STC 14401)Google Scholar
Johnson, Samuel, Mr Johnson’s Preface to his Edition of Shakespear’s plays (1765)Google Scholar
Jonson, Ben, The Diuell is an Asse (1631; STC 14753.5)CrossRefGoogle Scholar
Jonson, Ben, King James his Royall and Magnificent Entertainment (1604; STC 14756)Google Scholar
Jonson, Ben, Seianvs His Fall (1605; STC 14782)Google Scholar
Jonson, Ben, The Staple of Newes (1631; STC 14753.5)Google Scholar
Jonson, Ben, The Workes of Beniamin Jonson (1616; STC 14751)Google Scholar
Lavater, Ludwig, Three Christian Sermons, trans. William Barlow (1596; STC 15322)Google Scholar
Lavater, Ludwig, Of Ghostes and Spirites (1596; STC 15321)Google Scholar
Lefèvre, Raoul, The Auncient Historie of the destruction of Troy, trans. Caxton, William and Phiston, William (1597; STC 15379)Google Scholar
Lodge, Thomas, The Wovnds of Ciuill War (1594; STC 16678)Google Scholar
Lodge, Thomas and Greene, Robert, A Looking Glasse for London and England (1594; STC 16679)Google Scholar
López de Gómara, Francisco, The Pleasant Historie of the Conquest of the West India, now called new Spaine, trans. Nicholas, Thomas (1596; STC 16808)Google Scholar
Lydgate, John, Norton, Thomas, and Sackville, Thomas, The Serpent of Deuision [and] Gorboduc (1590; STC 17029)Google Scholar
Marlowe, Christopher, The troublesome raigne and lamentable death of Edward the second (1594; STC 17437)Google Scholar
Marlowe, Christopher, The Massacre at Paris ([1594]; STC 17423)Google Scholar
Marlowe, Christopher, Tamburlaine the Great (1590; STC 17425)CrossRefGoogle Scholar
Marlowe, Christopher and Nashe, Thomas, The Tragedie of Dido Queene of Carthage (1594; STC 17441)Google Scholar
Marston, John, The Wonder of Women, or the Tragedie of Sophonisba (1606; STC 17488)Google Scholar
Massinger, Philip, Believe as you List, ed. Charles Sisson, Malone Society Publications, vol. 60 (Oxford: Oxford University Press for the Malone Society, 1927)Google Scholar
Massinger, Philip, The Bondman (1624; STC 17632)Google Scholar
Massinger, Philip, The Roman Actor (1629; STC 17642)Google Scholar
Massinger, Philip, Middleton, Thomas, and Rowley, William, The Old Law (1656; Wing M1048)Google Scholar
McClure, Norman Egbert (ed.), The Letters and Epigrams of Sir John Harington; Together with The Prayse of Private Life (Philadelphia: University of Pennsylvania Press, 1930)Google Scholar
McClure, Norman Egbert (ed.), The Letters of John Chamberlain, 2 vols. (Philadelphia: American Philosophical Society, 1939)Google Scholar
Meres, Francis, Palladis Tamia (1598; STC 17834)Google Scholar
Middleton, Thomas (?)/(‘W. Shakespeare’), A Yorkshire Tragedie (1619; STC 22341)Google Scholar
Munday, Anthony, The Trivmphs of re-vnited Britania (1605; STC 18279)Google Scholar
Nashe, Thomas, Christs Teares Over Ierusalem (1593, STC 18366 and 1594, STC 18367)Google Scholar
Nashe, Thomas, Haue with you to Saffron-walden (1596; STC 18369)Google Scholar
Nashe, Thomas, Pierce Pennilesse His Supplication to the Diuell (1592; STC 18371)Google Scholar
Nashe, Thomas, The Terrors of the night (1594; STC 18379)Google Scholar
Norton, Thomas, All such treatises as haue been lately published by Thomas Norton ([1570]; STC 18677)Google Scholar
Norton, Thomas, and Sackville, Thomas, The Tragedie of Ferrex and Porrex (1565, STC 18684)Google Scholar
Norton, Thomas, and Sackville, Thomas, The Tragidie of Gorbodvc ([1570]; STC 18685)Google Scholar
Orlers, Jan Janszn, The Trivmphs of Nassav, trans. Shute, W (1613, STC 17676 and 1620, STC 17677)Google Scholar
Peele, George, The Famous Chronicle of king Edward the first (1593; STC 19535)Google Scholar
Persons, Robert (‘R. Doleman’), A Conference About the Next Svccession to the Crowne of Ingland (‘N.’ [i.e. Antwerp], 1594 [1595]; STC 19398)Google Scholar
Playfere, Thomas, The Meane in Movrning (1596; STC 20015)Google Scholar
Playfere, Thomas, A Most Excellent and Heavenly Sermon (1595, STC 20014 and STC 20014.3)Google Scholar
Playfere, Thomas, The Pathway to Perfection (1596; STC 20020)Google Scholar
Pricket, Robert, The Lord Coke His Speech and Charge (1607; STC 5492)Google Scholar
Puttenham, George, The Arte of English Poesie (1589; STC 20519.5)Google Scholar
Roberts, Henry, Englands Farewell to Christian the fourth (1606; STC 21079)Google Scholar
Roberts, Henry, Honours Conquest (1598; STC 21082)Google Scholar
Roberts, Henry, Pheander: The Mayden Knight (1595; STC 21086)Google Scholar
Roberts, Henry, The Trvmpet of Fame (1595; STC 21088)Google Scholar
Rowley, Samuel, When you see me, You know me (1605; STC 21417)Google Scholar
Savile, Henry and Tacitus, The Ende of Nero and Beginning of Galba; Fower Bookes of the Histories of Cornelivs Tacitvs; The Life of Agricola (Oxford: 1591; STC 23642)Google Scholar
Serres, Jean de, Historical Collection of the Most Memorable Accidents and Tragicall Massacres of France, vnder the Raignes of Henry 2, Francis 2, Charles 9, Henry 3, Henry 4 now liuing (1598; STC 11275)Google Scholar
Shakespeare, William, Comedies, Histories, and Tragedies (1623; STC 22273)Google Scholar
Shakespeare, William, The First part of the Contention betwixt the two famous Houses of Yorke and Lancaster (1594; STC 26099)Google Scholar
Shakespeare, William, The Whole Contention between the two Famous Houses, Lancaster and Yorke [and Pericles, Prince of Tyre] ([1619]; STC 26101)Google Scholar
Shakespeare, William, The History of Henrie the Fovrth (1598, STC 22280 and 1599, STC 22281)Google Scholar
Shakespeare, William, Henry IV Part 1, ed. David Bevington (Oxford: Oxford University Press, 1987)Google Scholar
Shakespeare, William, The Second part of Henrie the fourth (1600; STC 22288 and 22288a)Google Scholar
Shakespeare, William, Henry IV Part 2, ed. René Weis (Oxford: Oxford University Press, 1997)Google Scholar
Shakespeare, William, The Chronicle History of Henry the fift (1608 [1619]; STC 22291)Google Scholar
Shakespeare, William, True Chronicle Historie of the life and death of King Lear and his three Daughters (1608, STC 22292 and 1608 [1619], STC 22293)Google Scholar
Shakespeare, William, King Lear, ed. R. A. Foakes (Arden Shakespeare, 1997)Google Scholar
Shakespeare, William, A Pleasant Conceited Comedie Called Loues labors lost (1598; STC 22294)Google Scholar
Shakespeare, William, The Excellent History of the Merchant of Venice (1600 [1619]; STC 22297)Google Scholar
Shakespeare, William, A Most pleasaunt and excellent conceited Comedie, of Syr Iohn Falstaffe and the merrie Wiues of Windsor (1602, STC 22299 and 1619, STC 22300)Google Scholar
Shakespeare, William, A Midsommer nights dreame (1600 [1619]; STC 22303)Google Scholar
Shakespeare, William, The Tragedie of King Richard the second (1597, STC 22307; 1598, STC 22308; and 1608, STC 22310 and 22311)Google Scholar
Shakespeare, William, The Tragedy of King Richard the third (1597, STC 22314 and 1598, STC 22315)Google Scholar
Shakespeare, William, The Tragedy of King Richard III, ed. Jowett, John (Oxford: Oxford University Press, 2000)Google Scholar
Shakespeare, William, King Richard III, ed. Siemon, James R (Arden Shakespeare, 2009)Google Scholar
Shakespeare, William, An Excellent conceited Tragedie of Romeo and Iuliet (1597; STC 22322)CrossRefGoogle Scholar
Shakespeare, William, The Most Lamentable Romaine Tragedie of Titus Andronicus (1594; STC 22328)Google Scholar
Shakespeare, William et al., The Passionate Pilgrime (1599; STC 22342)Google Scholar
Sidney, Philip, The Correspondence of Sir Philip Sidney, ed. Kuin, Roger, 2 vols. (Oxford: Oxford University Press, 2012)Google Scholar
Sidney, Philip, The Defence of Poesie (1595; STC 22535)Google Scholar
Stow, John, The Annales, or Generall Chronicle of England, rev. Howes, Edmund (1615; STC 23338)Google Scholar
