Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-l82ql Total loading time: 0 Render date: 2024-07-27T21:08:14.783Z Has data issue: false hasContentIssue false

17 - The National Film Finance Consortium

Published online by Cambridge University Press:  18 November 2022

James Chapman
Affiliation:
University of Leicester
Get access

Summary

We’d very much like to see the NFFC give us a million out of successful trading, instead of us giving it a million! We’d like to see it attracting private money instead of public money … There doesn't seem to me to be any reason why films shouldn't get their finance from the market like everything else does in the long run. (Nicholas Ridley)

If the 1970s was a turbulent decade for the British cinema industry, this was especially true for the National Film Finance Corporation. It was a difficult time for the state-owned film bank. The corporation had not made a profit since 1964. Its statement of accounts for 1970 reported a loss of £386,126 for the year and an accumulated deficit of over £5.3 million. At the turn of the decade the NFFC was caught on the horns of a dilemma. On the one hand the withdrawal of a large amount of American capital from the British film industry presented an opportunity for the corporation: there would be more need of its support than at the height of the ‘Hollywood UK’ boom during the 1960s when the corporation had been looking more and more redundant as a lender to British producers. On the other hand the increasing demand for its support came at a time when the corporation's resources were severely depleted. The NFFC's ability to support the ailing British production sector was also compromised by wider political uncertainty over official film policy. The 1970s was a period of considerable economic and political instability: the toing and froing between a Labour Party inclined to supporting the film industry and a Conservative Party opposed in principle to public subsidy made this an especially difficult period for the NFFC, which had to respond to frequent and often sudden shifts in government policy.

The new decade had in fact started on an auspicious note for the NFFC. The Films Act of 1970 extended the corporation's lending powers until the end of 1980 and, moreover, made provision for a further advance of £5 million from the public purse to be provided in instalments over the ten-year period.

Type
Chapter
Information
The Money Behind the Screen
A History of British Film Finance, 1945-1985
, pp. 274 - 286
Publisher: Edinburgh University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×