Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-l82ql Total loading time: 0 Render date: 2024-07-30T12:20:02.234Z Has data issue: false hasContentIssue false

CRISIS: FIRE AND SWORD

Published online by Cambridge University Press:  08 June 2018

Lawrence T. McDonnell
Affiliation:
Iowa State University
Get access

Summary

Is not most soldiering a form of make- believe, but done so seriously, that we come to believe our unnatural roles, and are ready to turn play- acting into reality? We have been rehearsing for so long it is difficult to believe in the reality.

Neil McCallum, Journey with a Pistol

What forces kindle revolution and move men to war? Among the higher echelons, hopes and ideals may inspire. But revolution and war are not made, ultimately, by generals, politicians, and prophets. They are set in motion by ordinary young men mostly, performing simple, practical acts at street level: choosing sides, suiting up, planting flags, killing. 2 With regard to the Peloponnesian conflict, Thucydides explained what military historians call initial motivation in three blunt words: fear, honor, and interest. Twenty centuries later, on the eve of another equally disastrous civil war, Walter Steele echoed the Greek's analysis, triangulating in his potent local vernacular: “Politics! Chess! Hats!!!”

Just so: in Charleston on the eve of disunion, politics was a kind of theatre, focused on fear; chess a species of commerce, trading in honor and its clashing cousin respectability; hats signified a form of homosocial play and assertion, rooted in self- interest. Each tangled up with the others, spinning out different trajectories of allusions and appearances. Separately and collectively, those signs held special resonance for particular Charlestonians: men of certain social characteristics and peculiar personal experience. The fellows who rallied to Sam Tupper's call in 1860, forming the Vigilant Rifles, were perhaps more attuned than most to the hidden meanings of codes, gambits, and allusions that permeated Steele's symbols. They knew better how to discover clues in that web of connotations, treacherous though they often were. When they smelled smoke, they knew enough to look for fire.

Who were these Minute Men? By Tupper's account they were “men accustomed to dangers and fatigue,” who had “equipped themselves at their own expense,” though most were far from wealthy, and only a few owned slaves. They possessed little military experience as volunteer or line militiamen, yet most had stood ready to face “a fiery ordeal” more daunting on a daily basis.

Type
Chapter
Information
Performing Disunion
The Coming of the Civil War in Charleston, South Carolina
, pp. 323 - 324
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×