Skip to main content Accessibility help
×
Home
Hostname: page-component-99c86f546-x5mqb Total loading time: 1.104 Render date: 2021-12-03T07:42:23.734Z Has data issue: true Feature Flags: { "shouldUseShareProductTool": true, "shouldUseHypothesis": true, "isUnsiloEnabled": true, "metricsAbstractViews": false, "figures": true, "newCiteModal": false, "newCitedByModal": true, "newEcommerce": true, "newUsageEvents": true }

General Bibliography

Published online by Cambridge University Press:  31 October 2019

Sophie Chiari
Affiliation:
Clermont Auvergne University, France
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adams, Simon. 1995. ‘The Patronage of the Crown in Elizabethan Politics: The 1590s in Perspective’ in The Reign of Elizabeth I: Court and Culture in the Last Decade, ed. Guy, John, Cambridge, Cambridge University Press: 2045.
Albright, E. M. 1927. ‘The Folio Version of Henry V in Relation to Shakespeare’s Times’, PMLA, 43: 722–56.
Alexander, Robert J. 1991. ‘A Record of Twelfth Night Celebrations’, Records of Early English Drama Newsletter, 16 (1): 1617.
Allen, D. C. (ed.). 1933. Francis Meres’s Treatise ‘Poetrie’, Studies in Language and Literature. Urbana, University of Illinois Press.
Allot, Robert. 1814. Englands Parnassus; or, The Choysest Flowers of Our Moderne Poets (1600), London, Longman, Hurst, Rees, Orme, and Brown.
Anon, . 1610. Ballet de Monseigneur le Duc de Vendosme, Paris: www.libraryofdance.org/manuals/1610-Ballet_(BNF).pdf (Date accessed: 26 May 2019).
Arbeau, Thoinot. 1589. Orchésographie, Langres, Jehan des Preyz.
Arber, Edward, (ed). 1876. Transcript of the Registers of the Company of Stationers of London 1554–1640, London, Privately printed, vol. 3, (1875–94).
Aristotle, . 2000. The Nicomachean Ethics, trans. and ed. Roger Crisp, Cambridge, Cambridge University Press.
Arnold, Janet (ed.). 1980. ‘Lost from Her Majesty’s back’: Items of Clothing and Jewels Lost or Given Away by Queen Elizabeth I between 1561 and 1585, Entered in … the Records of the Wardrobe of Robes, Wisbech, Costume Society Extra Series 7.
Ashbee, Andrew (ed.). 1991–6. Records of English Court Music, 9 vols. Aldershot: Scolar Press.
Ashbee, Andrew. 1997. ‘Groomed for Service: Musicians in the Privy Chamber at the English Court, c. 1495-1558’, Early Music, 25 (2) (May): 185–97.
Ashbee, Andrew, and Lasocki, I.. 1998. A Biographical Dictionary of English Court Musicians, Aldershot, Ashgate.
Ashley, Maurice. 1954. England in the Seventeenth Century (1603–1714), Harmondsworth, Penguin.
Astington, John H. 1999a. ‘The Globe, the Court and Measure for Measure’, Shakespeare Survey, 52: 133–42.
Astington, John H. 1999b. English Court Theatre, 1558–1642, Cambridge, Cambridge University Press.
Austern, Linda Phyllis. 1990. ‘“Art to Enchant”: Musical Magic and its Practitioners in English Renaissance Drama’, Journal of the Royal Musical Association, 115 (2) (Summer): 191206.
Baldo, Jonathan. 2007. ‘Forgetting Elizabeth in Henry VIII’ in Resurrecting Elizabeth I in Seventeenth-Century England, ed. Hageman, Elizabeth H. and Conway, Katherine, Madison, Wisconsin: Fairleigh Dickinson University Press: 132–48.
Barroll, Leeds. 1976. ‘Drama and the Court’ in The Revels History of Drama in English, vol. 3, ed. Leech, Clifford and Craik, T. W., London, Methuen: 327.
Barroll, Leeds. 1991/1995. Politics, Plague, and Shakespeare’s Theater: The Stuart Years, Ithaca, Cornell University Press.
Barroll, Leeds. 1995. ‘Inventing the Stuart Masque’ in The Politics of the Stuart Court Masque, ed. Bevington, David and Holbrook, Peter, Cambridge, Cambridge University Press: 121–43.
Barroll, Leeds. 2001. Anna of Denmark, Queen of England: A Cultural Biography, Philadelphia, The University of Pennsylvania Press.
Bate, Jonathan. 1994. Shakespeare and Ovid, Oxford, Oxford University Press.
Bawcutt, N. W. 2000. ‘William Vincent, Alias Hocus Pocus’, Theatre Notebook, 54: 130–7.
Beaujoyeux, Balthazar de. 1971. Le Balet Comique de la Royne, trans. and ed. Carol and Lander McClintock, Musicological Studies and Documents, no. 25, Münster, American Institute of Musicology.
Beaujoyeulx, Balthazar de. 1982. Le Balet Comique: A Facsimile, ed. McGowan, Margaret M, Binghamton, Center for Medieval and Early Renaissance Texts and Studies.
Beaumont, Francis. 1967. The Masque of the Inner Temple and Gray’s Inn (1613), ed. Edwards, Philip in A Book of Masques: In Honour of Allardyce Nicoll, ed. Bew Spencer, Terence John and Wells, Stanley, Cambridge, Cambridge University Press: 125–48.
Bennett, Josephine Waters. 1966. Measure for Measure as Royal Entertainment, New York, Columbia University Press.
Bentley, G. E. 1956/1968. Jacobean and Caroline Stage, Oxford, Clarendon Press.
Bergeron, David M. 1985. ‘Middleton’s No Wit, No Help and Civic Pageantry’ in Pageantry in the Shakespearean Theater, ed. Bergeron, David M., Athens, University of Georgia Press: 6580.
Bergeron, David M. 1991. Royal Family, Royal Lovers: King James of England and Scotland, Columbia, University of Missouri Press.
Bergeron, David M. 2000. Practicing Renaissance Scholarship, Pittsburgh, Duquesne University Press.
Bergeron, David M. 2016. ‘The Stuart Brothers and English Theater’ in Renaissance Papers 2015, New York, Camden House: 112.
Berry, Philippa, and Archer, Jayne Elisabeth. 2002. ‘Reinventing the Matter of Britain: Undermining the State in Jacobean Masques’ in British Identities and English Renaissance Literature, ed. Baker, David J. and Maley, Willy, Cambridge, Cambridge University Press: 119–34.
Bertaut, Jean. 1620. Les Oeuvres Poetiques, de Mr. Bertaut, Evesque de Sees Abbé d’Aunay, premier Aumosnier de la Royne, Paris, Toussaint du Bray.
Bevington, David. 1968. Tudor Drama and Politics: A Critical Approach to Topical Meaning, Cambridge, MA, Harvard University Press.
Bevington, David, and Holbrook, Peter (eds.). 1998. The Politics of the Stuart Court Masque, Cambridge, Cambridge University Press.
Bevington, David, and Rasmussen, Eric (eds.) 1993. Doctor Faustus A- and B-texts (1604, 1616), Manchester, Manchester University Press.
Bezio, Kristin M. S. 2016. Staging Power in Tudor and Stuart English History Plays. History, Political Thought, and the Redefinition of Sovereignty, New York, Routledge.
Bickley, Pamela, and Stevens, Jenny. 2016. Shakespeare and Early Modern Drama: Text and Performance, London, Bloomsbury.
Birch, Thomas. 1754. Memoirs of the Reign of Queen Elizabeth, from the Year 1581 until her Death, London, Millar.
Birch, Thomas. 1849. The Court and Times of James I, London.
Black, John Bennet. 1959. The Reign of Elizabeth: 1558–1603, Oxford, Clarendon.
Bloom, Harold. 1987. ‘Introduction’ in Modern Critical Interpretations: William Shakespeare’s A Midsummer Night’s Dream, ed. Bloom, Harold, New York, Chelsea: 15.
Bloom, Harold. 1998. Shakespeare: The Invention of the Human, New York, Riverhead Books.
Bloom, Harold (ed.). 2010. Bloom’s Shakespeare through the Ages: Richard III, New York, Chelsea House Publications, Bloom’s Literary Criticism.
Borg, Alan. 2005. The History of the Worshipful Company and Painters Otherwise Painter-Stainers, London, Jeremy Mills.
Bowsher, Julian. 2012. Shakespeare’s London Theatreland: Archaeology, History and Drama, London, Museum of London Archaeology.
Boyce, Charles. 1990. Shakespeare A to Z: The Essential Reference to His Plays, His Poems, His Life and Times, and More, New York, Facts on File.
Boynton, Lindsay. 1971. The Hardwick Hall Inventories of 1601, London, The Furniture History Society.
Brandt, Bruce. 2015. ‘The Critical Backstory’ in Doctor Faustus: A Critical Guide, ed. Deats, Sarah Munson, Continuum Renaissance Drama, London, Oxford, Bloomsbury: 1740.
Brantôme, Pierre de Bourdeille, Abbé de, . 1867. Œuvres Complètes, Paris, Lalanne.
Brook, Peter. 1968. The Empty Space, London, MacGibbon & Kee.
Brooks, Harold F. (ed.). 1979. A Midsummer Night’s Dream, London, Methuen.
Brown, Horatio (ed.). 1867Calendar of State Papers Relating To English Affairs in the Archives of Venice, Volume 2, 1509–1519, London, British History Online: www.british-history.ac.uk/cal-state-papers/venice/vol2 (Date accessed: 9 June 2019).
Brown, Horatio (ed.). 1904Calendar of State Papers Relating to English Affairs in the Archives of Venice. Volume 11: 1607–1610. London: His Majesty’s Stationery Office.
Brown, Horatio (ed.). 1905Calendar of State Papers Relating To English Affairs in the Archives of Venice, Volume 12, 1610–1613, London, British History Online: www.british-history.ac.uk/cal-state-papers/venice/vol12 (Date accessed: 7 June 2019).
Brown, Horatio F. 2017. Calendar of State Papers Relating to English Affairs in the Archives of Venice, London, His Majesty’s Stationary Office, 1904, vol. 11. Available at British History Online, University of London: www.british-history.ac.uk/search (Date accessed: 3 June 2019).
Brown, John Russell (ed.). 1955. The Merchant of Venice, Harvard, Harvard University Press.
Brown, Rawdon, and Cavendish Bentinck, G. (eds.). 1890. ‘Venice: September 1560’ in Calendar of State Papers Relating To English Affairs in the Archives of Venice, vol. 7, 1558–80, London, Her Majesty’s Stationery Office.
Bullough, Geoffrey (ed.). 1957. Narrative and Dramatic Sources of Shakespeare, vol. 1, London, Routledge.
Bülow, G. von (trans.). 1895. ‘Journey through England and Scotland made by Leopold von Wedel in the years 1584 and 1585’ in Transactions of the Royal Historical Society, New Series, vol. IX: 223–70.
Butler, Katherine. 2015. Music in Elizabethan Court Politics, Woodbridge, Boydell & Brewer Ltd.