Stow, John, A Suruay of London (1598, STC 23341; and 1603, STC 23343)Google Scholar
[Thornborough, John], ‘Bristoll’, John, The Ioiefvll and Blessed Revniting (Oxford, [1605?]; STC 24036)Google Scholar
Tilenus, Daniel, Positions Lately Held by the L. Du Perron, Bishop of Eureux, against the sufficiency and perfection of the Scriptures (1606; STC 24071)Google Scholar
Tilenus, Daniel, The True Copy of two Letters … Wherein the principall poynts in controuersie with the Papists, are leanedly and fully confuted (1605; STC 24072)Google Scholar
Whetstone, George, The Right Excellent and famous Historye of Promos and Cassandra (1578; STC 25347)Google Scholar
Wilkinson, Edward, E.W. His Thameseidos (1600; STC 25642)Google Scholar
Wilson, Robert, The Coblers Prophesie (1594; STC 25781)Google Scholar
Wilson, Robert, The pleasant and Stately Morall of the three Lordes and three Ladies of London (1590; STC 25783)Google Scholar
Anderson, Jennifer and Sauer, Elizabeth (eds.), Books and Readers in Early Modern England (Philadelphia: University of Pennsylvania Press, 2002)Google Scholar
Archer, Harriet, Unperfect Histories: The Mirror for Magistrates, 1559–1610 (Oxford: Oxford University Press, 2017)Google Scholar
Archer, Ian W., ‘Palavicino, Sir Horatio (c.1540–1600)’, ODNB, online ed., January 2008, https://doi.org/10.1093/ref:odnb/21153 (accessed 16 September 2019)Google Scholar
Astington, John H., ‘Playing the Man: Acting at the Red Bull and Fortune’, Early Theatre, 9:2 (2006), 130–43Google Scholar
Atkin, Tamara, Reading Drama in Tudor England (London: Routledge, 2018)CrossRefGoogle Scholar
Atkin, Tamara and Estill, Laura (eds.), Early British Drama in Manuscript (Turnhout: Brepols, 2019)Google Scholar
Baron, S. A., ‘Butter, Nathaniel (bap. 1583, d. 1664)’, ODNB, online ed., January 2008, https://doi.org/10.1093/ref:odnb/4224 (accessed 17 April 2021)Google Scholar
Bawcutt, N. W. (ed.), The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels 1623–73 (Oxford: Clarendon Press, 1996)Google Scholar
Bayer, Mark, ‘Staging Foxe at the Fortune and the Red Bull’, Renaissance and Reformation, 27:1 (2003), 6194CrossRefGoogle Scholar
Berek, Peter, ‘Genres, Early Modern Theatrical Title Pages, and the Authority of Print’, in The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England, ed. Straznicky, Marta (Amherst and Boston: University of Massachusetts Press, 2006), pp. 159–75Google Scholar
Berek, Peter, ‘Locrine Revised, Selimus, and Early Responses to Tamburlaine’, Research Opportunities in Renaissance Drama, 23 (1980), 3354Google Scholar
Berek, Peter, ‘Tamburlaine’s Weak Sons: Imitation As Interpretation before 1593’, Renaissance Drama, 13 (1982), 5582Google Scholar
Berek, Peter, ‘Tragedy and Title Pages: Nationalism, Protestantism, and Print’, Modern Philology, 106:1 (2008), 124Google Scholar
Bergeron, David M., ‘“Bogus History” and Robert Greene’s Friar Bacon and Friar Bungay’, Early Theatre, 17:1 (2014), 93112Google Scholar
Bergeron, David M., ‘King James’s Civic Pageant and Parliamentary Speech in March 1604’, Albion, 34:2 (2002), 213–31Google Scholar
Bergeron, David M., Textual Patronage in English Drama, 1570–1640 (Aldershot: Ashgate, 2006)Google Scholar
Bevington, David, ‘Tragedy in Shakespeare’s Career’, in The Cambridge Companion to Shakespearean Tragedy, ed. McEachern, Claire (Cambridge: Cambridge University Press, 2003), 5068Google Scholar
Bevington, David (ed.) at al., English Renaissance Drama: A Norton Anthology (New York: Norton, 2000)Google Scholar
Bezio, Kristin M. S., Staging Power in Tudor and Stuart English History Plays: History, Political Thought and the Redefinition of Sovereignty (Farnham: Ashgate, 2015)Google Scholar
Blayney, Peter W. M., The Bookshops in Paul’s Cross Churchyard, Occasional Papers of the Bibliographical Society, No. 5 (London: Bibliographical Society, 1990)Google Scholar
Blayney, Peter W. M., The First Folio of Shakespeare (Washington, DC: Folger Library, 1991)Google Scholar
Blayney, Peter W. M., ‘The Publication of Playbooks’, in A New History of Early English Drama, ed. Cox, John D and Kastan, David Scott (New York: Columbia University Press, 1997), pp. 383422Google Scholar
Blayney, Peter W. M., The Stationers’ Company and the Printers of London, 1501–1557, 2 vols. (Cambridge: Cambridge University Press, 2013)CrossRefGoogle Scholar
Blayney, Peter W. M., The Texts of ‘King Lear’ and Their Origins, Volume I: Nicholas Okes and the First Quarto (Cambridge: Cambridge University Press, 1982)Google Scholar
Bourdieu, Pierre, The Field of Cultural Production: Essays on Art and Literature, ed. Randal Johnson (Cambridge: Polity, 1993)Google Scholar
Bowers, Fredson, On Editing Shakespeare and the Elizabethan Dramatists (Philadelphia: University of Pennsylvania Library for the Philip H. and A. S. W. Rosenbach Foundation, 1955)Google Scholar
Boys, Jayne E. E., London’s News Press and the Thirty Years War (Woodbridge, Suffolk: Boydell, 2011)Google Scholar
Brennan, Michael G., Literary Patronage in the English Renaissance: The Pembroke Family (London: Routledge, 1988)Google Scholar
Brooks, Douglas A., From Playhouse to Printing House: Drama and Authorship in Early Modern England (Cambridge: Cambridge University Press, 2000)Google Scholar
Brooks, Douglas A., ‘Sir John Oldcastle and the Construction of Shakespeare’s Authorship’, Studies in English Literature, 1500–1900, 38:2 (1998), 333–61Google Scholar
Brownlee, Victoria, ‘Imagining the Enemy: Protestant Readings of the Whore of Babylon in Early Modern England, c.1580–1625’, in Biblical Women in Early Modern Literary Culture, 1550–1700, ed. Brownlee, Victoria and Gallagher, Laura (Manchester: Manchester University Press, 2015), pp. 213–33Google Scholar
Bullough, Geoffrey, Narrative and Dramatic Sources of Shakespeare, 8 vols. (London: Routledge and Kegan Paul, 1957–75)Google Scholar
Burgess, Glen, Wymer, Rowland and Lawrence, Jason (eds.), The Accession of James I: Historical and Cultural Consequences (Basingstoke: Palgrave Macmillan, 2006)Google Scholar
Butler, Martin, ‘Romans in Britain: The Roman Actor and the Early Stuart Classical Play’, in Philip Massinger: A Critical Reassessment, ed. Howard, Douglas (Cambridge: Cambridge University Press, 1985), pp. 139–70Google Scholar
Butler, Martin, Theatre and Crisis, 1632–1642 (Cambridge: Cambridge University Press, 1984)Google Scholar
Campbell, Lily B., Shakespeare’s ‘Histories’: Mirrors of Elizabethan Policy (San Marino, CA: Huntington Library, 1947)Google Scholar
Cavanagh, Dermot, Hampton-Reeves, Stuart, and Longstaffe, Stephen (eds.), Shakespeare’s Histories and Counter-Histories (Manchester: Manchester University Press, 2006)Google Scholar
Chambers, E. K., William Shakespeare: A Study of Facts and Problems, 2 vols. (Oxford: Clarendon Press, 1930)Google Scholar
Chambers, E. K. (ed.), ‘Dramatic Records: The Lord Chamberlain’s Office’, Collections Vol. II Part III, Malone Society Publications, vol. 71 (Oxford: Oxford University Press for the Malone Society, 1931), pp. 321416Google Scholar
Champion, Larry S., ‘“What Prerogatiues Meanes”: Perspective and Political Ideology in The Famous Victories of Henry V’, South Atlantic Review, 53:4 (1988), 119Google Scholar
Clegg, Cyndia Susan, ‘“By the choise and inuitation of al the realme”: Richard II and Elizabethan Press Censorship’, Shakespeare Quarterly, 48:4 (1997), 432–48Google Scholar
Clegg, Cyndia Susan, Press Censorship in Jacobean England (Cambridge: Cambridge University Press, 2001)Google Scholar
Clegg, Cyndia Susan, ‘The Stationers’ Company of London’, in The British Literary Book Trade, 1475–1700, ed. Bracken, James K and Silver, Joel, Dictionary of Literary Biography, vol. 170 (Detroit: Gale Research, 1996), 275–91Google Scholar
