Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-g78kv Total loading time: 0 Render date: 2024-07-31T07:21:51.182Z Has data issue: false hasContentIssue false

10 - Hammers, Dials and Barrels

Published online by Cambridge University Press:  20 December 2022

Get access

Summary

In 1785 the following advertisement appeared in a London daily:

The Chronometer, or Musical Time Beater, is an instrument which has long been wanting, to ascertain and measure accurately the different beats, or portions of time into which musical compositions are divided, and the great utility of such an invention in assisting and enabling young practitioners in that science to play in time, cannot be doubted.

The Chronometer has met the general approbation of the most eminent professors of music, and many other gentlemen who have been pleased to inspect it; the inventor is therefore induced to offer it to the patronage of such ladies and gentlemen as choose to honor him with their subscriptions on the following conditions.

The Chronometer will be neatly finished, in a small compass, so as to stand upon a harpsichord, piano-forte, etc., and be portable in the pocket.

The price to subscribers will be from three to five guineas and upwards, according to the elegance of the finishing, agreeable to the desire of the subscriber. One half to be paid at the time of subscribing, and the remainder on delivery of the instrument.

The instrument will be delivered to the subscribers in the order their names are received, as soon as one hundred and upwards are subscribed for.

Subscriptions are received by the inventor, Mr. W. Pridgin, watch-maker, York … Mr. J. Denton, watch-maker, Hull, at which places the instrument may be seen.

The apparatus advertised was being offered by William Pridgin (dates unknown), a clockmaker from York who had apprenticed for seven years with another maker by the name of William Thornton, himself a student of noted clockmaker Henry Hindley. Pridgin, who worked out of a shop located in York’s Coney Street, remained professionally active there until around 1793, prior to relocating to Hull. According to Pridgin’s advertisement, his “time beaters” were both reliable and accurate, having passed muster with musicians and inspectors alike. The maker also put a premium on both convenience and cost; unlike Breguet, Pridgin was more than willing to finish the instrument according to the taste of the buyer and adjust cost accordingly.

Type
Chapter
Information
Measure
In Pursuit of Musical Time
, pp. 139 - 156
Publisher: Boydell & Brewer
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×