Butler, Martin. 2007. ‘George Chapman’s Masque of the Twelve Months (1619)’, English Literary Renaissance, 37: 360400.
Butler, Martin. 2008. The Stuart Court Masque and Political Culture, Cambridge, Cambridge University Press.
Camden, William. 1615. Annales rerum Anglicarum et Hibernicarum regnante Elizabetha, London.
Campbell, Lily B. 1978. Shakespeare’s Histories: Mirrors of Elizabethan Policy, San Marino, Huntington.
Campbell, Thomas P. 2007. Henry VIII and the Art of Majesty, New Haven, Yale University Press.
Campion, Thomas. 1607. The Description of a Masque … in Honour of the Lord Hayes, London, STC 4538.
Campion, Thomas. 1613. The Lords’ Masque, London, STC 4545.
Campion, Thomas. 1614. The Masque at the Earl of Somerset’s Marriage, London, STC 4539.
Campion, Thomas. 1967. ‘The Lords’ Masque (1613)’, ed. Shapiro, I. A, in A Book of Masques: In Honour of Allardyce Nicoll, ed. Bew Spencer, Terence John and Wells, Stanley, Cambridge, Cambridge University Press: 95123.
Campion, Thomas. 1995. ‘The Lord Hay’s Masque (1607)’ in Court Masques: Jacobean and Caroline Entertainments 1605–1640, ed. Lindley, David, Oxford, Oxford University Press: 1834.
Camporeale, Salvatore I. 1996. ‘Lorenzo Valla’s Oratio on the Pseudo-Donation of Constantine: […] De falso credita et ementita Constantini donatione declamatio’, Journal of the History of Ideas, 57: 982.
Canino, Catherine Grace. 2007. Shakespeare and the Nobility: The Negotiation of Lineage, Cambridge, Cambridge University Press.
Canova-Green, Marie-Claude. 2013. ‘“Particularitez des Resjoyssances Publiques et Cérémonyes du Mariage de la Princesse”: An Ambassadorial Account of the Palatine Wedding’ in The Palatine Wedding of 1613: Protestant Alliance and Court Festival, ed. Smart, Sara and Wade, Mara R., Wiesbaden, Harrassowitz Verlag.
Carew, Thomas. 1995. ‘Coelum Britannicum (1634)’ in Court Masques: Jacobean and Caroline Entertainments 1605–1640, ed. Lindley, David, Oxford, Oxford University Press: 166–99.
Carlson, Marvin. 1993. Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present, expanded ed., Ithaca, Cornell University Press.
Carlson, Marvin. 2001. The Haunted Stage: The Theatre as Memory Machine, Ann Arbor, University of Michigan Press.
Caroso, Fabritio. 1600. Nobiltá di Dame, Venice.
Caroso, Fabritio. 1967. Il Ballarino (Venice, Ziletti, 1581), facsimile ed., New York, Broude Brothers.
Castiglione, Baldassare. 1959. The Book of the Courtier, trans. Charles S. Singleton, Baltimore, Johns Hopkins University Press.
Cavendish, William. 1649. The Varietie, London.
Cecil, William (Lord Burghley). 1962. ‘Certain Precepts for the Well Ordering of a Man’s Life’, in Advice to a Son, ed. Wright, Louis B., Ithaca, Cornell University Press: 913.
Cerasano, Susan. 1991. ‘The Master of the Bears in Art and Enterprise’, Medieval and Renaissance Drama in England, 5: 195209.
Chamberlain, John. 1939. The Letters of John Chamberlain, ed. McClure, Norman Egbert, Philadelphia, American Philosophical Society.
Chambers, E. K. 1923/1961. The Elizabethan Stage, 4 vols., Oxford, The Clarendon Press.
Chambers, E. K. 1930. William Shakespeare: A Study of Facts and Problems, Oxford, Clarendon Press.
Chapman, George. 1995. ‘The Memorable Masque (1613)’ in Court Masques: Jacobean and Caroline Entertainments 1605–1640, ed. Lindley, David, Oxford, Oxford University Press: 7491.
Cicero, . 1927. ‘De Amicitia’ in De Senectute, De Amicitia, De Divinatione, trans. William A. Falconer, Cambridge, MA, Harvard University Press: 108211.
Clapham, John. 1951. Elizabeth of England: Certain Observations Concerning the Life and Reign of Queen Elizabeth, ed. Read, Evelyn Plummer and Read, Conyers, Philadelphia, University of Pennsylvania Press.
Clare, Janet. 1989. Art Made Tongue-tied by Authority, Manchester, Manchester University Press.
Clifford, Lady Anne. 1923. The Diary of the Lady Anne Clifford, with Introduction by V. Sackville-West, London, Heinemann.
Clubb, Louise George. 1989. Italian Drama in Shakespeare’s Time, New Haven, Yale University Press.
Cockshoot, John V. and Field, Christopher D. S.. 2016. ‘Ferrabosco’, Grove Music Online, Oxford, Oxford University Press, Oxford Music Online: www.oxfordmusiconline.com/subscriber/article/grove/music/09507pg2 (Date accessed: 20 January 2019).
Cogswell, Thomas, and Lake, Peter. 2009. ‘Buckingham Does the Globe: Henry VIII and the Politics of Popularity in the 1620s’, Shakespeare Quarterly, 60, no. 3 (Fall): 253–78.
Cohen, Ralph Alan. 2009. ‘The Most Convenient Place: The Second Blackfriars Theatre and its Appeal’ in The Oxford Handbook of Early Modern Theatre, ed. Dutton, Richard, Oxford, Oxford University Press: 209–24.
Cole, Maija Jansson. 1981. ‘A New Account of the Burning of the Globe’, Shakespeare Quarterly, 32 (3) (Autumn): 352.
J. Payne, Collier (ed.). 1966. Diary of Philip Henslowe, from 1591 to 1609, London, Shakespeare Society (Kraus Reprint; orig. ed. 1845).
Collingwood, R. G. 1956. The Idea of History, Oxford, Oxford University Press.Google Scholar
Colvin, Howard M. (ed.). 1982. The History of the King’s Works, vol. IV: 14851660 (Part II), London, Her Majesty’s Stationery Office.Google Scholar
Colvin, Howard M., et al. 1963–82. The History of the King’s Works, 6 vols., London, Her Majesty’s Stationery Office.Google Scholar
Cook, David, and Wilson, F. P.. 1961. Dramatic Records in the Declared Accounts of the Treasurer of the Chamber, 1558–1642, Oxford University Press for The Malone Society, Malone Society Collections, vol. VI.Google Scholar
Cooke Carpenter, Nan. 1952. ‘Miles versus Clericus in Marlowe’s Faustus’N & Q (March): 91–3.CrossRef
Cooper, Tarnya, and Howard, Maurice. 2015. ‘Artists, Patrons and the Context for the Production of Painted Images in Tudor and Jacobean England’ in Painting in Britain 1500–1631: Production, Influences and Patronage, ed. Cooper, Tarnya, Burnstock, Aviva, Howard, Maurice, and Town, Edward, Oxford, Oxford University Press for The British Academy: 528.Google Scholar
Cornwallis, William. 1604. The Miraculous and Happie Vnion of England and Scotland, London, Edward Blount.Google Scholar
Coward, Barry. 1994. The Stuart Age: England 1603–1714, 2nd ed., London, Longman.Google Scholar
Craig, Hardin. 1927. ‘The Relation of the First Quarto Version to the First Folio Version of Shakespeare’s Henry V’, Philological Quarterly, 6: 225–34.Google Scholar
Creaser, John (ed). 2012. Bartholomew Fair, in The Cambridge Edition of the Works of Ben Jonson, ed. Bevington, David, Butler, Martin, and Donaldson, Ian, vol. 4 (16111616), Cambridge, Cambridge University Press: 253428.Google Scholar
Crosby, Allan James (ed.). 1874. Calendar of State Papers Foreign: Elizabeth, vol. 9, 15691571, London, Her Majesty’s Stationery Office, British History Online: www.british-history.ac.uk/cal-state-papers/foreign/vol9 (Date accessed: 23 May 2018).Google Scholar
Crosse, Gordon. 1921. ‘“Pericles” on the Stage’, Notes and Queries, 12th series, 8: 361–2.Google Scholar
Cuddy, Neil. 1987. ‘The Revival of the Entourage: The Bedchamber of James I, 1603–1625’ in The English Court: From the Wars of the Roses to the Civil War, ed. Starkey, David et al., London and New York, Longman: 173225.Google Scholar
Cunliffe, J. W. (ed.). 1912. Early English Classical Tragedies. Oxford, The Clarendon Press.Google Scholar
Cunningham, James Patrick. 1965. Dancing in the Inns of Court, London, Jordan & Sons.Google Scholar
Daniel, Samuel. 1604. The Vision of the Twelve Goddesses, London, printed by Thomas Creede for Simon Waterson, STC 6265.Google Scholar
Daniel, Samuel. 1610. The Order and Solemnity of the Creation of the High and Mighty Prince Henry … Whereunto is Annexed the Royal Masque Presented by the Queen and her Ladies, London.Google Scholar
Davenant, William. 1973. ‘Britannia Triumphans (1638)’ in Inigo Jones: The Theatre of the Stuart Court, ed. Orgel, Stephen and Strong, Roy, Berkeley, University of California Press, 2: 662–67.Google Scholar
Davenport, F. G. (ed). 2004a. ‘Agreement signed by the King of France at Villers Cotterêts on July 19, 1603, and by the King of England and Scotland at Hampton Court on July 30/August 9, 1603’ in European Treaties Bearing on the History of the United States and Its Dependencies to 1648, Clark, Lawbook Exchange: 243–5.Google Scholar
Davenport, F. G. (ed). 2004b. ‘Treaty between Spain and Great Britain concluded at London, August 18/28, 1604. Ratification by the King of Spain, June 5/15, 1605. [Ratification by the King of Great Britain, August 19/29, 1604]’ in European Treaties Bearing on the History of the United States and Its Dependencies to 1648, Clark, Lawbook Exchange: 246–57.Google Scholar
Davidson, Clifford. 1969. ‘Doctor Faustus at Rome’, Studies in English Literature, 1500–1900, IX: 223–32.Google Scholar
Davies, John. 1975. The Poems of Sir John Davies, ed. Krueger, R., Oxford, Clarendon Press.CrossRefGoogle Scholar
Daye, Anne. 1996. ‘“Youthful Revels, Masques, and Courtly Sights”: an Introductory Study of the Revels within the Stuart Masque’, Historical Dance, 3: 522.Google Scholar
Daye, Anne. 2008. ‘The Jacobean Antimasque within the Masque Context: a Dance Perspective’, PhD thesis, Surrey/Roehampton (unpublished).