Coldiron, A. E. B., Printers without Borders: Translation and Textuality in the Renaissance (Cambridge: Cambridge University Press, 2015)Google Scholar
Colie, Rosalie, ‘Genre-Systems and the Functions of Literature’, in The Resources of Kind: Genre-Theory in the Renaissance, ed. Lewalski, Barbara K. (Berkeley and Los Angeles: University of California Press, 1973), pp. 131Google Scholar
Connolly, Annaliese, ‘Peele’s David and Bethsabe: Reconsidering Biblical Drama of the Long 1590s’, Early Modern Literary Studies, Special Issue 16 (2007), 9.120Google Scholar
Dadabhoy, Ambereen, ‘Two Faced: The Problem of Othello’s Visage’, in Othello: The State of Play, ed. Orlin, Lena Cowen (London: Arden Bloomsbury, 2014), pp. 121–47Google Scholar
Danson, Lawrence, Shakespeare’s Dramatic Genres (Oxford: Oxford University Press, 2000)Google Scholar
Davis, Alex, Renaissance Historical Fiction: Sidney, Deloney, Nashe (Cambridge: D. S. Brewer, 2011)Google Scholar
De Grazia, Margreta and Stallybrass, Peter, ‘The Materiality of the Shakespearean Text’, Shakespeare Quarterly, 44:3 (1993), 255–83Google Scholar
Derrida, Jacques, ‘The Law of Genre’, trans. Ronell, Avital, Critical Inquiry, 7:1 (1980), 5581Google Scholar
Dillon, Janette, ‘The Early Tudor History Play’, in English Historical Drama, 1500–1660: Forms outside the Canon, ed. Grant, Teresa and Ravelhofer, Barbara (Basingstoke: Palgrave Macmillan, 2008), pp. 3257Google Scholar
Dillon, Janette, ‘Is There a Performance in This Text?’, Shakespeare Quarterly, 45:1 (1994), 7486Google Scholar
Dillon, Janette, Shakespeare and the Staging of English History (Oxford: Oxford University Press, 2012)Google Scholar
Di Salvo, Gina M., ‘“A Virgine and a Martyr both”: The Turn to Hagiography in Heywood’s Reformation History Play’, Renaissance and Reformation, 41:4 (2018), 133–67Google Scholar
Dowling, Margaret, ‘Sir John Hayward’s Troubles over his Life of Henry IV’, The Library, 4th ser., 11:2 (1930), 212–24Google Scholar
Duncan-Jones, Katherine, ‘Christs Tears, Nashe’s “Forsaken Extremities”’, Review of English Studies, 49:194 (1998), 167–80Google Scholar
Dutton, Richard, ‘Herbert, Sir Henry (bap. 1594, d. 1673)’, ODNB, online ed., January 2008, https://doi.org/10.1093/ref:odnb/13029 (accessed 16 September 2019)Google Scholar
Dutton, Richard, ‘King Lear, The Triumphs of Reunited Britannia and “The Matter of Britain”’, Literature and History, 12:2 (1986), 139–51Google Scholar
Dutton, Richard, Mastering the Revels: The Regulation and Censorship of English Renaissance Drama (Basingstoke: Macmillan, 1991)Google Scholar
Dutton, Richard, ‘Patronage, Politics, and the Master of the Revels, 1622–1640: The Case of John Astley’, English Literary Renaissance, 20:2 (1990), 287319Google Scholar
Eisenstein, Elizabeth L., The Printing Press As an Agent of Change, 2 vols. (Cambridge: Cambridge University Press, 1980)Google Scholar
Erne, Lukas, ‘The Popularity of Shakespeare in Print’, Shakespeare Survey 62 (2009), 1229Google Scholar
Erne, Lukas, Shakespeare and the Book Trade (Cambridge: Cambridge University Press, 2013)Google Scholar
Erne, Lukas, Shakespeare As Literary Dramatist, 2nd ed. (Cambridge: Cambridge University Press, 2013)Google Scholar
Erne, Lukas and Devani, Singh (eds.), Bel-vedére or The Garden of the Muses: An Early Modern Printed Commonplace Book (Cambridge: Cambridge University Press, 2020)Google Scholar
Farmer, Alan, ‘John Norton and the Politics of Shakespeare’s History Plays in Caroline England’, in Shakespeare’s Stationers: Studies in Cultural Bibliography, ed. Straznicky, Marta (Philadelphia: University of Pennsylvania Press, 2013) pp. 147–76Google Scholar
Farmer, Alan, ‘Play-Reading, News-Reading, and Ben Jonson’s The Staple of News’, in The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England, ed. Straznicky, Marta (Amherst and Boston: University of Massachusetts Press, 2006), pp. 127–58Google Scholar
Farmer, Alan B. and Lesser, Zachary, ‘Canons and Classics: Publishing Drama in Caroline England’, in Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625–1642, ed. Zucker, Adam and Farmer, Alan B. (Basingstoke: Palgrave Macmillan, 2006), pp. 1741Google Scholar
Farmer, Alan B. and Lesser, Zachary, ‘The Popularity of Playbooks Revisited’, Shakespeare Quarterly, 56:1 (2005), 132Google Scholar
Farmer, Alan B. and Lesser, Zachary, ‘Vile Arts: The Marketing of English Printed Drama, 1512–1660’, Research Opportunities in Renaissance Drama, 39 (2000), 77165Google Scholar
Farmer, Alan B. and Lesser, Zachary, ‘What Is Print Popularity? A Map of the Elizabethan Book Trade’, in The Elizabethan Top Ten: Defining Print Popularity in Early Modern England, ed. Kesson, Andy and Smith, Emma (Farnham: Ashgate, 2013), pp. 1954Google Scholar
Ferguson, Arthur B., The Chivalric Tradition in Renaissance England (Washington, DC: Folger Shakespeare Library, 1986)Google Scholar
Ferguson, Arthur B., Clio Unbound: Perception of the Social and Cultural Past in Renaissance England (Durham, NC: Duke University Press, 1979)Google Scholar
Fincham, Kenneth and Lake, Peter, ‘The Ecclesiastical Policy of King James I’, Journal of British Studies, 24:2 (1985), 169207Google Scholar
Finkelpearl, P. J., ‘Davies, John (1564/5–1618)’, ODNB, online ed., September 2004, https://doi.org/10.1093/ref:odnb/7244 (accessed 16 September 2019)Google Scholar
Fowler, Alastair, ‘Genre and the Literary Canon’, New Literary History, 11.1 (1979), 97119Google Scholar
Frazer, Paul, ‘Shakespeare’s Northern Blood: Transfusing Gorboduc into Macbeth and Cymbeline’, in Shakespeare in the North: Place, Politics and Performance in England and Scotland, ed. Hansen, Adam (Edinburgh: Edinburgh University Press, 2021), pp. 4159Google Scholar
Freebury-Jones, Darren, ‘Determining Robert Greene’s Dramatic Canon’, Style, 54:4 (2020), 377–98Google Scholar
Fulton, Thomas C., ‘“The True and Naturall Constitution of That Mixed Government”: Massinger’s The Bondman and the Influence of Dutch Republicanism’, Studies in Philology, 99:2 (2002), 152–77Google Scholar
Fussner, F. Smith, The Historical Revolution: English Historical Writing and Thought 1580–1640 (New York: Columbia University Press, 1962)Google Scholar
Gajda, Alexandra, ‘The Earl of Essex and “Politic History”’, in Essex: The Cultural Impact of an Elizabethan Courtier, ed. Connolly, Annaliese and Hopkins, Lisa (Manchester: Manchester University Press, 2013), pp. 237–59Google Scholar
Galloway, Bruce, The Union of England and Scotland 1603–1608 (Edinburgh: John Donald, 1986)Google Scholar
Gants, David L., ‘Creede, Thomas (b. in or before 1554, d. 1616)’, ODNB, online ed., September 2004, https://doi.org/10.1093/ref:odnb/6666 (accessed 16 September 2019)Google Scholar
Genette, Gérard, The Architext: An Introduction, trans. Lewin, Jane E (Berkeley and Los Angeles: University of California Press, 1992)Google Scholar
Genette, Gérard, ‘Introduction to the Paratext’, trans. Maclean, Marie, New Literary History, 22:2 (1991), 261–72Google Scholar
Gibson, James M., ‘Shakespeare and the Cobham Controversy: The Oldcastle/Falstaff and Brooke/Broome Revisions’, Medieval & Renaissance Drama in England, 25 (2012), 94132Google Scholar
Gilchrist, Kim, Staging Britain’s Past: Pre-Roman Britain in Early Modern Drama (London: Bloomsbury Arden, 2021)Google Scholar
Gillies, John, ‘The Scene of Cartography in King Lear’, in Literature, Mapping, and the Politics of Space in Early Modern Britain, ed. Gordon, Andrew and Klein, Bernhard (Cambridge: Cambridge University Press, 2001), pp. 109–37Google Scholar
Grant, Teresa, ‘Drama Queen: Staging Elizabeth in If You Know Not Me You Know Nobody’, in The Myth of Elizabeth, ed. Doran, Susan and Freeman, Thomas S. (Basingstoke: Palgrave Macmillan, 2003), pp. 120–42Google Scholar
