Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-7drxs Total loading time: 0 Render date: 2024-07-18T05:50:14.411Z Has data issue: false hasContentIssue false

8 - The Foot Combat as Tournament Event: Equipment, Space and Forms

Published online by Cambridge University Press:  11 September 2020

Get access

Summary

In the fifteenth and sixteenth centuries, foot combat became an often popular event in tournaments, with notable monarchs of the period participating in and excelling at it. In contrast with jousting and its variations (which were more widely practised, and seen as more prestigious than foot combat), and other forms of mounted competitions, there has been little dedicated research on the various aspects and details of foot combat. This situation is understandable considering the dearth of sources on foot combat competitions compared with the other forms of events of the tournament, as well as the lack of consistency in those sources. Fighting ‘at the barriers’ as a synonym for foot combat works in the same manner as ‘the lists’ is used to refer to mounted competitions. In the case of foot combat, the barrier refers to the format of the competition that became popular in the sixteenth century, where contestants fought with various weapons over a separating construction. The popularity of foot combat tournaments coincided with (and was most likely affected by) changes and transitions in martial culture which also had an impact in the conduct of war as well as with the development of martial culture in civic environments with the introduction and increasing popularity of fencing guilds that in their own turn would hold their own competitions.

It is difficult to trace the precise origin or purpose of foot combat competitions because they included many other aspects of the medieval tournament: practice for war, combat sport and spectacle. In the study of foot combat competitions, the comparison with jousting is inevitable. While the latter can be seen as a measure of the prowess of a martial elite which reflects the use of cavalry in military contexts, the former is an expression of core martial skills associated with infantry warfare. This approach is what may lead one to depict foot combat as less chivalric but this is not necessarily true. The deeds in challenges of foot combat of famous knights such as Jacques Lalaing, Richard Beauchamp, earl of Warwick, and many more were already celebrated by the end of the fifteenth century. Accounts from throughout the fifteenth century give examples of pas d’armes, challenges and judicial duels between knights fought on foot.

Type
Chapter
Information
The Medieval Tournament as Spectacle
Tourneys, Jousts and Pas d'Armes, 1100-1600
, pp. 155 - 184
Publisher: Boydell & Brewer
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×