Daye, Anne. 2012. ‘“By the Power of his Commanding Trident”: Tethys Festival as Royal Policy’, Historical Dance, 4 (2): 1928.Google Scholar
Daye, Anne. 2013. ‘“Graced with measures”: Dance as an International Language in the Masques of 1613’ in The Palatine Wedding of 1613: Protestant Alliance and Court Festival, ed. Smart, Sara and Wade, Mara R, Harrassowitz Verlag, Wiesbaden: 289319.Google Scholar
Daye, Anne. 2014. ‘The Role of Le Balet Comique in Forging the Stuart Masque: Part 1 The Jacobean Initiative’ in Dance Research, 32 (2): 185207.CrossRefGoogle Scholar
Daye, Anne. 2019. ‘“The revellers are entering”: Shakespeare and Masquing Practice in Tudor and Stuart England’ in The Oxford Handbook to Shakespeare and Dance, ed. Shaw, B and McCullogh, L., Oxford, Oxford University Press.Google Scholar
Daye, Anne, and Thorp, J.. 2018. ‘English Measures Old and New: Dulwich College MS. XCIV/f.28’, Historical Dance, vol. 4, No. 3: https://historicaldance.org.uk/jnl/pdf/HistDance-2018-V4N3-pp27-40-Daye+Thorp.pdf (Date accessed: 20 January 2019).Google Scholar
Deighton, Kenneth. 1907. Pericles, London, Methuen.Google Scholar
Deiter, Kristen. 2013. ‘“What Citadels, what turrets, and what towers”: Mapping the Tower of London in Thomas Heywood’s Lord Mayors’ Shows’, Comparative Drama, 47 (4) (Winter): 473503.CrossRefGoogle Scholar
Dessen, Alan, and Thomson, Leslie. 1999. A Dictionary of Stage Directions in English Drama 1580–1642, Cambridge, Cambridge University Press.Google Scholar
Dillon, Janette (ed.). 2002. Performance and Spectacle in Hall’s Chronicle, London, Society for Theatre Research.Google Scholar
Dillon, Janette. 2010. The Language of Space in Court Performance, 1400–1625, Cambridge, Cambridge University Press.Google Scholar
Dillon, Janette. 2012. Shakespeare and the Staging of English History, Oxford, Oxford University Press, Oxford Shakespeare Topics.Google Scholar
Dobson, Michael, and Watson, Nicola J.. 2002. England’s Elizabeth: An Afterlife in Fame and Fantasy, Oxford, Oxford University Press.Google Scholar
Drábek, Pavel. 2014. ‘English Comedy and Central Europen Marionette Drama: A Study in Theater Etymology’ in Transnational Mobilities in Early Modern Theater, ed. Henke, Robert and Nicholson, Eric, New York, Routledge: 177–98.Google Scholar
Duffin, Ross W. 2002. ‘To Entertain a King: Music for James and Henry at the Merchant Taylors Feast of 1607’, Music & Letters, 83 (4) (Nov): 525–41.CrossRefGoogle Scholar
Dukore, Bernard (ed.). 1974. Dramatic Theory and Criticism: Greeks to Grotowski, Fort Worth, Holt, Rinehart and Winston.Google Scholar
Duncan-Jones, Katherine (ed.). 1989. Sir Philip Sidney, Oxford, Oxford University Press.Google Scholar
Duncan-Jones, Katherine. 2001. Shakespeare: An Ungentle Life, London, Methuen.Google Scholar
Dustagheer, Sarah. 2017. Shakespeare’s Two Playhouses: Repertory and Theatre Space at the Globe and the Blackfriars, 1599–1613, Cambridge, Cambridge University Press.CrossRefGoogle Scholar
Dutton, Richard. 1991. Mastering the Revels, Iowa City, University of Iowa Press.CrossRefGoogle Scholar
Dutton, Richard. 1993. ‘Shakespeare and Marlowe: Censorship and Construction’, The Yearbook of English Studies, 23: 129.CrossRefGoogle Scholar
Dutton, Richard. 2000. Licensing, Censorship and Authorship in Early Modern England, Basingstoke, Palgrave.CrossRefGoogle Scholar
Dutton, Richard. 2009. The Oxford Handbook of Early Modern Theatre, Oxford, Oxford University Press.Google Scholar
Dutton, Richard. 2016a. ‘Jonson and Shakespeare: Oedipal Revenge’, Ben Jonson Journal, 23: 2451.CrossRefGoogle Scholar
Dutton, Richard. 2016b. Shakespeare, Court Dramatist, Oxford, Oxford University Press.CrossRefGoogle Scholar
Dutton, Richard. 2018. Shakespeare’s Theater: A History, Oxford, Wiley-Blackwell.Google Scholar
Eamon, William. 1983. ‘Technology as Magic in the Late Middle Ages and the Renaissance’, Janus, 70 (3–4): 171212.Google Scholar
Egan, Gabriel. 1999. ‘Reconstructions of the Globe: A Retrospective’, Shakespeare Survey 52, Shakespeare and the Globe, ed. Wells, Stanley, Cambridge, Cambridge University Press: 116.Google Scholar
Elam, Keir. 2017. Shakespeare’s Pictures: Visual Objects in Drama, London, Bloomsbury.Google Scholar
Elliott, John R. Jr, Nelson, Alan H., Johnston, Alexandra F. and Wyatt, Diana (eds). 2004. Records of Early English Drama: Oxford, 2 vols., Toronto, University of Toronto Press.Google Scholar
Elton, G. R. 1991. England Under the Tudors, 3rd ed., London and New York, Routledge.Google Scholar
Eriksen, Roy. 2015. ‘Marlowe’s Political Balancing Act: Religion and translatio imperii in Doctor Faustus (B)’ in The Circulation of Knowledge in Early Modern English Literature, ed. Chiari, Sophie, Farnham, Ashgate: 107–22.Google Scholar
Eriksen, Roy. 1981. ‘The Misplaced Clownage-scene in The Tragedie of Doctor Faustus (1616) and its Implications for the Play’s Total Structure’, English Studies, 17: 249–58.Google Scholar
Eriksen, Roy. 1987. The Forme of Faustus Fortunes. A Study of the Tragedie of Doctor Faustus (1616), Atlantic Highlands, Humanities Press.Google Scholar
Eriksen, Roy. 1992. ‘Masque Elements in Doctor Faustus and The Tempest’ in The Show Within: Dramatic and Other Insets. English Renaissance Drama, 1550–1642, ed. Laroque, François, 2 vols., Montpellier, CERE, vol. 1: 285305.Google Scholar
Eriksen, Roy. 2019. ‘Revisiting an Old Controversy: Censorship in Doctor Faustus’ in Freedom and Censorship in Early Modern English Literature, ed. Chiari, Sophie, London, Routledge: 81104.Google Scholar
Feuillerat, Albert. 1908. Documents Relating to the Office of the Revels in the Time of Queen Elizabeth in Materialien zur Kunde des älteren Englischen Dramas, 44 vols., vol. 21, Louvain, A. Uystpruyst.Google Scholar
Fischer-Lichte, Erika. 1989. ‘Theatre as a Civilizing Process: An Approach to the History of Acting’ in Interpreting the Theatrical Past: Essays in the Historiography of Performance, ed. Postlewait, Thomas and McConachie, Bruce A., Iowa, Iowa University Press: 1936.Google Scholar
Foakes, R. A. (ed.). 1964. King Henry VIII, London, Methuen, Arden Shakespeare.Google Scholar
Foakes, R. A. (ed). 2002. Henslowe’s Diary, 2nd ed., Cambridge, Cambridge University Press.Google Scholar
Folkerth, Wes. 2002. The Sound of Shakespeare, London, Routledge.Google Scholar
Forman, Simon. 1990. The Bocke of Plaies and Notes thereof per forman for Common Policie (1611), rept. in William Shakespeare, The Tragedy of Macbeth, ed. Brooke, Nicholas, Oxford, Oxford University Press: 235–6.Google Scholar
Foxe, John. 1570. Actes and Monuments, London, John Day.Google Scholar
Freeman, Arthur, and Freeman, Janet Ing. 2004. ‘Phillipps, James Orchard Halliwell (1820-1889), Antiquary and Literary Scholar’ in Oxford Dictionary of National Biography, Oxford, Oxford University Press:www-oxforddnb-com.ezproxy.univ-paris3.fr/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-12020 (Date accessed: 25 May 2019).Google Scholar
Gair, Reavely. 1982. The Children of Paul’s, Cambridge, Cambridge University Press.Google Scholar
Gajda, Alexandra. 2012. The Earl of Essex and Late Elizabethan Political Culture, Oxford, Oxford University Press.CrossRefGoogle Scholar
Gale, Michael. 2013. ‘John Dowland, Celebrity Lute Teacher’, Early Music, 41 (2): 205–18.Google Scholar
Gants, David. 2014. ‘The 1616 Folio (F1): Textual Essay’ in The Cambridge Edition of the Works of Ben Jonson Online, Cambridge, Cambridge University Press: http://universitypublishingonline.org/cambridge/benjonson/k/essays/F1_textual_essay/ (Date accessed: 4 November 2017).Google Scholar
Gardiner, Samuel R. 1965. History of England … 1603–1642, New York, AMS Press.Google Scholar
Gieskes, Edward. 2006. Representing the Professions: Administration, Law, and Theater in Early Modern England, Newark, University of Delaware Press.Google Scholar
Gilman, Ernest B. 1980. ‘“All eyes”: Prospero’s Inverted Masque’, Renaissance Quarterly, 33: 214–30.CrossRefGoogle Scholar
Giovio, Paolo. 1556. Imprese illustri, Roma, G. Ziletti.Google Scholar
Cinthio, Giraldi, 1566. Battista, Giovanni. De gli Hecatomitthi, Venice.Google Scholar
Goldberg, Jonathan. 1983. James I and the Politics of Literature, Baltimore, Johns Hopkins University Press.Google Scholar
Golding, Arthur (trans.). 1965. Ovid’s Metamorphoses (1567), ed. Nims, John Frederick, New York, Macmillan.Google Scholar
Goodman, Godfrey. 1839. The Court of King James the First, vol. 2, London, Samuel Bentley.Google Scholar
Gordon, Donald J. 1985.The Renaissance Imagination: Essays and Lectures, ed. Orgel, Stephen, Berkeley, University of California Press.Google Scholar
Gossett, Suzanne, (ed.). 2004. Pericles, London, Arden.Google Scholar
Gosson, Stephen. 1579. The Schoole of Abuse, London, Thomas Woodcocke.Google Scholar
Gough, Melinda J. 2019. Dancing Queen: Marie de Médicis’ Ballets at the Court of Henri IV, Toronto, University of Toronto Press.Google Scholar
Graves, R. B. 1999. Lighting the Shakespearean Stage: 1567–1642, Carbondale and Edwardsville, Southern Illinois University Press.