Grant, Teresa, ‘History in the Making: The Case of Samuel Rowley’s When You See Me You Know Me (1604/5)’, in English Historical Drama, 1500–1660: Forms outside the Canon, ed. Grant, Teresa and Ravelhofer, Barbara (Basingstoke: Palgrave Macmillan, 2008), pp. 125–57Google Scholar
Grant, Teresa and Barbara Ravelhofer, ‘Introduction’, in English Historical Drama, 1500–1660: Forms outside the Canon, ed. Grant, Teresa and Ravelhofer, Barbara (Basingstoke: Palgrave Macmillan, 2008), pp. 1–31Google Scholar
Grant, Teresa and Ravelhofer, Barbara (eds.), English Historical Drama, 1500–1660: Forms outside the Canon (Basingstoke: Palgrave Macmillan, 2008)Google Scholar
Greenblatt, Stephen, Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (Oxford: Clarendon Press, 1988)Google Scholar
Greg, W. W., Some Aspects and Problems of London Publishing between 1550 and 1650 (Oxford: Clarendon Press, 1956)Google Scholar
Greg, W. W., ‘On Certain False Dates in Shakespearian Quartos’, The Library, 2nd ser., 34 (1908), 113–31Google Scholar
Grene, Nicholas, Shakespeare’s Serial History Plays (Cambridge: Cambridge University Press, 2002)Google Scholar
Griffin, Andrew, ‘Thomas Heywood and London Exceptionalism’, Studies in Philology, 110:1 (2013), 85114Google Scholar
Griffin, Benjamin, Playing the Past: Approaches to English Historical Drama, 1385–1600 (Woodbridge, Suffolk: D. S. Brewer, 2001)Google Scholar
Guneratne, Anthony R., Shakespeare and Genre: From Early Modern Inheritances to Postmodern Legacies (New York: Palgrave Macmillan, 2011)Google Scholar
Gurr, Andrew, The Shakespeare Company, 1594–1642 (Cambridge: Cambridge University Press, 2004)Google Scholar
Gurr, Andrew, The Shakespearian Playing Companies (Oxford: Clarendon Press, 1996)Google Scholar
Hadfield, Andrew, Shakespeare, Spenser, and the Matter of Britain (Basingstoke: Palgrave Macmillan, 2004)Google Scholar
Hammer, Paul E. J., ‘Shakespeare’s Richard II, the Play of 7 February 1601, and the Essex Rising’, Shakespeare Quarterly, 59:1 (2008), 135Google Scholar
Hansen, Adam, ‘Writing, London, and the Bishops’ Ban of 1599’, The London Journal, 43:2 (2018), 102–19Google Scholar
Hattaway, Michael, ‘Dating As You Like It, Epilogues and Prayers, and the Problems of “As the Dial Hand Tells O’er’”, Shakespeare Quarterly, 60:2 (2009), 154–67Google Scholar
Hattaway, Michael, ‘The Shakespearean History Play’, in The Cambridge Companion to Shakespeare’s History Plays, ed. Hattaway, Michael (Cambridge: Cambridge University Press, 2002), pp. 324Google Scholar
Heinemann, Margot, ‘Drama and Opinion in the 1620s: Middleton and Massinger’, in Theatre and Government under the Early Stuarts, ed. Mulryne, J. R and Shewring, Margaret (Cambridge: Cambridge University Press, 1993), pp. 237–65Google Scholar
Heinemann, Margot, Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts (Cambridge: Cambridge University Press, 1980)Google Scholar
Helgerson, Richard, Forms of Nationhood: The Elizabethan Writing of England (Chicago: University of Chicago Press, 1992)Google Scholar
Helgerson, Richard, ‘Shakespeare and Contemporary Dramatists of History’, in A Companion to Shakespeare’s Works: Volume II: The Histories, ed. Dutton, Richard and Howard, Jean E (Oxford: Blackwell, 2003), pp. 2647Google Scholar
Helgerson, Richard, ‘Tasso on Spenser: The Politics of Chivalric Romance’, Yearbook of English Studies, 21 (1991), 153–67Google Scholar
Herman, Peter C., ‘Hall, Edward (1497–1547)’, ODNB, online ed., November 2018, https://doi.org/10.1093/ref:odnb/11954 (accessed 16 September 2019)Google Scholar
Herman, Peter. C., ‘Henrician Historiography and the Voice of the People: The Cases of More and Hall’, Texas Studies in Literature and Language, 39 (1997), 261–83Google Scholar
Hertel, Ralf, Staging England in the Elizabethan History Play: Performing National Identity (London: Routledge, 2014)Google Scholar
Higgins, Ben, Shakespeare’s Syndicate: The First Folio, Its Publishers, and the Early Modern Book Trade (Oxford: Oxford University Press, 2022)Google Scholar
Hila, Marina, ‘Dishonourable Peace: Fletcher and Massinger’s The False One and Jacobean Foreign Policy’, Cahiers Élisabéthains, 72:1 (2007), 2130Google Scholar
Hill, Tracey, Anthony Munday and Civic Culture (Manchester: Manchester University Press, 2004)Google Scholar
Hill, Tracey, Pageantry and Power: A Cultural History of the Early Modern Lord Mayor’s Show 1585–1639 (Manchester: Manchester University Press, 2011)Google Scholar
Hinman, Charlton, The Printing and Proofreading of the First Folio of Shakespeare, 2 vols. (Oxford: Clarendon Press, 1963)Google Scholar
Hoak, Dale, ‘Edward VI (1537–1553)’, ODNB, online ed., May 2014, https://doi.org/10.1093/ref:odnb/8522 (accessed 16 September 2019)Google Scholar
Hoenselaars, Ton (ed.), Shakespeare’s History Plays: Performance, Translation and Adaptation in Britain and Abroad (Cambridge: Cambridge University Press, 2004)Google Scholar
Holderness, Graham, Shakespeare Recycled: The Making of Historical Drama (Hemel Hempstead: Harvester Wheatsheaf, 1992)Google Scholar
Holderness, Graham, Shakespeare’s History (Dublin: Gill and Macmillan, 1985)Google Scholar
Holderness, Graham, Potter, Nick, and Turner, John, Shakespeare: The Play of History (Basingstoke: Macmillan, 1987)Google Scholar
Hooks, Adam G., ‘Making Histories: or, Shakespeare’s Ring’, in The Book in History, The Book as History: New Intersections of the Material Text, ed. Brayman, Heidi, Lander, Jesse M., and Lesser, Zachary (New Haven and London: Yale University Press, 2016), pp. 341–74Google Scholar
Hooks, Adam G., Selling Shakespeare: Biography, Bibliography, and the Book Trade (Cambridge: Cambridge University Press, 2016)Google Scholar
Hooks, Adam G., ‘Shakespeare at the White Greyhound’, Shakespeare Survey 64 (2011), 260–75Google Scholar
Hooks, Adam G., ‘Wise Ventures: Shakespeare and Thomas Playfere at the Sign of the Angel’, in Shakespeare’s Stationers: Studies in Cultural Bibliography, ed. Straznicky, Marta (Philadelphia: University of Pennsylvania Press, 2013), pp. 4762Google Scholar
Hope, Jonathan and Witmore, Michael, ‘The Hundredth Psalm to the Tune of “Green Sleeves”: Digital Approaches to Shakespeare’s Language of Genre’, Shakespeare Quarterly, 61:3 (2010), 357–90Google Scholar
Hopkins, Lisa, ‘The Danish Romance Play: Fair Em, Sir Clyomon and Sir Clamydes, and Hoffman’, Early Modern Literary Studies, Special Issue 27 (2017), 117Google Scholar
Hopkins, Lisa, Drama and the Succession to the Crown, 1561–1633 (Farnham: Ashgate, 2011)Google Scholar
Houliston, Victor, ‘The Hare and the Drum: Robert Persons’s Writings on the English Succession, 1593–6’, Renaissance Studies, 14:2 (2000), 235–50Google Scholar
Houliston, Victor, ‘Persons [Parsons], Robert (1546–1610)’, ODNB, online ed., September 2004, https://doi.org/10.1093/ref:odnb/21474 (accessed 16 September 2019)Google Scholar
Howard, Jean E. and Rackin, Phyllis, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (London: Routledge, 1997)Google Scholar
Hunt, Arnold, The Art of Hearing: English Preachers and Their Audiences, 1590–1640 (Cambridge: Cambridge University Press, 2010)Google Scholar
Hunter, G. K., The Oxford History of English Literature, Volume 6: English Drama, 1586–1642: The Age of Shakespeare (Oxford: Clarendon Press, 1997)Google Scholar
Hunter, G. K., ‘Truth and Art in History Plays’, Shakespeare Survey 42 (1990), 1524Google Scholar
Jauss, Hans Robert, ‘Literary History As a Challenge to Literary Theory’, trans. Benzinger, Elizabeth, New Literary History, 2:1 (1970), 737Google Scholar
Jones, Emrys, ‘Stuart Cymbeline’, Essays in Criticism, 11:1 (1961), 8499Google Scholar
