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3 - Eye Music

from I - MEDIEVALISM TO POST-SECULARISM

Published online by Cambridge University Press:  01 September 2019

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Summary

Painting is the grandchild of nature. It is related to God.

There are many responses to the music of faith in our society today. Music has the power to move us deeply and to inspire us. Some responses to powerful and inspirational music are eloquent, beautiful and artistic expressions in their own right. One example is the work of the Wiltshire-born artist Janet Boulton who, in recent years, has been working on an artistic project known as ‘Eye Music’. It is Janet's motivation, faith and inspiration that form the focus of this chapter. For me, Janet's ‘Eye Music’ project beautifully captures the relationship between music and faith. The artistic connection between the sung notes within Christian liturgy, particularly in the service of Tenebrae in Holy Week, is explored in a personal way, recognising the movement, both within the liturgy and within the heart of the believer, from darkness to light, from despair to hope. My research into this interconnectedness between sacred music, its impact on a congregation or audience, and the subsequent artistic expression of that experience in visual art has been hugely advanced by knowing Janet and her work, and learning of the fascinating motivation and meaning of this important project.

The ‘Eye-Music’ series of watercolour/collage and paper-pulp reliefs are inspired by the idea of graphic musical notation. Janet writes that she

has combined observations of a still life installed in a window (comprising five plate glass shelves and rows of jam jars) with the forms of musical notation used in early medieval plainchant. In a process of deconstruction and re-invention, with music strongly in mind, she has made images which are intended to be seen independently as well as being a source of musical inspiration. Although there are no specifications for instrument/s or interpretation she became increasingly conscious whilst making the pictures of the spatial and tonal potential of sound.

Joe Scarffe writes of her work:

Janet Boulton refers to her collection as ‘Eye-Music’, but it is important to recognize that she is using the term in a special way. Technically speaking ‘Augenmusik’ (eye music) is the ‘practice of utilizing graphics to embellish staff notation, with a largely graphic or typographic function, in order to reinforce the affective meaning of the music.’

Type
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Music and Faith
Conversations in a Post-Secular Age
, pp. 64 - 74
Publisher: Boydell & Brewer
Print publication year: 2019

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  • Eye Music
  • Jonathan Arnold
  • Book: Music and Faith
  • Online publication: 01 September 2019
  • Chapter DOI: https://doi.org/10.1017/9781787445147.005
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  • Eye Music
  • Jonathan Arnold
  • Book: Music and Faith
  • Online publication: 01 September 2019
  • Chapter DOI: https://doi.org/10.1017/9781787445147.005
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Eye Music
  • Jonathan Arnold
  • Book: Music and Faith
  • Online publication: 01 September 2019
  • Chapter DOI: https://doi.org/10.1017/9781787445147.005
Available formats
×