Great Britain. 1550–1. ‘Office of the revels. Anno Qwarto et qwinto. Chargis of the kinges Revelles’, Loseley Collection, MS L.b.15, Folger Shakespeare Library, Washington, DC.Google Scholar
Green, Douglas. 2001. ‘Preposterous Pleasures: Queer Theories and A Midsummer Night’s Dream’ in A Midsummer Night’s Dream: Critical Essays, ed. Kehler, Dorothea, New York, Routledge: 369–97.Google Scholar
Green, Mary Anne Everett. (ed.). 1857. Calendar of State Papers, Domestic Series, James I: 1603–1610, London, Longman, Brown, Green, Longmans & Roberts.Google Scholar
Green, Mary Anne Everett. (ed.). 1858. Calendar of State Papers Domestic, 1619–1623, London, Her Majesty’s Stationery Office: www.british-history.ac.uk/cal-state-papers/domestic/jas1/1619-23 (Date accessed: 2 June 2019)Google Scholar
Greenblatt, Stephen. 2004. Will in the World: How Shakespeare Became Shakespeare, New York, W. W. Norton.CrossRefGoogle Scholar
Greene, Thomas M. 1987. ‘Magic and Festivity at the Renaissance Court: The 1987 Josephine Waters Bennett Lecture’, Renaissance Quarterly 40 (4) (Winter): 636–59.Google Scholar
Greg, W. W. 1942. The Editorial Problem in Shakespeare, Oxford, Clarendon Press.Google Scholar
Greg, W. W. 1950. Marlowe’s Doctor Faustus 1604–1616. Parallel Texts, Oxford, Clarendon Press.Google Scholar
Griffiths, Trevor R. 1996. ‘Introduction’ in Shakespeare in Production: A Midsummer Night’s Dream, ed. Griffiths, Trevor R., Cambridge, Cambridge University Press: 180.Google Scholar
Gurr, Andrew. 1970. The Shakespearean Stage, 1574–1642, Cambridge, Cambridge University Press.Google Scholar
Gurr, Andrew. 1987/1996. Playgoing in Shakespeare’s London, Cambridge, Cambridge University Press.Google Scholar
Gurr, Andrew. 1989. ‘The Tempest’s Tempest at Blackfriars’, Shakespeare Survey, 41: 91102.CrossRefGoogle Scholar
Gurr, Andrew. 1993. ‘Three Reluctant Patrons and Early Shakespeare’, Shakespeare Quarterly, 44: 159–74.CrossRefGoogle Scholar
Gurr, Andrew. 2011. ‘Another Jonson Critic’, The Ben Jonson Journal, 18: 2744.CrossRefGoogle Scholar
Gurr, Andrew. 1996. The Shakespearian Playing Companies, Oxford, Clarendon Press.Google Scholar
Gurr, Andrew. 2000. The First Quarto of King Henry V, Cambridge, Cambridge University Press.Google Scholar
Gurr, Andrew. 2004. The Shakespeare Company, 1594–1642, Cambridge, Cambridge University Press.CrossRefGoogle Scholar
Gurr, Andrew. 2005. ‘Henry Carey’s Peculiar Letter’, Shakespeare Quarterly, 56: 5175.Google Scholar
Gurr, Andrew. 2007. Why the Globe is Famous’ in The Oxford Handbook of Early Modern Theatre, ed. Dutton, Richard, Oxford, Oxford University Press: 186208.CrossRefGoogle Scholar
Gurr, Andrew. 2017. Shakespeare’s Workplace: Essays on Shakespearean Theatre, Cambridge, Cambridge University Press.Google Scholar
Guy, John. 2016. Elizabeth: The Forgotten Years, London, Penguin.Google Scholar
Haar, James. 2016. ‘Lassus’, Grove Music Online, Oxford University Press, Oxford Music Online: www.oxfordmusiconline.com/subscriber/article/grove/music/16063pg1 (Date accessed: 22 June 2017).CrossRefGoogle Scholar
Hadfield, Andrew. 2005. Shakespeare and Republicanism, Cambridge and New York, Cambridge University Press.Google Scholar
Halliwell, J. O. 1865. A Copy of a Letter of News Written to Sir Dudley Carleton, at the Hague, in May 1619, London, privately printed.Google Scholar
Hammer, Paul E. J. 1999. The Polarisation of Elizabethan Politics: The Political Career of Robert Devereux, 2nd Earl of Essex, 1585–1597, Cambridge, Cambridge University Press.Google Scholar
Handover, P. M. 1959. The Second Cecil: The Rise to Power 1563–1604 of Sir Robert Cecil, later first Earl of Salisbury, London, Eyre and Spottiswoode.Google Scholar
Handy, Isabelle. 2008. Musiciens au temps des derniers Valois, Paris, Honoré Champion.Google Scholar
Harington, Sir John et al. 1769. Nugae Antiquae: Being a Miscellaneous Collection of Original Papers, collected by Henry Harington, 2 vols., London, W. Frederick.Google Scholar
Harrison, G. B., and Jones, R. A.. (eds). 1931. De Maisse: A Journal of All that was accomplished by Monsieur de Maisse Ambassador in England from King Henri IV to Queen Elizabeth. AD. 1597, London, The Nonesuch Press.Google Scholar
Harrison, William. 1968. The Description of England, ed. Edelen, Georges, Folger Shakespeare Library, Ithaca, Cornell University Press.Google Scholar
Hattaway, Michael. 2010. ‘Empire, State, And Nation: Marlowe, Shakespeare, and Peele’, Linguacultural, 2: 926.Google Scholar
Hauge, Peter. 2011. ‘John Dowland’s Employment at the Royal Danish Court: Musician, Agent – and Spy?’ in Double Agents: Cultural and Political Brokerage in Early Modern Europe, ed. Keblusek, M. and Noldus, B. V., Leyden, Brill: 193212.Google Scholar
Hazlitt, W. C. (ed.). 1869. The English Drama and Stage, under the Tudor and Stuart Princes 1543–1664, London, The Roxburghe Library.Google Scholar
Healy, Thomas. 2004. ‘Doctor Faustus’ in The Cambridge Companion to Christopher Marlowe, ed. Cheney Jr, Patrick, Cambridge, Cambridge University Press: 174–92.
Herbert, Gerrard. 1619. ‘Letter to Dudley Carleton’, National Archives, London, SP 14/109, folios 100–1.
Herbert, William. 1619. ‘Letter to James Hay, Viscount Doncaster. 1619’, British Library, Egerton MS. 2592, fols. 81–2.Google Scholar
Hinds, A. B. (ed.). 1938. Report on the Manuscripts of the Marquess of Devonshire, vol. 3: Papers of William Trumbull the Elder. 1611 – 1612, London, HMC.Google Scholar
Hinman, Charlton (ed.). 1968. The Norton Facsimile. The First Folio of Shakespeare, New York, Norton.CrossRefGoogle Scholar
Hiscock, Andrew. 2011. Reading Memory in Early Modern Literature, Cambridge, Cambridge University Press.
HMC Salisbury. 1933. Calendar of the Manuscripts of … The Marquess of Salisbury, vol. 16, London, His Majesties Stationery Office.Google Scholar
Hoeniger, F. D. (ed.). 1962. Pericles, London, Methuen.Google Scholar
Holderness, Graham, and Loughery, Brian (eds.). 1992. A Pleasant Conceited Historie, Called The Taming of A Shrew, Eastbourne, Pearson Education.CrossRefGoogle Scholar
Holdsworth, Roger. 2014. ‘The Jonsonian Tempest’, in Revisiting ‘The Tempest’: The Capacity to Signify, ed. Bigliazzi, S and Calvi, L, Houndmills, Palgrave Macmillan: 7792.
Holinshed, Raphael. 1587. The Chronicles of England, 2nd ed., in The Holinshed Project, 2008–2013: www.cems.ox.ac.uk/holinshed/ (Date accessed: 20 January 2019).Google Scholar
Holinshed, Raphael. 1587. The First and second Volumes of Chronicles, Comprising 1 The Description and Historie of England, 2 The Description and Historie of Ireland, 3 The Description and Historie of Scotland, London.Google Scholar
Holland, Peter. 1994. ‘Introduction’ in A Midsummer Night’s Dream, ed. Holland, Peter, Oxford, Clarendon Press: 1117.Google Scholar
Holman, Peter. 1993. Four and Twenty Fiddlers: The Violin at the English Court, 1540–1690, Oxford, Oxford University Press.CrossRefGoogle Scholar
Homer., 2011. The Iliad of Homer, trans. Richmond Lattimore, Chicago, The University of Chicago Press.Google Scholar
Honigmann, Ernst A. J. 1993. ‘The First Quarto of Hamlet and the Date of Othello’, Review of English Studies, 44: 211–19.Google Scholar
Hotson, Leslie. 1954. The First Night of Twelfth Night, London, Rupert Hart-Davies.Google Scholar
Howard, Jean. 1994. The Stage and Social Struggle in Early Modern England, London, Routledge.