Jowett, John, Shakespeare and Text (Oxford: Oxford University Press, 2007)Google Scholar
Jowett, John, ‘Shakespeare Supplemented’, in The Shakespeare Apocrypha, ed. Brooks, Douglas A (Lampeter: Edwin Mellen Press, 2007), 3973Google Scholar
Jowett, John and Taylor, Gary, ‘Sprinklings of Authority: The Folio Text of Richard II, Studies in Bibliography, 38 (1985), 151200Google Scholar
Jowett, John and Taylor, Gary, ‘The Three Texts of 2 Henry IV’, Studies in Bibliography, 40 (1987), 3150Google Scholar
Kamps, Ivo, Historiography and Ideology in Stuart Drama (Cambridge: Cambridge University Press, 1996)Google Scholar
Kamps, Ivo, ‘The Writing of History in Shakespeare’s England’, in A Companion to Shakespeare’s Works: Volume II: The Histories, ed. Dutton, Richard and Howard, Jean E. (Oxford: Blackwell, 2003), pp. 425Google Scholar
Karremann, Isabel, The Drama of Memory in Shakespeare’s History Plays (Cambridge: Cambridge University Press, 2015)Google Scholar
Karremann, Isabel, ‘A Passion for the Past: The Politics of Nostalgia on the Early Jacobean Stage’, in Passions and Subjectivity in Early Modern Culture, ed. Cummings, Brian and Sierhuis, Freya (Farnham: Ashgate, 2013), pp. 149–64Google Scholar
Kastan, David Scott, Shakespeare after Theory (London: Routledge, 1999)Google Scholar
Kastan, David Scott, Shakespeare and the Book (Cambridge: Cambridge University Press, 2001)Google Scholar
Kastan, David Scott, Shakespeare and the Shapes of Time (Basingstoke: Palgrave Macmillan, 1982)Google Scholar
Kathman, David, ‘London Inns As Playing Venues for the Queen’s Men’, in Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing, ed. Ostovich, Helen, Syme, Holger Schott, and Griffin, Andrew (Farnham: Ashgate, 2009), pp. 6576Google Scholar
Kesson, Andy, John Lyly and Early Modern Authorship (Manchester: Manchester University Press, 2013)Google Scholar
Kesson, Andy, ‘Was Comedy a Genre in English Early Modern Drama?’, British Journal of Aesthetics, 54:2 (2014), 213–25Google Scholar
Kesson, Andy and Smith, Emma, ‘Introduction: Towards a Definition of Print Popularity’, in The Elizabethan Top Ten: Defining Print Popularity in Early Modern England, ed. Kesson, Andy and Smith, Emma (Farnham: Ashgate, 2013), pp. 115Google Scholar
Kewes, Paulina, Authorship and Appropriation: Writing for the Stage in England, 1660–1710 (Oxford: Clarendon Press, 1998)Google Scholar
Kewes, Paulina, ‘The Elizabethan History Play: A True Genre?’, in A Companion to Shakespeare’s Works: Volume II: The Histories, ed. Dutton, Richard and Howard, Jean E. (Oxford: Blackwell, 2003), pp. 170–93Google Scholar
Kewes, Paulina, ‘Henry Savile’s Tacitus and the Politics of Roman History in Late Elizabethan England’, Huntington Library Quarterly, 74:4 (2011), 515–51Google Scholar
Kewes, Paulina, ‘History and Its Uses: Introduction’, Huntington Library Quarterly, 68:1–2 (2005), 131Google Scholar
Kewes, Paulina, ‘The Puritan, the Jesuit and the Jacobean Succession’, in Doubtful and Dangerous: The Question of Succession in Late Elizabethan England, ed. Doran, Susan and Kewes, Paulina (Manchester: Manchester University Press, 2014), pp. 4770Google Scholar
Kim, Jaecheol, ‘The North–South Divide in Gorboduc: Fratricide Remembered’, Studies in Philology, 111:4 (2014), 691719Google Scholar
King, John N., ‘John Day: Master Printer of the English Reformation’, in The Beginnings of English Protestantism, ed. Marshall, Peter and Ryrie, Alec (Cambridge: Cambridge University Press, 2002), pp. 180208Google Scholar
Kirk, Andrew M., The Mirror of Confusion: The Representation of French History in English Renaissance Drama, new ed. (London and New York: Routledge, 2014)Google Scholar
Kirwan, Peter, Shakespeare and the Idea of Apocrypha: Negotiating the Boundaries of the Dramatic Canon (Cambridge: Cambridge University Press, 2015)Google Scholar
Knight, Jeffrey Todd, Bound to Read: Compilations, Collections and the Making of Renaissance Literature (Philadelphia: University of Pennsylvania Press, 2013)Google Scholar
Knight, Jeffrey Todd, ‘Invisible Ink: A Note on Ghost Images in Early Printed Books’, Textual Cultures, 5:2 (2010), 5362Google Scholar
Knight, Jeffrey Todd, ‘Making Shakespeare’s Books: Assembly and Intertextuality in the Archives’, Shakespeare Quarterly, 60:3 (2009) 304–40Google Scholar
Knighton, C. S., ‘Barlow, William (d. 1613)’, ODNB, online ed., January 2008, https://doi.org/10.1093/ref:odnb/1443 (accessed 13 June 2020)Google Scholar
Knutson, Roslyn L., ‘Filling Fare: The Appetite for Current Issues and Traditional Forms in the Repertory of the Chamberlain’s Men’, Medieval & Renaissance Drama in England, 15 (2003), 5776Google Scholar
Knutson, Roslyn L., Playing Companies and Commerce in Shakespeare’s Time (Cambridge: Cambridge University Press, 2001)Google Scholar
Knutson, Roslyn L., ‘The Repertory’, in A New History of Early English Drama, ed. Cox, John and Kastan, David Scott (New York: Columbia University Press, 1997), pp. 461–80Google Scholar
Knutson, Roslyn L., ‘What’s So Special about 1594?’, Shakespeare Quarterly, 61:4 (2010), 449–67Google Scholar
Knutson, Roslyn L., McInnis, David, and Steggle, Matthew (eds.), Loss and the Literary Culture of Shakespeare’s Time (Cham: Palgrave Macmillan, 2020)Google Scholar
Krantz, , Susan E, ., ‘Thomas Dekker’s Political Commentary in The Whore of Babylon’, Studies in English Literature, 1500–1900, 35:2 (1995), 271–91Google Scholar
Lake, Peter, How Shakespeare Put Politics on the Stage: Power and Succession in the History Plays (New Haven: Yale University Press, 2016)Google Scholar
Lake, Peter and Pincus, Steven (eds.), The Politics of the Public Sphere in Early Modern England (Manchester: Manchester University Press, 2007)Google Scholar
Laoutaris, Chris, ‘The Prefatorial Material’, in The Cambridge Companion to Shakespeare’s First Folio, ed. Smith, Emma (Cambridge: Cambridge University Press, 2016), pp. 4867Google Scholar
Leggatt, Alexander, ‘A Double Reign: Richard II and Perkin Warbeck’, in Shakespeare and His Contemporaries: Essays in Comparison, ed. Honigmann, E. A. J. (Manchester: Manchester University Press, 1986), pp. 129–39Google Scholar
Lesser, Zachary, Renaissance Drama and the Politics of Publication: Readings in the English Book Trade (Cambridge: Cambridge University Press, 2004)Google Scholar
Lesser, Zachary and Stallybrass, Peter, ‘The First Literary Hamlet and the Commonplacing of Professional Plays’, Shakespeare Quarterly, 59:4 (2008), 371420Google Scholar
Lesser, Zachary and Stallybrass, Peter, ‘Shakespeare between Pamphlet and Book, 1608–1619’, in Shakespeare and Textual Studies, ed. Kidnie, Margaret Jane and Massai, Sonia (Cambridge: Cambridge University Press, 2015), pp. 105–33Google Scholar
Levy, F. J., ‘Hayward, Daniel, and the Beginnings of Politic History in England’, Huntington Library Quarterly, 50:1 (1987), 134Google Scholar
Levy, F. J., Tudor Historical Thought (San Marino, CA: The Huntington Library, 1967)Google Scholar
Lidster, Amy, ‘At the Sign of the Angel: The Influence of Andrew Wise on Shakespeare in Print’, Shakespeare Survey 71 (2018), 242–54Google Scholar
Lidster, Amy, ‘Challenging Monarchical Legacies in Edward III and Henry V’, English: Journal of the English Association, 68:261 (2019), 126-42Google Scholar
Lidster, Amy, ‘Publishing King Lear (1608) at the Sign of the Pied Bull’, in Old St Paul’s and Culture, ed. Altman, Shanyn and Buckner, Jonathan (London: Palgrave Macmillan, 2021), pp. 293–318Google Scholar
Lidster, Amy, ‘“With much labour out of scattered papers”: The Caroline Reprints of Thomas Heywood’s 1 and 2 If You Know Not Me You Know Nobody’, Renaissance Drama, 49:2 (2021), 205–28.Google Scholar
Limon, Jerzy, Dangerous Matter: English Drama and Politics in 1623/24 (Cambridge: Cambridge University Press, 1986)Google Scholar
