Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction: rethinking modernism, remapping the turn of the twentieth century
- 1 Beatrice Webb and the “serious” artist
- 2 Inventing literary tradition, ghosting Oscar Wilde and the Victorian fin de siècle
- 3 The Lost Girl, Tarr, and the “moment” of modernism
- 4 Mapping the middlebrow in Edwardian England
- 5 “Life is not composed of watertight compartments”: the New Age's critique of modernist literary specialization
- Conclusion: modernism and English studies in history
- Select bibliography
- Index
- References
Select bibliography
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Acknowledgments
- Introduction: rethinking modernism, remapping the turn of the twentieth century
- 1 Beatrice Webb and the “serious” artist
- 2 Inventing literary tradition, ghosting Oscar Wilde and the Victorian fin de siècle
- 3 The Lost Girl, Tarr, and the “moment” of modernism
- 4 Mapping the middlebrow in Edwardian England
- 5 “Life is not composed of watertight compartments”: the New Age's critique of modernist literary specialization
- Conclusion: modernism and English studies in history
- Select bibliography
- Index
- References
Summary
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- Chapter
- Information
- Modernism and Cultural Conflict, 1880–1922 , pp. 177 - 182Publisher: Cambridge University PressPrint publication year: 2002