Hulse, Lynn Mary. 1992. ‘The Musical Patronage of the English Aristocracy, c. 1590-1640’, Unpublished PhD Thesis, London University.CrossRefGoogle Scholar
Hulse, Lynn. 1991. ‘The Musical Patronage of Robert Cecil, First Earl of Salisbury (1563–1612)’, Journal of the Royal Musical Association, 116 (1): 2440.CrossRefGoogle Scholar
Hunt, Maurice. 1989. ‘Ordering Disorder in Richard III’, South Central Review 6 (4) (Winter): 1129.Google Scholar
Hunter, G. K. 1962. John Lyly: The Humanist as Courtier, London, Routledge & Kegan Paul.CrossRefGoogle Scholar
Hutson, Lorna, 2015. Circumstantial Shakespeare, Oxford, Oxford University Press.Google Scholar
Impey, Edward, and Parnell, Geoffrey. 2006. The Tower of London: The Official Illustrated History, rev. ed., London, Merrell.CrossRefGoogle Scholar
Ioppolo, Grace. 1991. Revising Shakespeare, Cambridge, MA, Harvard University Press.Google Scholar
James I., 1603a. By the King, Forasmuch as the Kings Maiestie, in his Princely disposition to Iustice, London, Robert Barker, STC 8314.Google Scholar
James I., 1603b. The Trve Lawe of Free Monarchies or the Reciprock and mutuall dutie betwixt a free King, and his natural Subiects, London, T. C.Google Scholar
James I., 1603c. His Maiesties Lepanto, or Heroicall Song, London, Simon Stafford and Henry Hocke, STC 14379.3.Google Scholar
James I., 1603d. BAΣIΛIKON ΔΩPON [Basilikon doron] or His Maiesties Instrvctions to His Dearest Sonne, Henrie the Prince, London, Richard Field, STC 14353.Google Scholar
James I., 1604a. By the King, Where at the late Session of Our Parliament, London, Robert Barker, STC 8359.Google Scholar
James I., 1604b. By the King, As often as VVe call to minde the most ioyfull, London, Robert Barker, STC 8361.Google Scholar
James VI., 1599. BAΣIΛIKON ΔΩPON [Basilikon doron] Devided Intro Three Bookes, Edinburgh, Robert VValde-graue, STC 14348.Google Scholar
James VI and I, King of England. 2002. The Political Works of James I, ed. McIlwain, Charles Howard, Union, The Lawbook Exchange.CrossRefGoogle Scholar
James, Mervyn Evans. 1986. Society, Politics and Culture: Studies in Early Modern England, Cambridge, Cambridge University Press.Google Scholar
James, Susan E. 2013. ‘Domestic Painted Cloths in Sixteenth-Century England: Imagery, Placement, and Ownership’, Medieval Clothing and Textiles 9: 139–60.Google Scholar
Jones, Emrys. 1968. ‘Othello, Lepanto and the Cyprus Wars’, Shakespeare Survey, 21: 4752.Google Scholar
Jones, John. 1995. Shakespeare at Work, Oxford, Clarendon Press.Google Scholar
Jonson, Ben. 1941. Ben Jonson, 11 vols., ed. Herford, C. H. and Percy, and Simpson, Evelyn, Oxford, The Clarendon Press.Google Scholar
Jonson, Ben. 1963. Bartholomew Fair, ed. Waith, Eugene M., New Haven, Yale University Press.Google Scholar
Jonson, Ben. 1969. Hymenaei or the Solemnities of Masque and Barriers at a Marriage (1606), The Masque of Beauty (1608), The Haddington Masque (1608), The Irish Masque at Court (1614), and The News from the New World Discovered in the Moon (1620) in Ben Jonson: The Complete Masques, ed. Orgel, Stephen, New Haven, Yale University Press: 6174; 75105; 107–21; 206–12; 292305.Google Scholar
Jonson, Ben. 1973. The Vision of Delight (1617) in Inigo Jones: The Theatre of the Stuart Court, ed. Orgel, Stephen and Strong, Roy, Berkeley, University of California Press: 1: 270–73.Google Scholar
Jonson, Ben. 1975. The Complete Poems, ed. Parfitt, George, Harmondsworth, Penguin.Google Scholar
Jonson, Ben. 1995. Neptune’s Triumph for the Return of Albion (1624), Chloridia (1631) and Love’s Welcome at Bolsover (1634) in Court Masques: Jacobean and Caroline Entertainments 1605–1640, ed. Lindley, David, Oxford, Oxford University Press: 136–46; 147–54; 194–9.Google Scholar
Jonson, Ben. 2012. The Cambridge Edition of the Works of Ben Jonson [CWBJ], ed. Bevington, David, Butler, Martin, and Donaldson, Ian, 7 vols., Cambridge, Cambridge University Press.Google Scholar
Jonson, Ben. 2015 (second release). The Cambridge Edition of the Works of Ben Jonson Online, ed. Bevington, David, Butler, Martin, and Donaldson, Ian, Cambridge, Cambridge University Press: https://universitypublishingonline.org/cambridge/benjonson/ (Date accessed: 1 June 2018).Google Scholar
Jowett, John (ed.). 2007. ‘Measure for Measure: A Genetic Text’, in Thomas Middleton: The Collected Works, ed. Taylor, Gary and Lavagnino, John, Oxford, Clarendon Press: 1542–85.Google Scholar
Jowett, John. 1983. ‘New Created Creatures: Ralph Crane and the Stage Directions in The Tempest’, Shakespeare Survey, 36: 107–20.CrossRefGoogle Scholar
Kamps, Ivo. 1996. ‘Historiography and Legitimation in Henry VIII’, College English, 58 (2) (Feb.): 192215.CrossRefGoogle Scholar
Karremann, Isabel. 2014. ‘Nostalgic Spectacle and the Politics of Memory in Henry VIII’, Shakespeare Survey, 67: 180–90.CrossRefGoogle Scholar
Kastan, David Scott. 1993. ‘Is There a Class in this (Shakespearean) Text?’, Renaissance Drama, 24: 101–21.Google Scholar
Kawachi, Yoshiko. 1986. Calendar of English Renaissance Drama 1558–1642, New York, Garland.Google Scholar
Keefer, Michael. 1991. Christopher Marlowe’s ‘Doctor Faustus’: a 1604-version edition, Peterborough, Broadview Press.Google Scholar
Kernan, Alvin B. 1997. Shakespeare, the King’s Playwright: Theater in the Stuart Court, 1603–1613, New Haven, Yale University Press.Google Scholar
Kernan, Alvin. 1987. ‘“A Little O’erparted”: Actors and Audiences in A Midsummer Night’s Dream’ in Modern Critical Interpretations: William Shakespeare’s A Midsummer Night’s Dream, ed. Bloom, Harold, New York, Chelsea: 3755.Google Scholar
Keyishian, Harry. 2008. ‘Punishment Theory in the Renaissance: The Law and the Drama’ in Shakespeare and the Law, ed. Raffield, Paul and Watt, Gary, Oxford, Hart: 175–84.Google Scholar
King, Ros. 2001. The Works of Richard Edwards: Politics, Poetry and Performance in Sixteenth Century England, Manchester, Manchester University Press.Google Scholar
Kirby, Jo. 1999. ‘The Painter’s Trade in the Seventeenth Century: Theory and Practice’, National Gallery Technical Bulletin, vol. 20, London, National Gallery Publications: 549.Google Scholar
Kirby, Jo. 2013. ‘The Trade and Import of Painted Cloths in Fifteenth- to Sixteenth-Century London’ in Setting the Scene: European Painted Cloths 1400–2000, ed. Costaras, Nicola and Young, Christina, London, Archetype, in association with The Courtauld Institute of Art and the Victoria and Albert Museum: 5868.Google Scholar
Kliemann, Julian. 2001. ‘Imperial Themes in Early Modern Papal Iconography’ in Basilike Eikon: Renaissance Representations of the Prince, ed. Eriksen, Roy and Malmanger, Magne, Studies in Renaissance Art and Culture 4, Rome, Kappa: 1129.Google Scholar
Knight, Leah. 2011. ‘Orpheus and the Poetic Animation of the Natural World’ in The Automaton in English Renaissance Literature, ed. Hyman, Wendy Beth, Farnham, Ashgate Publishing Limited: 7994.Google Scholar
Knowles, James. 1999. ‘Insubstantial Pageants: The Tempest and Masquing Culture’, in Shakespeare’s Late Plays: New Readings, ed. Richards, J. and Knowles, J., Edinburgh, Edinburgh University Press: 108–25.CrossRefGoogle Scholar
Knowles, James. 2015. Politics and Political Culture in the Court Masque, Palgrave MacMillan.Google Scholar
Knutson, Roslyn L. 2001. ‘Pembroke’s Men in 1592–3, Their Repertory and Touring Schedule’, Early Theatre, 4: 129–38.CrossRefGoogle Scholar
Knutson, Roslyn L. 2010. ‘What’s So Special About 1594?’, Shakespeare Quarterly, 61: 449–67.Google Scholar
Lacroix, Paul (ed.). 1868–1870. Ballets et Mascarades de Cour de Henri III à Louis XIV (1581–1652), Genève, Slatkine Reprints.Google Scholar
Laffleur de Kermaignant, Pierre Paul. 1895. L’Ambassade de France en Angleterre sous Henri IV. Mission de Christophe de Harlay comte de Beaumont (1602 – 1605), Paris, Librairie de Firmin-Didot.Google Scholar
Lafont, Agnès. 2017. ‘Multi-layered conversation in Marlowe’s Dido, Queen of Carthage’ in Interweaving Myths in Shakespeare and his Contemporaries, ed. Valls-Russell, Janice, Lafont, Agnès, and Coffin, Charlotte, Manchester, Manchester University Press: 195225.CrossRefGoogle Scholar
LaGrandeur, Kevin. 2013. Androids and Intelligent Networks in Early Modern Literature and Culture, New York, Routledge.Google Scholar
Lancashire, Anne (ed.). 2015. Civic London to 1558, 3 vols., Records of Early English Drama, Cambridge, D. K. Brewer.Google Scholar
Law, E. P. A. 1920. Shakespeare’s ‘Tempest’ as Originally Produced at Court, London, Chatto and Windus.Google Scholar
Lawrence, Jason. 2004. ‘“The story is extant, and writ in very choice Italian”: Shakespeare’s Dramatizations of Cinthio’, in Shakespeare, Italy and Intertextuality, ed. Marrapodi, Michele, Manchester, Manchester University Press: 91106.Google Scholar
Le Fèvre de la Boderie, Antoine. 1750. Ambassades de Monsieur de La Boderie en Angleterre sous le règne d’Henri IV et ma minorité de Louis XIII, depuis les années 1606, jusqu’en 1611, vol. 1, Paris: Paul-Denis Burtin.Google Scholar
Lea, K. M, and Gang, T. M. (eds.). 1981. Godfrey of Bulloigne: The Fairfax Translation of Tasso’s ‘Gerusalemme liberata’, Oxford, Clarendon Press.Google Scholar
Lee, Maurice (ed.). 1972. Dudley Carleton to John Chamberlain: 1603–1624, New Brunswick, Rutgers University Press.CrossRefGoogle Scholar
Legatt, Alexander. 1988. Shakespeare’s Political Drama: The History Plays and the Roman Plays, London, Routledge.Google Scholar