Lockey, Brian C., Law and Empire in English Renaissance Literature (Cambridge: Cambridge University Press, 2006)Google Scholar
Lockyer, Roger, The Early Stuarts: A Political History of England, 1603–1642, 2nd ed. (London: Longman, 1999)Google Scholar
Loewenstein, David and Witmore, Michael (eds.), Shakespeare and Early Modern Religion (Cambridge: Cambridge University Press, 2015)Google Scholar
Loewenstein, Joseph, Ben Jonson and Possessive Authorship (Cambridge: Cambridge University Press, 2002)Google Scholar
Lyons, Tara L., ‘English Printed Drama in Collection before Jonson and Shakespeare’, unpublished PhD thesis, University of Illinois (2011)Google Scholar
Lyons, Tara L., ‘Richard Jones, Tamburlaine the Great, and the Making (and Remaking) of a Serial Play Collection in the 1590s’, in Christopher Marlowe, Theatrical Commerce and the Book Trade, ed. Melnikoff, Kirk and Knutson, Roslyn L (Cambridge: Cambridge University Press, 2018), pp. 149–64Google Scholar
Lyons, Tara L., ‘Serials, Spinoffs, and Histories: Selling “Shakespeare” in Collection before the Folio’, Philological Quarterly, 91:2 (2012), 185220Google Scholar
MacCaffrey, Wallace T., ‘Carey, Henry, first Baron Hunsdon (1526–1596)’, ODNB, online ed., September 2014, http://www.oxforddnb.com/view/article/4649 (accessed 16 September 2019)Google Scholar
Maguire, Laurie E., ‘The Craft of Printing (1600)’, in A Companion to Shakespeare, ed. Kastan, David Scott (Oxford: Blackwell, 1999), pp. 434–49Google Scholar
Maguire, Laurie E., Shakespearean Suspect Texts: The ‘Bad’ Quartos and Their Contexts (Cambridge: Cambridge University Press, 1996)Google Scholar
Manley, Lawrence and MacLean, Sally-Beth, Lord Strange’s Men and Their Plays (New Haven and London: Yale University Press, 2014)Google Scholar
Marcus, Leah S., Puzzling Shakespeare: Local Reading and Its Discontents (Berkeley: University of California Press, 1988)Google Scholar
Marino, James J., Owning William Shakespeare: The King’s Men and Their Intellectual Property (Philadelphia: University of Pennsylvania Press, 2011)Google Scholar
Marshall, Tristan, Theatre and Empire: Great Britain on the London Stages under James VI and I (Manchester: Manchester University Press, 2000)Google Scholar
Massai, Sonia, ‘Edward Blount, the Herberts, and the First Folio’, in Shakespeare’s Stationers: Studies in Cultural Bibliography, ed. Straznicky, Marta (Philadelphia: University of Pennsylvania Press, 2013), pp. 132–46Google Scholar
Massai, Sonia, Shakespeare and the Rise of the Editor (Cambridge: Cambridge University Press, 2007)Google Scholar
Massai, Sonia, ‘Shakespeare, Text and Paratext’, Shakespeare Survey 62 (2009), 111Google Scholar
Massai, Sonia and Craig, Heidi, ‘Rethinking Prologues and Epilogues on Page and Stage’, in Rethinking Theatrical Documents in Shakespeare’s England, ed. Stern, Tiffany (London: Arden Shakespeare, 2020), pp. 91110Google Scholar
Mayer, Jean-Christophe, ‘Annotating and Transcribing for the Theatre: Shakespeare’s Early Modern Reader-Revisers at Work’, in Shakespeare and Textual Studies, ed. Kidnie, Margaret Jane and Massai, Sonia (Cambridge: Cambridge University Press, 2015), pp. 163–76Google Scholar
Mayer, Jean-Christophe, ‘The Decline of the Chronicle and Shakespeare’s History Plays’, Shakespeare Survey 63 (2010), 1223Google Scholar
Mayer, Jean-Christophe, ‘The “Parliament Sceane” in Shakespeare’s King Richard II’, XVII–XVIII: Bulletin de la société d’études anglo-américaines des XVIIe et XVIIIe siècles, 59 (2004), 2742Google Scholar
Mayer, Jean-Christophe, ‘Shakespeare and the Order of Books’, Early Modern Literary Studies, Special Issue 21 (2013), 5:124Google Scholar
McCullough, Peter, ‘Print, Publication, and Religious Politics in Caroline England’, The Historical Journal, 51:2 (2008), 285313Google Scholar
McInnis, David and Steggle, Matthew, ‘Introduction: Nothing Will Come of Nothing? Or, What Can We Learn from Plays That Don’t Exist?’, in Lost Plays in Shakespeare’s England. ed. David McInnis and Matthew Steggle (Basingstoke: Palgrave Macmillan, 2014), pp. 114Google Scholar
McKenzie, D. F., Bibliography and the Sociology of Texts (Cambridge: Cambridge University Press, 1999)Google Scholar
McKerrow, R. B., ‘Booksellers, Printers, and the Stationers’ Trade’, in Shakespeare’s England: An Account of the Life and Manners of His Age, 2 vols. (Oxford: Clarendon Press, 1916), II, pp. 212–39Google Scholar
McMillin, Scott, ‘The Queen’s Men in 1594: A Study of “Good” and “Bad” Quartos’, English Literary Renaissance, 14:1 (1984), 5569Google Scholar
McMillin, Scott and MacLean, Sally-Beth, The Queen’s Men and Their Plays (Cambridge: Cambridge University Press, 1998)Google Scholar
McMullan, Gordon, ‘The Colonization of Early Britain on the Jacobean Stage’, in Reading the Medieval in Early Modern England, ed. McMullan, Gordon and Matthews, David (Cambridge: Cambridge University Press, 2007), pp. 119–40Google Scholar
Melnikoff, Kirk, Elizabethan Publishing and the Makings of Literary Culture (Toronto: University of Toronto Press, 2018)Google Scholar
Melnikoff, Kirk, ‘Jones’s Pen and Marlowe’s Socks: Richard Jones, Print Culture, and the Beginnings of English Dramatic Literature’, Studies in Philology, 102:2 (2005), 184209Google Scholar
Minton, Gretchen E., ‘Apocalyptic Tragicomedy for a Jacobean Audience: Dekker’s Whore of Babylon and Shakespeare’s Cymbeline’, Renaissance and Reformation, 36:1 (2013), 129–52Google Scholar
Moore, Helen, ‘Jonson, Dekker, and the Discourse of Chivalry’, Medieval & Renaissance Drama in England, 12 (1999), 121–65Google Scholar
Moore, Helen, ‘Roberts [Robarts], Henry (fl. 1585–1617), author’, ODNB, online ed., September 2004, https://doi.org/10.1093/ref:odnb/23753 (accessed 14 May 2020)Google Scholar
Moretti, Franco, Graphs, Maps, Trees: Abstract Models for a Literary Theory (London: Verso, 2005)Google Scholar
Morrissey, Mary, Politics and the Paul’s Cross Sermons, 1558–1642 (Oxford: Oxford University Press, 2011)Google Scholar
Munro, Lucy, Archaic Style in English Literature, 1590–1674 (Cambridge: Cambridge University Press, 2013)Google Scholar
Murphy, Andrew, Shakespeare in Print: A History and Chronology of Shakespeare Publishing (Cambridge: Cambridge University Press, 2003)Google Scholar
Murphy, Donna N., ‘Locrine, Selimus, Robert Greene, and Thomas Lodge’, Notes and Queries, 56:4 (2009) 559–63Google Scholar
Nicholls, Mark and Williams, Penry, ‘Ralegh, Sir Walter (1554–1618)’, ODNB, online ed., September 2015, https://doi.org/10.1093/ref:odnb/23039 (accessed 18 June 2020)Google Scholar
Oberer, Karen, ‘Appropriations of the Popular Tradition in The Famous Victories of Henry V and The Troublesome Raigne of King John’, in Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing, ed. Ostovich, Helen, Syme, Holger Schott, and Griffin, Andrew (Farnham: Ashgate, 2009), pp. 171–82Google Scholar
Ostovich, Helen, Syme, Holger Schott, and Griffin, Andrew (eds.), Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing (Farnham: Ashgate, 2009)Google Scholar
Parvini, Neema, Shakespeare’s History Plays: Rethinking Historicism (Edinburgh: Edinburgh University Press, 2012)Google Scholar
Patterson, Annabel, Censorship and Interpretation: The Conditions of Writing and Reading in Early Modern England (Madison: University of Wisconsin Press, 1984)Google Scholar
Pearce, N. D. F. and Burlinson, Christopher, ‘Heath, John (b. c.1585), epigrammatist’, ODNB, online ed., September 2004, https://doi.org/10.1093/ref:odnb/12838 (accessed 9 April 2021)Google Scholar
Peters, Julie Stone, Theatre of the Book, 1480–1880: Print, Text and Performance in Europe (Oxford: Oxford University Press, 2000)Google Scholar
Pinciss, G. M., ‘Thomas Creede and the Repertory of the Queen’s Men, 1583–1592’, Modern Philology, 67:4 (1970), 321–30Google Scholar
Pitcher, John, ‘Daniel, Samuel (1562/3–1619)’, ODNB, online ed., September 2004, https://doi.org/10.1093/ref:odnb/7120 (accessed 16 September 2019)Google Scholar
Pollard, Alfred W., Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays, 1594–1685 (London: Methuen, 1909)Google Scholar
Pollard, Alfred W., Shakespeare’s Fight with the Pirates and the Problems of the Transmission of His Text (London: Alexander Moring, 1917)Google Scholar
Pratt, Aaron T., ‘Stab-Stitching and the Status of Early English Playbooks As Literature’, The Library, 7th ser., 16:3 (2015), 304–28Google Scholar
Pugliatti, Paola, Shakespeare the Historian (Basingstoke: Palgrave Macmillan, 1996)Google Scholar
Rackin, Phyllis, Stages of History: Shakespeare’s English Chronicles (Ithaca: Cornell University Press, 1990)Google Scholar
Read, Conyers, ‘Walsingham and Burghley in Queen Elizabeth’s Privy Council’, English Historical Review, 28:109 (1913), 3458Google Scholar
Ribner, Irving, The English History Play in the Age of Shakespeare, rev. ed. (London: Methuen, 1965)Google Scholar
Richards, Jennifer, Voices and Books in the English Renaissance: A New History of Reading (Oxford: Oxford University Press, 2019)Google Scholar
Richards, Jennifer and Schurink, Fred, ‘The Textuality and Materiality of Reading in Early Modern England’, Huntington Library Quarterly, 73:3 (2010), 345–61Google Scholar
Roberts-Smith, Jennifer, ‘“What makes thou upon a stage?”: Child Actors, Royalist Publicity, and the Space of the Nation in the Queen’s Men’s True Tragedy of Richard the Third’, Early Theatre, 15:2 (2012), 192205Google Scholar
Robinson, Benedict S., ‘Thomas Heywood and the Cultural Politics of Play Collections’, Studies in English Literature, 1500–1900, 42:2 (2002), 361–80Google Scholar
Robinson, Benedict S., ‘The “Turks”, Caroline Politics and Philip Massinger’s The Renegado’, in Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625–1642, ed. Zucker, Adam and Farmer, Alan (Basingstoke: Palgrave Macmillan, 2006), pp. 213–37Google Scholar
Robinson, Marsha S., Writing the Reformation: ‘Actes and Monuments’ and the Jacobean History Play (Aldershot: Ashgate, 2002)Google Scholar
Rostenberg, Leona, ‘Nathaniel Butter and Nicholas Bourne, First “Masters of the Staple”’, The Library, 5th ser., 12:1 (1957), 2333Google Scholar
Salzman, Paul, Literature and Politics in the 1620s: ‘Whisper’d Counsells’ (Basingstoke: Palgrave Macmillan, 2014)Google Scholar
Samuel, Edgar, ‘Lopez [Lopes], Roderigo [Ruy, Roger] (c.1517–1594)’, ODNB, online ed., January 2008, https://doi.org/10.1093/ref:odnb/17011 (accessed 16 September 2019)Google Scholar
Schelling, Felix E., The English Chronicle Play: A Study in the Popular Historical Literature Environing Shakespeare (New York: Macmillan, 1902)Google Scholar
Schillinger, Stephen, ‘Begging at the Gate: Jack Straw and the Acting Out of Popular Rebellion’, Medieval & Renaissance Drama in England, 21 (2008), 87127Google Scholar
Schwyzer, Philip, ‘The Jacobean Union Controversy and King Lear’, in The Accession of James I: Historical and Cultural Consequences, ed. Burgess, Glen, Wymer, Rowland and Lawrence, Jason (Basingstoke: Palgrave Macmillan, 2006), pp. 3447Google Scholar
Scragg, Leah, ‘Edward Blount and the Prefatory Material to the First Folio of Shakespeare’, Bulletin of the John Rylands Library, 79:1 (1997), 117–26Google Scholar
Shapiro, James, 1606: William Shakespeare and the Year of ‘Lear’ (London: Faber, 2015)Google Scholar
Sharpe, Kevin, Reading Revolutions: The Politics of Reading in Early Modern England (New Haven: Yale University Press, 2000)Google Scholar
Sherman, William H., Used Books: Marking Readers in Renaissance England (Philadelphia: University of Pennsylvania Press, 2008)Google Scholar
Smith, Emma, The Making of Shakespeare’s First Folio (Oxford: Bodleian Library, 2015)Google Scholar
Smith, Emma, Shakespeare’s First Folio: Four Centuries of an Iconic Book (Oxford: Oxford University Press, 2016)Google Scholar
Smith, Emma, ‘Shakespeare Serialized: An Age of Kings’, in A Cambridge Companion to Shakespeare and Popular Culture, ed. Shaughnessy, Robert (Cambridge: Cambridge University Press, 2007), pp. 134–49Google Scholar
Smith, Helen, ‘“To London all”? Mapping Shakespeare in Print, 1593–1598’, in Shakespeare and Textual Studies, ed. Kidnie, Margaret Jane and Massai, Sonia (Cambridge: Cambridge University Press, 2015), pp. 6986Google Scholar
Smith, Helen and Wilson, Louise, ‘Introduction’, in Renaissance Paratexts, ed. Helen Smith and Louise Wilson (Cambridge: Cambridge University Press, 2011), pp. 114Google Scholar
Smuts, R. Malcolm, ‘States, Monarchs, and Dynastic Transitions: The Political Thought of John Hayward’, in Doubtful and Dangerous: The Question of Succession in Late Elizabethan England, ed. Doran, Susan and Kewes, Paulina (Manchester: Manchester University Press, 2014), pp. 276–94Google Scholar
Smyth, Adam, Material Texts in Early Modern England (Cambridge: Cambridge University Press, 2018)Google Scholar
Spikes, Judith Doolin, ‘The Jacobean History Play and the Myth of the Elect Nation’, Renaissance Drama, 8 (1977), 117–49Google Scholar
Stater, Victor, ‘Herbert, William, third earl of Pembroke (1580–1630)’, ODNB, online ed., January 2008, https://doi.org/10.1093/ref:odnb/13058 (accessed 16 September 2019)Google Scholar
Stern, Tiffany, Documents of Performance in Early Modern England (Cambridge: Cambridge University Press, 2009)Google Scholar
Stern, Tiffany, ‘Epilogues, Prayers after Plays, and Shakespeare’s 2 Henry IV’, Theatre Notebook, 64:3 (2010), 122–29Google Scholar
Stern, Tiffany, ‘“On each Wall and Corner Poast”: Playbills, Title-pages, and Advertising in Early Modern London’, English Literary Renaissance, 36:1 (2006), 5789Google Scholar
Stern, Tiffany, ‘Sermons, Plays, and Note-Takers: Hamlet Q1 As a “Noted” Text’, Shakespeare Survey 66 (2013), 123Google Scholar
Stern, Tiffany (ed.), Rethinking Theatrical Documents in Shakespeare’s England (London: Arden Shakespeare, 2020)Google Scholar
Stilma, Astrid, ‘Angels, Demons and Political Action in Two Early Jacobean History Plays’, Critical Survey, 23:2 (2011), 925Google Scholar
Straznicky, Marta, ‘Introduction: Plays, Books, and the Public Sphere’, in The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England, ed. Marta Straznicky (Amherst and Boston: University of Massachusetts Press, 2006), pp. 120Google Scholar
Straznicky, Marta (ed.), The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England (Amherst and Boston: University of Massachusetts Press, 2006)Google Scholar
Straznicky, Marta (ed.), Shakespeare’s Stationers: Studies in Cultural Bibliography (Philadelphia: University of Pennsylvania Press, 2013)Google Scholar
Strong, Roy, Henry Prince of Wales and England’s Lost Renaissance (New York: Thames and Hudson, 1986)Google Scholar
Syme, Holger, ‘The Meaning of Success: Stories of 1594 and Its Aftermath’, Shakespeare Quarterly, 61:4 (2010), 490525Google Scholar
Syme, Holger, ‘Thomas Creede, William Barley, and the Venture of Printing Plays’, in Shakespeare’s Stationers: Studies in Cultural Bibliography, ed. Straznicky, Marta (Philadelphia: University of Pennsylvania Press, 2013), pp. 2846Google Scholar
Taylor, Gary, ‘Historicism, Presentism and Time: Middleton’s The Spanish Gypsy and A Game at Chess’, Sederi, 18 (2008), 147–70Google Scholar
Taylor, Gary, ‘History, Plays, Genre, Games’, in The Oxford Handbook of Thomas Middleton, ed. Taylor, Gary and Henley, Trish Thomas (Oxford: Oxford University Press, 2012), pp. 4763Google Scholar