Leinwand, Theodore. 2001. ‘“I Believe We Must Leave the Killing Out”: Deference and Accommodation in A Midsummer Night’s Dream’ in A Midsummer Night’s Dream: Critical Essays, ed. Kehler, Dorothea, New York, Routledge: 145–64.Google Scholar
Lemon, Robert (ed.). 1865. Calendar of State Papers, Domestic Series, of the Reign of Elizabeth, 1581–1590, London, Longman, Green, Longman, Roberts & Green.Google Scholar
Lever, J. W. (ed). 1965. Measure for Measure, London and New York, Methuen: The Arden Shakespeare.CrossRefGoogle Scholar
Levin, Harry. 1952. Christopher Marlowe: The Overreacher, Cambridge, MA, Harvard University Press.CrossRefGoogle Scholar
Levin, Harry. 1970. ‘Two Magian Comedies: The Tempest and The Alchemist’, Shakespeare Survey, 22: 4758.Google Scholar
Levine, Laura. 1994. Men in Women’s Clothing: Anti-Theatricality and Effeminization, 1579–1642, Cambridge, Cambridge University Press.Google Scholar
Lindley, David. 1995. ‘Tethys’ Festival’ in The Court Masque, ed. Lindley, David, Oxford, Oxford University Press: 5465.Google Scholar
Lindley, David. (ed.). 2012. Love Freed in The Cambridge Edition of the Works of Ben Jonson, ed. Bevington, David, Butler, Martin, and Donaldson, Ian, Cambridge, Cambridge University Press: 747–62.Google Scholar
Lindley, David. (ed.). 2013. The Tempest, 2nd ed., Cambridge, Cambridge University Press.Google Scholar
Loades, D. M. 1974. Politics and the Nation 1450–1660: Obedience, Resistance and Public Order, London, Fontana and Collins.Google Scholar
Loades, D. M. 1992. The Tudor Court, Bangor, Headstart History.Google Scholar
Lockyer, Roger. 1998. James VI and I, London, Longman.Google Scholar
Lodge, Thomas. 1579/1970. ‘A Reply to Stephen Gosson’s Schoole of Abuse in Defence of Poetry, Musick, and Stage Plays’ in Elizabethan and Jacobean Pamphlets, ed. Saintsbury, George, Freeport, Books for Libraries Press: 142.Google Scholar
Loewenstein, Joseph. 1991. ‘Printing and “The Multitudinous Press”: The Contentious Texts of Jonson’s Masques’ in Ben Jonson’s 1616 Folio, ed. Brady, Jennifer and Herendeen, W. H., Newark, University of Delaware Press: 168–91.Google Scholar
Loomie, A. J. (ed.). 1987. Ceremonies of Charles I: The Note Books of John Finet 1628–1641, New York, Fordham University Press.Google Scholar
Lopez, Jeremy. 2010. ‘Dream: The Performance History’ in A Midsummer Night’s Dream: A Critical Guide, ed. Buccola, Regina, London, Continuum: 4473.Google Scholar
Lyly, John. 1892. Complete Works, 3 vols., ed. Bond, R. W., Oxford, Oxford University Press.Google Scholar
Lyly, John. 1997. Selected Prose and Dramatic Work, ed. Scragg, Leah, Manchester, Carcanet Press.Google Scholar
MacCaffrey, Wallace T. 1961. ‘Place and Patronage in Elizabethan Politics’ in Elizabethan Government and Society: Essays Presented to Sir John Neale, ed. Bindoff, S. T., Hurstfield, J., and Williams, C. H., London, University of London and The Athlone Press: 95126.Google Scholar
Mace, Thomas. 1676. Musick’s Monument, Oxford, Bodleian Library Mus. Sch. C196.Google Scholar
MacGregor, Arthur. 1989. The Late King’s Goods: Collections, Possessions and Patronage of Charles I in the Light of the Commonwealth Sale Inventories, London, Alistair McAlpine in association with Oxford University Press.CrossRefGoogle Scholar
Mack, Peter. 2002. Elizabethan Rhetoric: Theory and Practice, Cambridge, Cambridge University Press.CrossRefGoogle Scholar
Maguire, Laurie E. 1996. Shakespearean Suspect Texts: The ‘Bad’ Quartos and their Contexts, Cambridge, Cambridge University Press.CrossRefGoogle Scholar
Mander, Nicholas. 1997. ‘Painted Cloths: History, Craftsmen and Techniques’, Textile History 28 (2): 119–48.CrossRefGoogle Scholar
Manley, Lawrence, and MacLean, Sally-Beth. 2014. Lord Strange’s Men and Their Plays, New Haven, Yale University Press.Google Scholar
Manley, Lawrence. 2001Playing with Fire: Immolation in the Repertory of Strange’s Men’, Early Theatre 4: 115–21.Google Scholar
Mar, John, Earl of, and Earl of Kellie, Thomas. 1930. The Manuscripts of the Earl of Mar & Kellie, London, Her Majesty’s Stationery Office.CrossRefGoogle Scholar
Marcus, Leah S. 1989. ‘Textual Indeterminacy and Ideological Difference: The Case of Doctor Faustus’, Renaissance Drama, New Series, vol. 20, Essays on Dramatic Traditions: Challenges and Transmissions: 129.Google Scholar
Marcus, Leah S. 1996. Unediting the Renaissance: Shakespeare, Marlowe and Milton, London, Routledge.CrossRefGoogle Scholar
Marcus, Leah S., Mueller, Janel, and Rose, Mary Beth (eds.). 2000. Elizabeth I: Collected Works, Chicago, University of Chicago Press.Google Scholar
Marlowe, Christopher. 1999. The Complete Plays, ed. Burnett, Mark Thornton, London, Dent.Google Scholar
Marr, Alexander. 2004. ‘Understanding Automata in the Late Renaissance’, Journal de la Renaissance 2: 205–22.Google Scholar
Marr, Alexander. 2006. ‘Gentille curiosité: Wonder-Working and the Culture of Automata in the Late Renaissance’ in Curiosity and Wonder from the Renaissance to the Enlightenment, ed. Weston Evans, Robert John and Marr, Alexander, Aldershot, Ashgate: 149–70.Google Scholar
Marston, John. 1978. Antonio’s Revenge, ed. Reavley Gair, W., Manchester, Manchester University Press, The Revels Plays.Google Scholar
Marston, John. 1602. Antonio’s Revenge, London, Thomas Fisher.
Martial. 1909.The Epigrams of Martial, London, G. Bell and Sons, Bohn’s Classical Library.
Master of the Revels: Sir G. Buc, 1 November 1610–31 October 1611 and 1 November 1611–31 October 1612, Records of the Exchequer, Pipe Office: Declared Accounts, MS E 351/2805, the National Archives of the UK, Kew.Google Scholar
Mazzio, Carla. 2008. The Inarticulate Renaissance: Language Trouble in the Age of Eloquence, Philadelphia, University of Pennsylvania Press.Google Scholar
McClure, Norman Egbert (ed.). 1939. The Letters of John Chamberlain, 2 vols, Philadelphia, The American Philosophical Society.Google Scholar
McCoy, Richard C. 1989. The Rites of Knighthood: The Literature and Politics of Elizabethan Chivalry, Berkeley, University of California Press.CrossRefGoogle Scholar
McCoy, Richard C. 2004. ‘“The Grace of Grace” and Double-Talk in Macbeth’, Shakespeare Survey, vol. 57, Macbeth and its Afterlife, ed. Holland, Peter, Cambridge, Cambridge University Press: 2737.Google Scholar
McGowan, Margaret M. 1963. L’art du ballet de cour en France: 1581–1643, Paris, Éditions du Centre National de la Recherche Scientifique.Google Scholar
McGowan, Margaret M. 2008. Dance in the Renaissance: European Fashion, French Obsession, New Haven, Yale University Press.Google Scholar
McLeod, Catherine. 2012. The Lost Prince, The Life and Death of Henry Stuart, London, National Portrait Gallery Publications.Google Scholar
McManus, Clare. 2002. Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court, Manchester, Manchester University Press.Google Scholar
McManus, Clare. 2003. Women and Culture at the Courts of the Stuart Queens, London, Palgrave.CrossRefGoogle Scholar
McManus, Clare. 2008. ‘When is a Woman not a Woman?’, Modern Philology, 105: 437–74.Google Scholar
McMillin, Scott, and MacLean, Sally-Beth. 1998. The Queen’s Men and their Plays, Cambridge, Cambridge University Press.Google Scholar
McMullan, Gordon (ed.). 2000. King Henry VIII (All is True), London, Arden Shakespeare, Third series.Google Scholar
McMullan, Gordon. 1998. ‘“Swimming on bladders”: The Dialogics of Reformation in Shakespeare and Fletcher’s Henry VIII’ in Shakespeare and Carnival After Bakhtin, ed. Knowles, Ronald, London, Palgrave Macmillan: 211–27.CrossRefGoogle Scholar
Menzer, Paul. 2015. Anecdotal Shakespeare: A New Performance History, London, Bloomsbury, The Arden Shakespeare.Google Scholar
Mickel, Lesley. 2003. ‘Glorious Spangs and Rich Embroidery: Costume in The Masque of Blackness and Hymenaei’, Studies in the Literary Imagination 36 (2) (Fall): 4159.Google Scholar
Middleton, Thomas. 1967. The Masque of Heroes (1619), ed. Bald, R. C., in A Book of Masques: In Honour of Allardyce Nicoll, ed. Bew Spencer, Terence John and Wells, Stanley, Cambridge, Cambridge University Press: 251–74.Google Scholar
Miller, Stephen Roy. 1998. ‘The Taming of a Shrew and the Theories; or, “Though this be badness, yet there is method in’ t”’ in Textual Formations and Reformations, ed. Berger, Thomas L., and Maguire, Laurie E., Plainsboro, University of Delaware Press: 251–63.CrossRefGoogle Scholar
Mirabella, Bella. 2012. ‘“In the sight of all”: Queen Elizabeth and the Dance of Diplomacy’, Early Theatre, 15 (1): 6589. DOI:https://doi.org/10.12745/et.15.1.898Google Scholar
Montrose, Louis Adrian. 1988. ‘“Shaping Fantasies”: Figurations of Gender and Power in Elizabethan Culture’ in Representing the English Renaissance, ed. Greenblatt, Stephen, Berkeley, University of California Press: 3164.Google Scholar
Montrose, Louis Adrian. 2001. ‘A Kingdom of Shadows’ in A Midsummer Night’s Dream: Critical Essays, ed. Kehler, Dorothea, New York, Routledge: 217–40.Google Scholar
Muir, Kenneth. 1957. Shakespeare’s Sources: Comedies and Tragedies, London, Methuen.Google Scholar
Muir, Kenneth. 1977. The Sources of Shakespeare’s Plays, London, Methuen.Google Scholar
Munro, John. 1909. The Shakspere Allusion-Book: A Collection of Allusions to Shakspere from 1591 to 1700, London, Chatto & Windus.Google Scholar
Negri, Cesare. 1602. Le Gratie d’ Amore, Milan, Pontio & Piccaglia.