Taylor, Gary, ‘Making Meaning Marketing Shakespeare 1623’, in From Performance to Print in Shakespeare’s England, ed. Holland, Peter and Orgel, Stephen (Basingstoke: Palgrave Macmillan, 2006), pp. 5572Google Scholar
Taylor, Miles, ‘The End of the English History Play in Perkin Warbeck’, Studies in English Literature, 1500–1900, 48:2 (2008), 395418Google Scholar
Teramura, Misha, ‘Brute Parts: From Troy to Britain at the Rose, 1596–1600’, in Lost Plays in Shakespeare’s England, ed. McInnis, David and Steggle, Matthew (Basingstoke: Palgrave Macmillan, 2014), pp. 127–47Google Scholar
Tillyard, E. M. W., Shakespeare’s History Plays (London: Chatto & Windus, 1944)Google Scholar
Tipton, Alzada, ‘Caught between “Virtue” and “Memorie”: Providential and Political Historiography in Samuel Daniel’s The Civil Wars’, Huntington Library Quarterly, 61:3/4 (1998), 325–41Google Scholar
Velz, John W. (ed.), Shakespeare’s English Histories: A Quest for Form and Genre (Binghamton, NY: Medieval & Renaissance Texts & Studies, 1996)Google Scholar
Vitkus, Daniel J., Three Turk Plays from Early Modern England (New York: Columbia University Press, 2000)Google Scholar
Walker, Greg, The Politics of Performance in Early Renaissance Drama (Cambridge: Cambridge University Press, 1998)Google Scholar
Wall, Wendy, The Imprint of Gender: Authorship and Publication in the English Renaissance (Ithaca: Cornell University Press, 1993)Google Scholar
Walsh, Brian, ‘“Deep Prescience”: Succession and the Politics of Prophecy in Friar Bacon and Friar Bungay’, Medieval & Renaissance Drama in England, 23 (2010), 6385Google Scholar
Walsh, Brian, Shakespeare, the Queen’s Men and the Elizabethan Performance of History (Cambridge: Cambridge University Press, 2009)Google Scholar
Walsh, Brian, ‘Truth, Poetry, and Report in The True Tragedy of Richard III’, in Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing, ed. Ostovich, Helen, Syme, Holger Schott, and Griffin, Andrew (Farnham: Ashgate, 2009), pp. 123–33Google Scholar
Walsh, Brian, Unsettled Toleration: Religious Difference on the Shakespearean Stage (Oxford: Oxford University Press, 2016)Google Scholar
Walsham, Alexandra, ‘Bell [alias Burton], Thomas (b. c. 1551, d. in or after 1610)’, ODNB, online ed., January 2008, https://doi.org/10.1093/ref:odnb/2026 (accessed 8 April 2020)Google Scholar
Whipday, Emma, Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home (Cambridge: Cambridge University Press, 2019)Google Scholar
White, Paul Whitefield, ‘“Histories out of the scriptures”: Biblical Drama in the Repertory of the Admiral’s Men, 1594–1603’, in Loss and the Literary Culture of Shakespeare’s Time, ed. Knutson, Roslyn L., McInnis, David, and Steggle, Matthew (Cham: Palgrave Macmillan, 2020), pp. 191214Google Scholar
Willoughby, Edwin Eliott, A Printer of Shakespeare: The Books and Times of William Jaggard (London: Allan, 1934)Google Scholar
Winston, Jessica, ‘National History to Foreign Calamity: A Mirror for Magistrates and Early English Tragedy’, in Shakespeare’s Histories and Counter-Histories, ed. Cavanagh, Dermot, Hampton-Reeves, Stuart, and Longstaffe, Stephen (Manchester: Manchester University Press, 2006), pp. 152–65Google Scholar
Woods, Gillian, ‘The Contexts of The Trial of Chivalry’, Notes and Queries, 54:3 (2007), 313–18Google Scholar
Woolf, D. R., The Idea of History in Early Stuart England (Toronto: University of Toronto Press, 1990)Google Scholar
Woolf, D. R., ‘News, History and the Construction of the Present in Early Modern England’, in The Politics of Information in Early Modern Europe, ed. Dooley, Brendan and Baron, Sabrina A. (Abingdon: Routledge, 2001), pp. 80118Google Scholar
Woolf, D. R., Reading History in Early Modern England (Cambridge: Cambridge University Press, 2000)Google Scholar
Woolf, D. R., The Social Circulation of the Past: English Historical Culture, 1500–1730 (Oxford: Oxford University Press, 2003)Google Scholar
Worden, Blair, ‘Afterword’, in Doubtful and Dangerous: The Question of Succession in Late Elizabethan England, ed. Doran, Susan and Kewes, Paulina (Manchester: Manchester University Press, 2014), pp. 295303Google Scholar
Worden, Blair, ‘Historians and Poets’, Huntington Library Quarterly, 68:1–2 (2005), 7193Google Scholar
Worden, Blair, ‘Which Play Was Performed at the Globe Theatre on 7 February 1601?’, London Review of Books, 25:13 (10 July 2003)Google Scholar
Wormald, Jenny, ‘The Creation of Britain: Multiple Kingdoms or Core and Colonies?’, Transactions of the Royal Historical Society, 2 (1992), 175–94Google Scholar
Wright, Gillian, ‘The Politics of Revision in Samuel Daniel’s The Civil Wars’, English Literary Renaissance, 38:3 (2008), 461–82Google Scholar
Yamada, Akihiro, Thomas Creede: Printer to Shakespeare and His Contemporaries (Tokyo: Meisei University Press, 1994)Google Scholar
Arber, Edward (ed.), A Transcript of the Registers of the Company of Stationers of London, 1554–1640 A.D., 5 vols. (London, 1875–77; Birmingham, 1894)Google Scholar
Bergel, Giles and Gadd, Ian (eds.), Stationers’ Register Online, CREATe, University of Glasgow, http://stationersregister.onlineGoogle Scholar
Thomas L, Berger. and Massai, Sonia (eds.), with Tania Demetriou, Paratexts in English Printed Drama to 1642, 2 vols. (Cambridge: Cambridge University Press, 2014)Google Scholar
Chambers, E. K., The Elizabethan Stage, 4 vols. (Oxford: Clarendon Press, 1923)Google Scholar
Dahl, Folke, A Bibliography of English Corantos and Periodical Newsbooks, 1620–1642 (London: Bibliographical Society, 1952)Google Scholar
Farmer, Alan B. and Lesser, Zachary (eds.), DEEP: Database of Early English Playbooks. Created 2007, http://deep.sas.upenn.eduGoogle Scholar
Foakes, R. A. (ed.), Henslowe’s Diary, 2nd ed. (Cambridge: Cambridge University Press, 2002)Google Scholar
Greg, W. W., A Bibliography of the English Printed Drama to the Restoration, 4 vols. (London: Oxford University Press for the Bibliographical Society, 1939–59)Google Scholar
Greg, W. W. and Boswell, E (eds.), Records of the Court of the Stationers’ Company: 1576–1602 (London: Bibliographical Society, 1930)Google Scholar
Ioppolo, Grace (dir.), The Henslowe–Alleyn Digitisation Project, King’s Digital Lab, King’s College London, https://henslowe-alleyn.org.ukGoogle Scholar
Jackson, William A. (ed.), Records of the Court of the Stationers’ Company, 1602 to 1640 (London: Bibliographical Society, 1957)Google Scholar
Knutson, Roslyn L., McInnis, David, Steggle, Matthew, and Teramura, Misha (eds.), Lost Plays Database (Washington, DC: Folger Shakespeare Library, 2018), www.lostplays.folger.eduGoogle Scholar
Lemon, Robert and Everett, Mary Anne (eds.), Calendar of State Papers: Domestic Series, of the Reigns of Edward VI, Mary, Elizabeth, and James I (1547–1625), 12 vols. (London: Longman et al., 1856–72)Google Scholar
McKerrow, Ronald B., Printers’ and Publishers’ Devices in England and Scotland, 1485–1640 (London: Printed for the Bibliographical Society at the Chiswick Press, 1913)Google Scholar
Pollard, A. W. and Redgrave, G. R (eds.), A Short-Title Catalogue of Books Printed in England, Scotland, and Ireland and of English Books Printed Abroad, 1475–1640, 2nd ed., rev. Jackson, W. A, Ferguson, F. S, and Pantzer, K. F, 3 vols. (London: Bibliographical Society, 1976–91)Google Scholar
Pollard, A. W. and Redgrave, G. R (eds.), Shakespeare Documented, convened by Folger Shakespeare Library (created 2016), https://shakespearedocumented.folger.eduGoogle Scholar
Wiggins, Martin, in association with Catherine Richardson, British Drama 1533–1642: A Catalogue, 8 vols. (Oxford: Oxford University Press, 2011–)Google Scholar
Williams, Franklin B., Jr., Index of Dedications and Commendatory Verses in English Books before 1641 (London: Bibliographical Society, 1962)Google Scholar