Negri, Cesare. 1604. Nuove Inventione di Balli (a reprint of Il Gratie d’ Amore).Google Scholar
Neill, Michael (ed.). 2006. Othello, Oxford, Clarendon Press, The Oxford Shakespeare.Google Scholar
Nelson, Alan H. (ed). 1989. Records of Early English Drama, Cambridge, 2 vols., Toronto and Buffalo, University of Toronto Press.Google Scholar
Nelson, Alan H. 1994. Early Cambridge Theatres, Cambridge, Cambridge University Press.Google Scholar
Nicholl, Charles. 2002. The Reckoning: The Murder of Christopher Marlowe, London, Vintage Books.Google Scholar
Nichols, John. 1823. The Progresses and Public Processions of Queen Elizabeth, vol. 3, London, Printed by and for John Nichols and sons.Google Scholar
Nichols, John (ed.). 1828. The Progresses, Processions, and Magnificent Festivities of King James the First in Four Volumes, vols. 1 and 2, London, J. B. Nichols.Google Scholar
Nichols, John. 2014. John Nichol’s The Progresses and Public Processions of Queen Elizabeth I: A New Edition of the Early Modern Sources, vol. 4, ed. Goldring, Elizabeth, Eales, Faith, Clarke, Elizabeth and Archer, Jayne Elisabeth, Oxford, Oxford University Press.Google Scholar
Northbrooke, John. 1577. A Treatise Against Dicing, Dancing, Vaine Plays and Enterludes, London, H. Bynneman.Google Scholar
Olson, Rebecca. 2013a. Arras Hanging: The Textile That Determined Early Modern Literature, Newark, University of Delaware Press.Google Scholar
Olson, Rebecca. 2013b. ‘“Shall by a painted cloth be kept in awe”: Shakespeare’s Narrative Textiles’ in Setting the Scene: European Painted Cloths 1400–2000, ed. Costaras, Nicola and Young, Christina, London, Archetype, in association with The Courtauld Institute of Art and the Victoria and Albert Museum: 3842.Google Scholar
Orgel, Stephen. 1965. The Jonsonian Masque, Cambridge, MA, Harvard University Press.Google Scholar
Orgel, Stephen. 1975. The Illusion of Power: Political Theater in the English Renaissance, Berkeley, University of California Press.CrossRefGoogle Scholar
Orgel, Stephen. 1998. ‘What’s the Globe Good For?’, Shakespeare Quarterly, 49 (2) (Summer): 191–4.Google Scholar
Orgel, Stephen, and Strong, Roy. 1973. Inigo Jones: The Theatre of the Stuart Court, 2 vols, London, Sotheby Parke Bernet; Berkeley, University of California Press.Google Scholar
Ormerod, David, and Wortham, Christopher (eds.). 1985. Dr. Faustus: The A Text, Nedlands, University of Western Australia Press.Google Scholar
Orrell, John. 1979. ‘Court Entertainment in the Summer of 1614: the Detailed Works Accounts’, Records of Early English Drama Newsletter, 4: 18.Google Scholar
Orrell, John. 1983. The Quest for Shakespeare’s Globe, Cambridge, Cambridge University Press.Google Scholar
Osborne, Francis. 1658. Traditionall Memoyres on the Reigne of King Iames, London, Thomas Robinson.Google Scholar
Palme, Per. 1956. Triumph of Peace: A Study of the Whitehall Banqueting House, Stockholm, Almquist & Wiksell.Google Scholar
Parker, Patricia. 1996. ‘Rude Mechanicals’ in Subject and Object in Renaissance Culture, ed. de Grazia, Margreta, Quilligan, Maureen, and Stallybrass, Peter, Cambridge, Cambridge University Press: 4382.CrossRefGoogle Scholar
Pask, Kevin. 2003. ‘Caliban’s Masque’, English Literary History, 70, 739–56.Google Scholar
Paster, Gail Kern, and Howard, Skiles (eds.). 1999. A Midsummer Night’s Dream: Texts and Contexts, New York, St. Martin’s.CrossRefGoogle Scholar
Patterson, Annabel. 1988. ‘Back by Popular Demand: The Two Versions of Henry V’, Renaissance Drama 19: 2962.Google Scholar
Payne, Ian. 2003. The Almain in Britain, c.1549 – c. 1675, Farnham, Ashgate.Google Scholar
Peacham, Henry. 1622. The Compleat Gentleman, London, Francis Constable.Google Scholar
Peacock, John. 1995. The Stage Designs of Inigo Jones: The European Context, Cambridge, Cambridge University Press.Google Scholar
Peele, George. 1970. The Araygnement of Paris, ed. Mark Benbow, R., in George Peele, Life and Works, 3 vols., vol. 3, ed. Prouty, Charles Tyler, New Haven, Yale University Press.CrossRefGoogle Scholar
Pettitt, Thomas. 2005. ‘Marlowe’s Texts and Oral Transmission: Towards the Zielform’, Comparative Drama, 39 (2): 213–42.Google Scholar
Pitcher, John (ed.). 2010. Introduction to The Winter’s Tale, London, A & C Black Publishers, The Arden Shakespeare; 3rd ed.: 1136.Google Scholar
Pollard, A. W. 1909. Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays, 1594–1685, London, Methuen.CrossRefGoogle Scholar
Pollard, Tanya (ed.). 2004. Shakespeare’s Theater: A Sourcebook, Oxford, Blackwell.Google Scholar
Poulton, Diana. 1982. John Dowland, London, Faber and Faber.Google Scholar
Preedy, Chloë Kathleen2012. Marlowe’s Literary Scepticism. Politic Relgion and Post-Reformation Polemic, London, Bloomsbury.CrossRefGoogle Scholar
Prescott, Ann Lake. 1968. ‘The Reception of Du Bartas in England’, Studies in the Renaissance, 15: 144–73.Google Scholar
Price, David C. 1981. Patrons and Musicians of the English Renaissance, Cambridge, Cambridge University Press.CrossRefGoogle Scholar
Prizer, William F. 1999. ‘Una “Virtù Molto Conveniente A Madonne”: Isabella D’este as a Musician’, The Journal of Musicology, 17 (1) (Winter): 1049.Google Scholar
Prunières, Henry. 1914. Le ballet de cour en France avant Benserade et Lully, Paris, Henri Laurens.Google Scholar
Quarmby, Kevin A. 2012. The Disguised Ruler in Shakespeare and his Contemporaries, Farnham, Ashgate.Google Scholar
Rainolds, John. 1599. Th’Overthrow of Stage Plays, London [no publisher].Google Scholar
Ravelhofer, Barbara. 2004. ‘Dancing at the Court of Queen Elizabeth’ in Queen Elizabeth Past and Present, ed. Jansohn, C., Münster, Lit Verlag: 101–15.Google Scholar
Ravelhofer, Barbara. 2006. The Early Stuart Masque: Dance, Costume, and Music, Oxford, Oxford University Press.CrossRefGoogle Scholar
Ravelhofer, Barbara. 2007. ‘English Masques’ in The Cambridge Companion to the Ballet, ed. Kant, Marion, Cambridge, Cambridge University Press: 3241.Google Scholar
Rees, Joan (ed.). 1970Samuel Daniel, The Vision of the Twelve Goddesses’ in A Book of Masques: in honour of Allardyce Nicoll, ed. Spencer, T. J. B and Wells, Stanley, Cambridge, Cambridge University Press.Google Scholar
Reyher, Paul. 1909. Les masques anglais (1513–1640), Paris, Hachette.Google Scholar
Ribner, Irving. 1957. The English History Play in the Age of Shakespeare, Princeton, Princeton University Press.Google Scholar
Ribner, Irving. 1966. Christopher Marlowe’s Dr. Faustus, Text and Major Criticism, New York, The Odyssey Press.CrossRefGoogle Scholar
Rickard, Jane. 2015. Writing the Monarch in Jacobean England, Cambridge, Cambridge University Press.CrossRefGoogle Scholar
Rosenthal, Earl. 1971. ‘Plus Ultra, Non plus Ultra, and the Columnar Device of Emperor Charles V’, Journal of the Warburg and Courtauld Institutes, 34: 204–28.Google Scholar
Rudnytsky, Peter L. 1991. ‘Henry VIII and the Deconstruction of History’, Shakespeare Survey, 43: 4358.Google Scholar
Rye, W. B. 1865. England as Seen by Foreigners, London, John Russell Smith.Google Scholar
Saccio, Peter. 2016. The Court Comedies of John Lyly: A Study in Allegorical Dramaturgy, Princeton, Princeton University Press.Google Scholar
Saintsbury, George (ed.). 1892/1970. Elizabethan and Jacobean Pamphlets, Freeport, Books for Libraries Press.Google Scholar
Sanders, Norman (ed.). 1967. Love Freed in A Book of Masques, ed. Bentley, G. E., Cambridge, Cambridge University Press: 6593.Google Scholar
Santucci, Ercole. 1614/2004. Mastro da Ballo. [Edition including facsimile of manuscript: Sparti, B. (ed.). Ercole Santucci Perugino: Mastro da Ballo (Dancing Master), Hildesheim, Georg Olms Verlag].CrossRefGoogle Scholar
Sawday, Jonathan. 2007. Engines of the Imagination: Renaissance Culture and the Rise of the Machine, London, Routledge.CrossRefGoogle Scholar
Schmitz, Johanna. 2016. ‘Per/forming Memorial: Site-specific Performances of Shakespeare’s All is True: King Henry VIII (2006–2013)’, Shakespeare Bulletin 34 (4) (Winter): 681–97.Google Scholar
Scot, Reginald. 1971. Discoverie of Witchcraft (1584), Amsterdam, Da Capo Press.Google Scholar
Seneca, . 1925. ‘IX. On Philosophy and Friendship’ in Seneca Ad Lucilium Epistulae Morales, trans. Richard M. Gummere, Cambridge, MA, Harvard University Press, vol. 1, (1917–25): 4357.Google Scholar
Shakespeare, William. 1600. The Chronicle Hiſtory of Henry the Fifth, With his battell fought at Agin Court in France. Togither with Auntient Pistoll, London, Thomas Creede.Google Scholar
Shakespeare, William. 1603. The Tragicall Historie of Hamlet Prince of Denmarke, London, Nicholas Ling and John Trundle.Google Scholar
Shakespeare, William. 1622. The Tragedy of Othello the Moore of Venice, London, Thomas Walkley.Google Scholar
Shapiro, James. 2005. A Year in the Life of William Shakespeare: 1599, New York, Harper Collins.Google Scholar
Sharpe, Kevin. 1992. The Personal Rule of Charles I, New Haven, Yale University Press.Google Scholar
Shepard, Alexandra. 2003. Meanings of Manhood in Early Modern England, Oxford and New York, Oxford University Press.Google Scholar
Sidney, Philip. 1973. An Apology for Poetry (1593), ed. Shepherd, Geoffrey, Manchester, Manchester University Press.Google Scholar
Simpson, Richard. 1874. ‘The Politics of Shakespeare’s Historical Plays’, Transactions of the New Shakespeare Society, 2: 396441.Google Scholar
Smith, Bruce R. 1999. The Acoustic World of Early Modern England, Chicago, University of Chicago Press.Google Scholar
Smith, Irwin. 1964. Shakespeare’s Blackfriars Playhouse, New York, New York University Press.CrossRefGoogle Scholar
Smith, Irwin. 1970. ‘Ariel and the Masque in The Tempest’, Shakespeare Quarterly, 21 (3): 213–22.Google Scholar
Smith, Judy, and Gatiss, Ian. 1986. ‘What did Prince Henry do with his Feet on Sunday 19 August 1604?Early Music, xiv, May: 198207.Google Scholar
Smith, Logan Pearsall (ed.). The Life and Letters of Sir Henry Wotton, 2 vols., Oxford, Clarendon, 1907.
Smith, Simon. 2014. ‘Music at Shakespeare’s Globe. Claire van Kampen, Original Practices and Theatrical Experimentation’, A research paper commissioned by Globe Research: http://www.shakespearesglobe.com/uploads/files/2014/07/music_at_the_globe.pdf (Date accessed: 26 May 2018 [no longer available at time of writing]).Google Scholar
Smith, Warren D. 1954. ‘The Henry V Choruses in the First Folio’, Journal of English and Germanic Philology, 53: 3857.Google Scholar
Smithe, John. 1594. Instrvtions, Obseruations, and Orders Militarie, London, Richard Johnes.CrossRefGoogle Scholar
Smuts, Malcolm. 1987. Court Culture and the Origins of a Royalist Tradition in Early Stuart England, Philadelphia, University of Pennsylvania Press.Google Scholar
Snyder, John R. 1989. Writing the Scene of Speaking. Theories of Dialogue in the Late Italian Renaissance, Stanford, Stanford University Press.CrossRefGoogle Scholar
Sofer, Andrew. 2003. The Stage Life of Props. Ann Arbor: University of Michigan Press.Google Scholar
Sowerby, Tracey. 2012. ‘The Coronation of Anne Boleyn’ in The Oxford Handbook of Tudor Drama, ed. Betteridge, Thomas and Walker, Greg, Oxford, Oxford University Press: 386401.Google Scholar
Spevack, Marvin. 2001. James Orchard Halliwell-Phillipps, New Castle, Oak Knoll Press.Google Scholar
Spring, Matthew. 2006. The Lute In Britain: A History of the Instrument and its Music, Oxford, Oxford University Press.Google Scholar
Stamp, A. E. 1930. The Disputed Revels Accounts, Oxford, Oxford University Press.CrossRefGoogle Scholar
Steadman, John. 1963Falstaff as Actaeon: A Dramatic Emblem’, Shakespeare Quarterly, 14: 231–44.Google Scholar
Steane, J. B. (ed). 1969. Christopher Marlowe: The Complete Plays, Harmondsworth, Penguin.Google Scholar
Steele, Mary Susan. 1926. Plays and Masques at Court During the Reigns of Elizabeth, James and Charles, Ithaca, Cornell University Press.CrossRefGoogle Scholar
Stern, Tiffany. 2009. Documents of Performance in Early Modern England, Cambridge, Cambridge University Press.Google Scholar
Stern, Tiffany. 2013. ‘New Directions: Inverted Commas around the “Fun” Music in Twelfth Night’ in Twelfth Night: A Critical Reader, ed. Findlay, Alison and Oakley-Brown, Liz, London, A&C Black: 166–88.CrossRefGoogle Scholar
Stern, Tiffany. 2014. ‘“A ruinous monastery”: The Second Blackfriars Playhouse as a Place of Nostalgia’ in Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse, ed. Gurr, Andrew and Karim-Cooper, Farah, Cambridge, Cambridge University Press: 97114.CrossRefGoogle Scholar
Stevenson, David L. 1959. ‘The Role of James I in Shakespeare’s Measure for Measure’, English Literary History, 26: 188208.Google Scholar
Stone, Lawrence. 1979. The Crisis of the Aristocracy: 1558–1641, Oxford, Oxford University Press.Google Scholar
Stow, John and Howes, Edmund. 1620. The Summary of English Chronicles, London.Google Scholar
Stow, John. 1615. The annales or a general chronicle of England … continued and augmented … by Edmond Howes, gentlemen, London, Thomas Dawson.CrossRefGoogle Scholar
Streitberger, William R. 1978. ‘On Edmund Tyllney’s Biography’, Review of English Studies, 29, 1135.Google Scholar
Streitberger, William R. 1986. Jacobean and Caroline Revels Accounts, 1603–1642, Oxford University Press for The Malone Society, Malone Society Collections, vol. XIII.CrossRefGoogle Scholar
Streitberger, William R. 2004. ‘“Last of the Poore Flock of Hatfield”: Sir Thomas Benger’s Biography’, Review of English Studies, 55: 662–89.CrossRefGoogle Scholar
Streitberger, William R. 2016. The Masters of the Revels and Elizabeth I’s Court Theatre, Oxford, Oxford University Press.Google Scholar
Strong, Roy. 1987. Gloriana: The Portraits of Queen Elizabeth I, London, Thames and Hudson.CrossRefGoogle Scholar
Syme, Holger Schott. 2010. ‘The Meaning of Success: Stories of 1594 and its Aftermath’, Shakespeare Quarterly, 61: 490525.Google Scholar
T. M. 1603. The Copie of a Letter Written from Maſter C. S. neere Salisbury, to Maſter H. A. at London, concerning the proceeding at VVinchester; VVhere the late L. Cobham, L. Gray, and Sir Griffin Markham, all Attainted of hie Treason, were ready to be executed on Friday the 9. of December 1603, London, R. B.Google Scholar
Tanner, J. R. 1960. Constitutional Documents of the Reign of James I, 1603–1625, Cambridge, Cambridge University Press.Google Scholar
Tasso, Torquato. 1594/1964. Discorsi dell’arte poetica [1587] e Discorsi del poema eroico, ed. Poma, Luigi, Bari, LaTerza e figli.Google Scholar
Taylor, Gary, Jowett, John, Bourus, Terri, and Egan, Gabriel (eds.). 2016. The New Oxford Shakespeare: The Complete Works, Oxford, Oxford University Press.CrossRefGoogle Scholar
Taylor, Gary, and Loughnane, Rory. 2017. ‘All is True; or, King Henry VIII’ in The New Oxford Shakespeare Authorship Companion, ed. Taylor, Gary and Egan, Gabriel, Oxford, Oxford University Press: 586–90.Google Scholar
Temperley, Nicholas. 2016. ‘London (i)’, Grove Music Online. Oxford Music Online, Oxford, Oxford University Press, Oxford Music Online: www.oxfordmusiconline.com/subscriber/article/grove/music/16904pg2 (Date accessed: 26 May 2018).Google Scholar
Thurley, Simon. 1999. Whitehall Palace: An Architectural History of the Royal Apartments, 1240–1698, New Haven and London, Yale University Press in association with Historic Royal Palaces.Google Scholar
Tillyard, E. M. W. 1959. The Elizabethan World Picture, New York, Vintage.Google Scholar
Town, Edward. 2015. ‘“A Good Eye, and Steadfast Hand”: Painting in London 1547-1625’, Painting in Britain 1500–1630: Production, Influences and Patronage, ed. Cooper, Tarnya, Burnstock, Aviva, Howard, Maurice, and Town, Edward, Oxford, Oxford University Press for The British Academy: 252–61.Google Scholar
Tyack, Geoffrey. 2004. ‘Bereblock, John (fl. 1557–1572)’ in Oxford Dictionary of National Biography, Oxford, Oxford University Press: www.oxforddnb.com.proxy.lib.ohio-state.edu/view/article/1813 (Date accessed: 16 October 2017).Google Scholar
Vaccaro, Jean-Michel. 1981. La Musique de luth en France au XVIe siècle, Paris, Éditions du CNRS.
Velasco, Juan Fernandez de. 1604. Relacion de la Iornada del Excmo Condestable de Castilla … por el mes de Agosto, Año M.DC.III, Valladolid, Iuan Yniguez.Google Scholar
W. H. 1634. The True Picture and Relation of Prince Henry, London.Google Scholar
Walls, Peter. 1996. Music in the English Courtly Masque: 1604–1640, Oxford, The Clarendon Press.Google Scholar
Walter, J. H. (ed.). 1954. King Henry V, London, Methuen.Google Scholar
Watt, Tessa. 1991. Cheap Print and Popular Piety, 1550–1640, Cambridge, Cambridge University Press.Google Scholar
Weldon, Anthony. 1650. The Court and Character of King James, London, John Wright.CrossRefGoogle Scholar
Wells, Stanley, and Taylor, Gary (eds.). 1987. William Shakespeare: A Textual Companion, Oxford, Clarendon Press.Google Scholar
Wells, Stanley. 1995. Shakespeare: A Life in Drama, New York, W. W. Norton.Google Scholar
Welsford, Enid. 1927. The Court Masque, Cambridge, Cambridge University Press.CrossRefGoogle Scholar
Wentersdorf, Karl P. 1976. ‘The Conspiracy of Silence in Henry V’, Shakespeare Quarterly, 27: 264–87.CrossRefGoogle Scholar
Werstine, Paul. 2012. Early Modern Playhouse Manuscripts and the Editing of Shakespeare, Cambridge, Cambridge University Press.CrossRefGoogle Scholar
White, Martin. 2014. ‘“When torchlight made an artificial noon”: Light and Darkness in the Indoor Jacobean Theatre’ in Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse, ed. Gurr, Andrew and Karim-Cooper, Farah, Cambridge, Cambridge University Press: 115–36.Google Scholar
Wickham, Glynne, Berry, Herbert, and Ingram, William (eds.). 2000. English Professional Theatre, 1530–1660, Cambridge, Cambridge University Press.Google Scholar
Wiggins, Martin, and Richardson, Catherine. 2016. British Drama, 1533–1642: A Catalogue, vol. V: 1603–1608, Oxford, Oxford University Press.Google Scholar
Wiggins, Martin. 2012–. British Drama: A Catalogue, 8+ vols, Oxford, Oxford University Press.Google Scholar
Wiles, David. 2003. A Short History of Western Performance Space, Cambridge, Cambridge University Press.Google Scholar
Williams, Gary Jay. 1997. Our Moonlight Revels: A Midsummer Night’s Dream in the Theatre, Iowa, University of Iowa Press.Google Scholar
Williams, Penry. 1995. The Later Tudors: England 1547–1603, Oxford, Clarendon.Google Scholar
Willson, David Harris. 1956/1966. King James VI and I, London, Jonathan Cape.Google Scholar
Wilson, Arthur. 1653. The History of Great Britain, Being the Life and Reign of King James the First, London, Richard Lownds.Google Scholar
Wilson, Christopher Robert. 1990. ‘Some Musico-Poetic Aspects of Campion’s Masques’ in The Well-Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissance: Essays in Honour of F. W. Sternfeld, New York, Oxford University Press: 91105.Google Scholar
Wilson, D. R. 1986/7. ‘Dancing in the Inns of Court’, Historical Dance, 2 (5): 316.Google Scholar
Wilson, F. P. and Hill, R. F.. 1975. Dramatic Records in the Declared Accounts of the Office of the Works, 1560–1640, vol. X, Oxford University Press for The Malone Society, Malone Society Collections.Google Scholar
Wood, Anthony à. 1820. Athenae Oxonienses: An Exact History of All the Writers and Bishops who Have Had Their Education in the University of Oxford: to which are Added The Fasti, Or Annals of the Said University, 16 vols., vol. 4, Oxford, J. Parker.CrossRefGoogle Scholar
Yates, Frances A. 1947. ‘Queen Elizabeth as Astraea’, Journal of the Warburg and Courtauld Institutes, vol. 10: 2782.Google Scholar
Yates, Frances A. 1975a. Astraea. The Imperial Theme in the Sixteenth Century, London, Routledge & Kegan Paul.Google Scholar
Yates, Frances A. 1975b. Shakespeare’s Last Plays: A New Approach, London, Routledge and Kegan Paul.Google Scholar
Young, Alan. 1987. Tudor and Jacobean Tournaments, London, George Philip.Google Scholar
Young, Christina. 2013. ‘The Changing Role and Status of Scenic Artists in England’ in Setting the Scene: European Painted Cloths 1400–2000, ed. Costaras, Nicola and Young, Christina, London, Archetype, in association with The Courtauld Institute of Art and the Victoria and Albert Museum: 92107.Google Scholar
Żukowska, Agnieszka, and Limon, Jerzy. 2013. ‘Staging the Royal Blend: Time Structures in George Chapman’s Memorable Masque’ in The Palatine Wedding of 1613: Protestant Alliance and Court Festival, ed. Smart, Sara and Wade, Mara R., Wiesbaden, , Harrassowitz Verlag: 319–38.Google Scholar
Żukowska, Agnieszka. 2010. ‘“But now, sir, you see I see”: The Mediating Function of Scenic Painting on the Stuart Court Stage’ in Theatrical Blends: Art in the Theatre/Theatre in the Arts, ed. Limon, Jerzy and Żukowska, Agnieszka, Gdańsk, słowo/obraz terytoria: 175–83.Google Scholar
Żukowska, Agnieszka. 2012. ‘“Virtue’s eternal spring”: The Management of Time in Thomas Middleton’s Masque of Heroes’, Beyond Philology, 9: 137–50.